Batman Day – Best Batman Theme Songs

DC Comics has dubbed today Batman Day. The Dark Knight has been fighting crime and serving justice for his 75th year since the 1939 debut of Detective Comics #27. Batman has been a big part of our lives, and was responsible for making us into the comic book fanatics we are today, whether it be through comic books and toys or television and movies. To show our appreciation for the man, the myth and the legend, we have compiled a plethora of Bat-themed lists. We hope that we can inspire you to read more about Batman and his legacy, or even give us some feedback if you agree or disagree with the lists. Sound off below! And click on the picture below to take you to all of our Batman Day articles.

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Top 10 Batman Theme Songs

You can usually tell a person’s age depending on the Batman theme song they identify most. The tunes may have altered throughout the year, but the spirit of them is still the same. You could be at at your daughter’s recital, or giving a presentation to your boss, when that Batman ringtone goes off, people smile. Aside from Superman and a few Marvel characters, Batman is part of a select few that have gotten even one theme song, let alone enough to do a top ten. So rejoice in the sound of the Bat, and let us know which ones you liked the best.

 

10.) Batman Forever

This theme, composed by Elliot Goldenthal, was a distinct departure from the Danny Elfman-produced themes of the Tim Burton films. It’s one of the few good things to come out of Batman Forever. We wish we could count Seal’s “Kiss From A Rose” on here, because that would have instantly shot this up the charts. The use of big, brass instruments gives the theme that epic Batman feeling.

 

9.) Batman Begins/The Dark Knight, “Molossus”

Composed by Hans Zimmer, this theme was actually slightly introduced towards the end of Batman Begins, and expanded upon in The Dark Knight. The harsh drums and cello is the call to action Batman deserves. In fact, the entire scores to Batman Begins and The Dark Knight are worth a listen if you need to get pumped up for that job interview or test.

 

8.) Batman: The Brave and the Bold

When The Brave and the Bold first aired in 2008, I was skeptical. All I needed to see was the opening credits to know that this was going to be a clear homage to the Adam West days with a modern twist to it. The upbeat and very short theme song got its point across without much variation or flare, but it was all Batman.

 

7.) Adam West’s Batman series

Speaking of Adam West, the classic theme from the TV series, which was also used in the Hanna Barbera animated version, is full of butt-kicking goodness, punching sound effects strewn within. The shrill “Batman!” cry heard throughout is the work of an eight-member chorus. It’s the reason the we all sing “Na na na na na na na na…. Batman!” – a true classic theme song in American history.

 

6.) Arkham City

The 2011 video game, which is heralded as the best Batman game yet, had its own score and “Music Inspired By” soundtrack, headlined by this main theme. It was a blend of Zimmer’s The Dark Knight and Elfman’s whimsical woodwinds, creating a truly awesome mixture for us to glide through Gotham to. Good job by Nick Arundel in using the best elements from two of the greatest theme songs in Bat-history to create something new and exciting.

 

5.) The Dark Knight Rises

When Christopher Nolan closed out his trilogy, he left us with a lot of questions – and a lot more unexplainable plot holes. That wasn’t the case for Hans Zimmer, who gave audiences the definitive theme song worthy of ending the epic journey. The theme goes through multiple uplifting phases of the heroes journey. Like The Dark Knight before it, Zimmer’s score is a complete package, one that you can listen to the whole way through, with enough variation to feel like a complete experience.

 

4.) Batman: Mask of the Phantasm

Mask of the Phantasm was a 1993 animated film about Batman’s tangle with a villain who took justice into their own hands, often leading to death for their targets. The theme has a more dynamic feel than the usual animated series theme song, using gospel themes, and more prominent orchestral tones. It may have been a bit too dramatic to be the best theme, but Shirley Walker’s theme fit this film perfectly.

 

3.) Batman Beyond

Ushering in a new generation, the theme song to Batman Beyond was just as futuristic as Terry McGinnis himself. It’s a far departure from the theme used in Batman: The Animated Series, and that’s what made it work so well. Most people can’t even tell that this Kristopher Carter track is Batman-related at all, but fans raised on the series instantly jam out to the theme. This was certainly not their father’s Batman; he belonged to them.

 

2.) Batman Returns

The year was 1992 and Danny Elfman was beginning to make a name for himself in the film score circles with great work on movies like Dick Tracy and Beetlejuice. Elfman’s sound was distinctly gothic, fitting the terrifying story of Batman Returns to a tee. As the opening credits roll, we are treated to a look at the sad journey of Oswald Cobblepot that Burton had created for us, amplified by the frantic pace of the theme song in the background. Since then, Elfman’s has reproduced the same style in almost every theme song he’s done, turning it into more of a cliché over the years, but after twenty years, his Batman theme is still practically untouchable.

 

1.) Batman: The Animated Series

The famous theme song, accompanied by one of the best introduction sequences of all time, of Batman: The Animated Series takes the title of Best Batman Theme Song. Taking clear inspiration from the aforementioned Burton films, TAS theme song was created by Shirley Walker – who, coincidentally enough was Burton’s conductor for the films. The student definitely became the master, and together, the two perfected the Burton theme. The brass is more pronounced, and the subtleties of the film theme were lost in favor of a more crisp overall sound.

Graphic Novel Review – Batman: Hush

Graphic Novel Review: Batman: Hush

CollectingBatman #608-619

Original Release Date: 2002-2003

Publisher: DC Comics

Batman: Hush brings in the whole cavalry.
Batman: Hush brings in the whole cavalry.

