Comic Book Reviews 12-18-13

Pick of the Week:

Locke and Key: Alpha #2 (IDW Comics) – A
And that, my friends, is how you wrap up the greatest horror series in comic book history. This was a Locke for pick of the week before it was even announced. Kudos to Joe Hill and Gabriel Rodriguez for an amazing run of almost six years. I won’t judge you if you haven’t read this book, as it’s been critically acclaimed but still very rarely marketed. There are no cliffhangers, monsters or murderers – just closure. It’s a welcome finale when writers are far more concerned with the integrity of the story rather than a spin-off or a mini-series event. As the son of the great Stephen King, Joe Hill has plenty else to look forward to. The only disclaimer I have for this issue is that you must have read the story to understand the gravity or the events of what transpire in the series finale. I know it’s a bummer but you can get started by reading our review of the first volume here.
Locke and Key

Other Reviews:

DC:

Harley Quinn #1 (DC Comics) – B+

Written by Amanda Conner and Jimmy Palmiotti, Harley Quinn issue #1 made quite the entrance into her own comic series.  Picking up where we left off in issue #0, Harley has packed up all her belongings, at least the ones that were in decent condition after Mr. J blew her stuff up.  On her very own Harley, our heroine (to be debated later) is on her way to Coney Island where she has suddenly come into her own property.  On her way there, she talks to her beaver (woah, inappropriate) that only she can hear, and rescues an abused dachshund.  A girl who likes animals more than people is my kind of girl.  The artwork is really amazing.  Illustrated by Chad Hardin and colored by Alex Sinclair (Jim Lee’s right-hand man), One of the best panels features Harley pulling up to her new pad.  We see all the people of her new hood, including a beggar on the street corner wearing a Guy Fawkes mask and holding a sign that reads “Please help me pay off my student loans.  Thanks-V”  It’s a nice little nod to the Occupy Movement. The art allows Harley to have a bit of a sexy look to her, but in certain panels we still realize that she is a creepy, crazy clown.  She even makes a jab at herself when trying to recreate her Harleen Quinzel look, “That’s what I get for getting an all over bleach job.”   Her crazy wit is cute and funny throughout the comic, and we get to see how extreme she can be, especially during roller derby.  It looks like this series will be following Harley in her adventures in the big city ala Sex and the City.  But we all know Harley is a little less Carrie Bradshaw and a little more Lorena Bobbitt. The only gripe I have with this issue is seeing Harley as such a BA, yet at the end, a dude saves her life.  When is Harley gonna be her own woman?  Hopefully at some point in this series, Harley will realize how great she is without anyone to save her.

Red Hood and the Outlaws #26 (DC Comics) – C

This issue leads up to the conclusion of the current story arc and while it doesn’t offer anything crazy as far as advancing the plot forward, it does have some incredible artwork throughout. This series has been very hit or miss for me. While I love how awesome Red Hood can be, I personally can’t stand Arsenal as character, and Starfire seems like she should be too powerful for a group such as this. Nothing in 26 issues has changed my opinion of this. I continue to read because of the potential it has to intertwine with Batman; however, since the disassociation with Batman after death of the family, I have been left with a longing for Jason to return to Gotham to dispense his brand of vigilante justice. Only time will tell if this is a book I will continue to read in the future. It definitely has the potential to shine but it will depend entirely on the writers to be able to make it genuinely interesting to read. Perhaps changing the team around wouldn’t be such a bad idea.

Supergirl #26 (DC Comics) – B+

If there was a good point to drop into the middle of this series, issue 26 would be the perfect one to do it. Kara does a little souls searching and while in the middle of that, the issue gives a great summary of the events of the last 25 issues. Sure there are some small things that someone just getting into the series would have to catch up on, but none of it is anything major that can’t be read later. What really makes this issue shine how is the introduction of the most badass bounty hunter in the galaxy. Lobo! While he isn’t given a large amount of time, what time he is given is well utilized and promises to make this current arc one of the best so far. My only complaint with this series thus far is that it requires you to stay current with Superman and Superboy, otherwise you risk missing out on key plot points due to the way the stories intertwine