Characters: Batman, Hush, Catwoman

Writer: Jeph Loeb (Batman: Dark VictorySuperman/Batman #1-26, Spiderman: BlueHulk: GrayDaredevil: Yellow)

Artist(s): Jim Lee (X-MenSuperman: UnchainedWildC.A.T.S.), Scott Williams & Alex Sinclair (inker and colorist, respectively, that work with Lee)

SCORECARD (each category ranked on a 10-point scale):

Storyline – 10
Art – 10
Captivity and Length – 10
Identity – 10
Use of Medium – 9
Depth – 10
Fluidity – 8
Intrigue/Originality – 10
The Little Things – 9
Overall awesomeness – 10

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DISCLAIMER: I will start this by saying that Batman: Hush is hands-down my favorite graphic novel ever. It’s the second graphic novel I ever read and, ultimately, what inspired me to delve deeply into the world of comics. I have two tattoos dedicated to what this book means to me and it’s part of the inspiration behind our name, Hush Comics. That being said, I will try not to blow too much smoke up your butts, because if you haven’t read it for yourself, I don’t want to ruin the experience.

Batman: Hush uses the entire spectrum of the Batverse to tell a sophisticated story about the emergence of a new cerebral villain into the Rogues Gallery and explores the quasi-romantic relationship between Batman and Catwoman. Hush also marks the return of one of Bruce Wayne’s wards, whose previous death marked his greatest failure as the Batman. It spans the length of twelve issues to tell its story, twice as long as traditional six-issue story arcs; with a plot as involved as this one, this allows Loeb space to create a non-formulaic, dynamic graphic novel. This is also a book that both seasoned comic nerds and people new to comics can be receptive to. Hush does a great job of not making you feel like an idiot because every scene portrays the adequate background information to understand what is going on – something that is the exception more than the rule in comics nowadays.

I always feel that writers of Batman books have an automatic leg up because the Batman of the last twenty years always has the answers, always knows what to do, and the writer usually coasts on it. Jeph Loeb takes the task one step further and helps you identify with the man behind the mask. You realize that Batman has been through a lot of trauma and stress, and although he’s the most badass superhero on the planet on the outside, he still struggles with the same things we do: who to love, who to trust, etc. This vulnerability is accomplished by a steady flow of personal monologue that narrates each panel with Bruce’s (sorry, spoiler?) inner thoughts. Each character, and there are a lot of them, has a distinct voice and personality. Long-time fans will also take note that the cast is scripted quite well. Nothing seems out of place or character in the writing and there is enough suspense to keep the reader from knowing what will happen next. The new villain is cunning and knows just where to hit Batman to make it hurt. This type of strategical villain with a large cast hasn’t been portrayed this well since Bane in Batman: Knightfall.

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The artwork from the legendary Jim Lee is what really won me over here. Jim Lee, now co-publisher of DC Comics, constructs vividly detailed panels that range from small transitional fight scenes to full-page beauties like the one below (Kissing the Knight). Lee’s team, Alex Sinclair, color, and Scott Williams, ink, add to the already beautiful pencilwork. The team switches up colors and even mediums throughout the book when it suits the mood, helping the reader transition between scenes. All of Lee’s drawings are crisp and have an edgy yet realistic appearance. With so much detail spent on each panel, Jim Lee and his team guide the reader through a completely immersive environment.

DC Comics Batman Hush Kissing the Knight B&W

Batman: Hush can be viewed as a stand-alone story, but fits in the old Batman continuity pretty nicely. Since launching The New 52 in 2011, DC has pretty much abandoned any continuation of the Batman-Catwoman romance (except for two awful smut-filled issues of The New 52 Catwoman) and there hasn’t been an appearance of Hush in any titles yet. Don’t let this discourage you from reading though, as there is tons of dialogue and events that coincide with other milestones in past Batman publications. There are a few different books written with Hush as the main villain, most notably Hush Returns and Heart of Hush, but these do not boast the big time writers or artists that this book does, and the story feels a little forced in the romance department, but it’s still a decent read. Overall I’d say that while it reads best as a stand-alone story, there are enough bat-nuances to make you want to get deeper into the Batman lore.

General Reception: You will find Batman: Hush on DC Entertainment’s Essential Graphic Novels list and it’s for good reason. An all-encompassing story that spans all of your favorite Batman villains, sidekicks and introduces enough new elements to tell a tale that both seasoned veterans and comic book rookies can all the same. The characters’ dialogue and actions seem familiar without giving away any of the plot twists throughout the book. There are a ton of different transitions in Hush, giving each scene a distinct ambiance by Jim Lee and his brilliant art team.

Related Books: Hush ReturnsHeart of HushFaces of Evil/Hush Money and Batman Beyond: Hush Beyond (kinda). Hush also makes appearances in videogames LEGO Batman 2 and Arkham CityBatman: Hush has recently been repackaged in Batman: Hush Unwrapped, featuring the sketch-work of Jim Lee. I wouldn’t recommend buying this version first, but if you read Hush the first time through and fall in love with Jim Lee’s art like I did, it’s a sensible purchase. Published in 2011, Absolute Batman: Hush is a completely over-sized version of the original with all its glory. It’s loaded with extras but it’s pretty pricey, so I wouldn’t recommend this unless you are a big-time collector or really love the story.

More by the writer: In terms of Batman books, Loeb has written acclaimed mystery crime graphic novels Batman: The Long Halloween and its sequel, Batman: Dark Victory. Loeb has also written Marvel books in the color-themed Daredevil: YellowSpiderman: BlueHulk: Grey and Captain America: White. He’s also worked on Superman/BatmanHulk and Cable series.

More by the artist: If you’re looking for more recent Jim Lee work, look to the first two New 52 Justice League story arc and the ongoing Superman: Unchained. His most distinguished works are X-Men: Mutant GenesisAlpha Flight and WildC.A.T.S., the latter being a series that he created when he left Marvel to help create Image Comics with the likes of Todd McFarlane, Rob Liefeld, and others.

Written by Sherif Elkhatib