Teen Titans Go! #1 (DC Comics) –  B+

Teen Titans Go! Issue #1 was a pleasant surprise for me.  It was clearly intended for the younger audiences, but was packed with witty humor. I found myself laughing out loud at several panels throughout.  This issue was broken up into two parts.  Part one is the mystery of who is eating Cyborg’s sandwich.  The mystery aspect of the story was very cute with Robin taking it upon himself to interrogate the group.  Using black and white panels for this section and giving Robin old-timey detective lines worked perfectly.  Part two focuses on a bet between Robin, Cyborg and Beast Boy on the mini-golf course.  Meanwhile, Raven and Starfire go to the arcade.  Raven cleverly uses her levitation powers to get a stuffed toy out of the claw machine.  Starfire asks, “But where does the claw come in?”  “Beats me.” Raven replies dryly.  The wittiness of this issue is what carries it.  The dialogue is quick and pokes fun at itself a little.  The outcomes of each episode are a little silly, but what else is expected for the teens? Teen Titans Go! is a good read for new and seasoned comic readers.

Wonder Woman #26 (DC Comics) – C

Wonder Woman has pretty much carried the torch for women in DC Comics for the past few years. Protector, warrior, princess of Olympus – Wonder Woman is by all means a powerhouse. Thanks to some great writing by Brian Azzarello, Wonder Woman has undergone quite the transition into the fight for Olympus. After a godly issue #23, though, things have quite slowed down. It feels like they’re trying to do too much. There are several different story-lines playing out, and over the span of months, I’m beginning to forget what the big picture actually is. While I’m sure this would read better in a graphic novel format, it’s just too complex of a story to be able to pick up every month. However, don’t let that discount the great character dynamics and fantastic use of Greek mythology; this is still a highly enjoyable book.

Marvel:

All New X-Men #20 (Marvel Comics) – B

Laura Kinney (X-23) is back! She’s popping blades and not taking any lip from anyone! She awakens in the old Weapon X factory, (it’s since been converted to the New Xavier School For the Gifted). Scott and Laura have a heart to Adamantium talk about why the X-Men have time traveled. She explains that she has been tortured for a year and is now being hunted by an anti-mutant group called, The Purifiers. This anti-mutant group is led by William Stryker’s son.  Can we say daddy issues? The X-Men gear up and prepare to raid this new threats’ hideout when…

Amazing Spiderman #700.4 (Marvel Comics) – C

Bravo to Pasqual Ferry and Andres Mossa for the cover art. The issue is worth the pick up for that alone. Peter Parker is still in the Kaiser Permanente from hell. He has been admitted to a hospital for criminals. Joe Casey writes some harsh lines about our do-gooder, “Consider his reputation, an anti-hero at best…not exactly Captain America. He would not be missed.” Peter’s identity as Spider-Man has been compromised by the staff and now he is in a fight to get out of there.

Amazing Spiderman #700.5 (Marvel Comics) – D

No rest for the weary. Spider-Man tries to enjoy a nap after a day of crime fighting, and who should come flying through his window? Johnny Storm! Brian Reed writes this issue, Spider-Man and The Human Torch. This issue is a throw-away. The story is rushed, poorly planned and boring. Johnny steals some kind of machine from the Baxter Building that came from future Ben. It will destroy the universe and old flame-boy tries to enlist Spidey to help him get rid of it. The Fantastic Four track him down to retrieve the device. Skip this one and give Superior Spider-Man #24 a shot.

Daredevil #34 (Marvel Comics) – B-

After an odd stint in Stone Hills, Kentucky, Daredevil is back in New York City and back to the main storyline; the Sons of the Serpent, a white supremecy group, have corrupted the justice system and look to be taking the whole city from the inside. This story has been building for about ten issues now, and it finally would seem that Daredevil is gaining momentum against the Serpents. After an empowering speech over the airwaves, Daredevil has gone on the offensive against the Serpents. On display are very run-of-the-mill pages from Mark Waid and Javier Rodriguez. The series has lost a bit of the appeal it had in earlier issues, but it’s still fun to read. With the story, and the series’ run wrapping up in two issues, there’s a lot of ground to cover.

Deadpool #21 (Marvel Comics) –  B

So I’ll admit, I got a bit carried away with Deadpool #20, the ridiculous story about battling inter-galactic monsters in Wakanda. I’m not perfect and neither is Deadpool. This issue has us follow our favorite hero as he continues his journey to separate himself from S.H.I.E.L.D. Agent Preston, who is sharing space aside the multiple personalities of Wade Wilson. It doesn’t make sense if you haven’t read the whole way through, but having read all the issues, it still doesn’t make sense. As he tries to satisfy Preston by watching Madea he is hunted by S.H.I.E.L.D. mercenaries, an irony that is not lost on me. The issue was thoroughly entertaining and full of hilarity. This is the start of the Deadpool vs. S.H.I.E.L.D arc, so it’s a great time to jump on to watch the Merc With A Mouth take down the system. … at least for a few episodes until they put out another stupid filler issue.

Scarlet Spider #25 (Marvel Comics) – C-

This final issue in the series really brings this particular story arc full circle. What I find the most dissatisfying is that you could have almost replaced this issue with the first one and ended the entire series right there. It basically felt like a carbon copy of the first issue, only Kaine has the chops to go through with actually leaving Houston the first time. The artwork wasn’t anything particularly special but it was not bad by any means. This ending felt a little sloppy but after reading the afterword, I am assured that this isn’t the end for Kaine. This character has great potential if explored properly. I really like the idea of a Peter Parker that is tainted and willing to go places and do things that Peter Parker would never do. It is the perfect opportunity to explore that dark side and while this ending may have been a little disappointing, I am looking forward to the future of Scarlet Spider when he returns in NEW WARRIORS #1.

Superior Spiderman #24 (Marvel Comics) – C+

Oh great, as if Spiderman wasn’t arrogant enough. With the great narcissistic Otto Octavius at the helm of the Venom symbiote, things are not looking so great for those close to him. Really, enough is enough. You can make him an asshole, you can make him break up with MJ, you can even make him dance around like an idiot in Spiderman 3… but you do not get to disrespect sweet ol’ Aunt May; that is off-limits. As Spidey’s ego goes to his head, there are a lot of things set in motion by the police, the Golbin gang and The Avengers. I like where this is going, as it’s obviously time for Peter Parker to come back from oblivion and return to the spotlight. The weekly splurge of Amazing Spiderman hints that a Parker return isn’t far off.

IDW:

Samurai Jack #3 (IDW Comics) –  B

This month’s issue of Samurai Jack was a nice change from there the series could have gone.  With the first two issues requiring Jack to defeat an unbeatable foe, I was worried every issue would follow the same script.  So far, Issue #3 is my favorite.  Jack, still following the magical Threads of Time to rewind history from his enemy Aku, lands in what seems to be Ancient Greece.  He meets the warrior of the town, Gloer the Great of Grantus.  The alliterative character shows Jack around town.  But instead of having to fight Gloer, as was expected, he sees that Gloer’s town has already been demolished by Aku’s terribleness.  The series is already a little Mr. Peabody-esque.  This issue is Mr. Peabody meets Stepford Wives meets Disney’s Hercules.  It’s very cute, but still a great use of medium to provoke some pretty deep thoughts for the intended elementary level reader. I highly recommend picking up this issue for your new little comic book reader.

Teenage Mutant Ninja Turtles #29 (IDW Comics) – B+

We join our turtles after the fallout of City Fall as they drive to a Northampton countryside home where April O’Neil’s parents live. The family is in shambles and I can feel Splinter pain as he tries to repair the damage that Shredder and the Foot have wrought upon his family. The issue is divided between the turtles and their family issues and the O’Neils meeting Casey Jones for the first time. Ah, but the plot thickens! Our heroes had an unwelcome guest follow them to Northampton (Although not unwelcome to me, as this is secretly my favorite character in the book). Meanwhile, April finds out that there’s more than meets the eye when it comes to the mutagen, and her parents are the one to tell the secret. Ross Campbell has picked up art duties for the main story after doing a couple of the Micro-Series (Leonardo, Alopex) books. Although I was initially sad to see Mateus Santolouco’s grimy style end with City Fall, Campbell’s art is intrinsically beautiful and fitting of the subject matter. As we build towards another storyline, I was thoroughly pleased with TMNT #29, as it serves as a great jumping-on point for fans new to the series while still reflecting on the events of City Fall.

Image:

Black Science #2 (image Comics) – A

The second issue of this deep space thriller, Black Science, opened up the story and explained a lot of character dynamic without giving too much away for what’s to come. It’s a captivating sci-fi tale that mixes a little bit of Mass Effect with an 80’s space thriller twist. What Black Science succeeds at so well is its ability to draw in a reader with it’s amazing character dynamics and between-the-lines story-telling. Two issues in and you already know who you are supposed to like and who you are supposed to loathe. Throw in a well-placed flashback scene and now you’re part of the family. First, mutant frog people and now futuristic Native Americans killing Nazis; this is shaping up to be one special series, and it’s not limited to cliches and superheroes.

Saga #17 (image Comics) – A

“The only journalists that deserve killing are sports writers.” Saga is written too well for me to fully appreciate. It’s filled with literary quips. I feel like it’s written only for English majors or burnt-out authors. Needless to say, it’s brilliant. Issue 17 masks its social and political dogma behind vibrant panels and fashionable sarcasm. We find our two journalists greeted by yet another Freelancer named, The Brand. He enchants them with an Anti-snitching potion (Embargon) to impede them from continuing their story about inter-species love. When Upsher and Doff ask The Brand why their writing is so threatening the response is, “It’s the stories with no sides that worry them.” Saga engages everything is our current social spectrum. Nothing is taboo. Homosexuality, popular media, inter-racial relationships, and child-rearing are all on the table. As readers we are also unclear to Vaughn’s stance on these issues. This is what makes Saga so intriguing.

The Will is still bleeding out after being attacked by a possessed Sophie (slave-girl). Gwendolyn is desperate to find help. She makes her way to D. Oswald Heist’s lighthouse. She arrives after Klara’s attempt to save his life from Prince Robot IV.  This week’s issue submerges us deeper into this space-opera and will give you a good giggle and gasp (See Prince Robot’s erotic revelation).

Sex #9 (image Comics) – B

Now we’re talking! There’s been a lot of foreplay leading up to Sex, but it seems that the buttons are finally coming undone. What we are shown is a genuine origin story starring our hero Simon as The Armored Saint and his techie sidekick, Keenan. It really brings the story together and explains a lot in the first eight episodes that didn’t make a whole lot of sense the first time through. Guest artist Morgan Jeske’s art has a very distinct appearance from the rest of the series, and gives the issue a very raw, Dark Knight Returns vibe. And, of course, there is raunchy, gratuitous sex – as is expected when your crime-fighting secret hideout is a whore-house. Here’s to hoping that we get more exciting issues like this and less build-up.

Dark Horse:

Darth Vader and the Cry of Shadows #1 (Dark Horse Comics) – B

Enter Clone Trooper CT5539, after the Clone Wars and after Order 66. One of Jango’s copies has settled down working and living quite unremarkably on what appears to be a desert planet (perhaps Tatooine – some of the best Star Wars stories star there!). By way of true “events,” Cry of Shadows #1 really has none. The pages are filled with narration and storytelling. Flashbacks and imagination dominate. This isn’t a bad thing though! On the contrary, I was able to connect with CT5539 almost immediately because I was reading his inner thoughts. It’s critical to note that the flesh and blood Vader (or should I say, metal and lube-oil) makes no appearance besides what’s being imagined by CT derived from stories told by drunk cantina-goers. Vader remains a fantasy and a symbol in CT’s eyes. The ferocious tales are vividly and beautifully illustrated by Guzan and Atiyeh. It could be my bias, but Vader remains as imposing and awesome as ever. After meandering through post-war life, CT finds a spark and journeys out to see if the stories about Vader are true. What better way to obtain answers than ask the guy yourself?! The build-up is well done in Cry of Shadows #1 and I’m already anxious to see how the real life Vader measures up to the Vader of CT’s dreams and aspirations.

Ghost #1 (Dark Horse Comics) – B-

The series is a continuation of the original 1990’s Ghost series where Elisa, a journalist, uncovers a crazy secret; the Mayor of Chicago is actual a demon in disguise. The possessed mayor banishes Elisa to hell only to have her brought back to the living world in ghost form by two paranormal investigators, Vaughn and Tommy, after which she proceeds to pull the demon from the mayor. That same demon, however, is able to escape and possess a new host – Doctor October. This is essentially where we pick up in Ghost #1. Elisa is still hunting for Doctor October as well as other possessed persons of power in Chi-town. Issue #1 starts out pretty intensely with Elisa kicking serious demon behind on the monorail. There’s lots of plot development in the first issue (as expected) and it makes for a somewhat slow read. Authors Kelly Sue DeConnick and Chris Sebela appear to be working depth into the story and I enjoy the direction its heading. In Elisa’s return for the demon realm, she only partially recovered her memory; this aspect does much to move the story along and kept me engaged. Demon sketch lack originality, but are beautifully grotesque in detail (props to Ryan Sook). Ghost herself is also pretty B.A. She stunts some really cool tricks and maintains a fearless and confident attitude throughout. I’m looking forward to Elisa’s pursuits to purify her city, recover her memory and take on Doctor October!

Funniest Panels of the Week:

Epic Panels of the Week:

Cover Art of the Week:

TMNT #29 by Ross Campbell gets our cover art of the week for its beautiful use of color
TMNT #29 by Ross Campbell gets our cover art of the week for its beautiful use of color

That about wraps it up for our reviews this week! Look for next week’s previews coming soon. Any comic books you didn’t see reviewed that you want reviewed? Any grades you didn’t agree on? Let us know in the comments!

All images taken from ComiXology app and the credit for them goes to the respective publishers; thanks to IDW Comics, image Comics, Dark Horse, DC and Marvel for putting out great books.

Written by Sherif ElkhatibJohn Soweto, Taylor Lowe, Robert Michael, and Adrian Puryear

Graphic Novel Review – Batman: Hush

Graphic Novel Review: Batman: Hush

CollectingBatman #608-619

Original Release Date: 2002-2003

Publisher: DC Comics

Batman: Hush brings in the whole cavalry.
Batman: Hush brings in the whole cavalry.

Characters: Batman, Hush, Catwoman

Writer: Jeph Loeb (Batman: Dark VictorySuperman/Batman #1-26, Spiderman: BlueHulk: GrayDaredevil: Yellow)

Artist(s): Jim Lee (X-MenSuperman: UnchainedWildC.A.T.S.), Scott Williams & Alex Sinclair (inker and colorist, respectively, that work with Lee)

SCORECARD (each category ranked on a 10-point scale):

Storyline – 10
Art – 10
Captivity and Length – 10
Identity – 10
Use of Medium – 9
Depth – 10
Fluidity – 8
Intrigue/Originality – 10
The Little Things – 9
Overall awesomeness – 10

hush_rating_96

DISCLAIMER: I will start this by saying that Batman: Hush is hands-down my favorite graphic novel ever. It’s the second graphic novel I ever read and, ultimately, what inspired me to delve deeply into the world of comics. I have two tattoos dedicated to what this book means to me and it’s part of the inspiration behind our name, Hush Comics. That being said, I will try not to blow too much smoke up your butts, because if you haven’t read it for yourself, I don’t want to ruin the experience.

Batman: Hush uses the entire spectrum of the Batverse to tell a sophisticated story about the emergence of a new cerebral villain into the Rogues Gallery and explores the quasi-romantic relationship between Batman and Catwoman. Hush also marks the return of one of Bruce Wayne’s wards, whose previous death marked his greatest failure as the Batman. It spans the length of twelve issues to tell its story, twice as long as traditional six-issue story arcs; with a plot as involved as this one, this allows Loeb space to create a non-formulaic, dynamic graphic novel. This is also a book that both seasoned comic nerds and people new to comics can be receptive to. Hush does a great job of not making you feel like an idiot because every scene portrays the adequate background information to understand what is going on – something that is the exception more than the rule in comics nowadays.

I always feel that writers of Batman books have an automatic leg up because the Batman of the last twenty years always has the answers, always knows what to do, and the writer usually coasts on it. Jeph Loeb takes the task one step further and helps you identify with the man behind the mask. You realize that Batman has been through a lot of trauma and stress, and although he’s the most badass superhero on the planet on the outside, he still struggles with the same things we do: who to love, who to trust, etc. This vulnerability is accomplished by a steady flow of personal monologue that narrates each panel with Bruce’s (sorry, spoiler?) inner thoughts. Each character, and there are a lot of them, has a distinct voice and personality. Long-time fans will also take note that the cast is scripted quite well. Nothing seems out of place or character in the writing and there is enough suspense to keep the reader from knowing what will happen next. The new villain is cunning and knows just where to hit Batman to make it hurt. This type of strategical villain with a large cast hasn’t been portrayed this well since Bane in Batman: Knightfall.

absolute-batman-hush

The artwork from the legendary Jim Lee is what really won me over here. Jim Lee, now co-publisher of DC Comics, constructs vividly detailed panels that range from small transitional fight scenes to full-page beauties like the one below (Kissing the Knight). Lee’s team, Alex Sinclair, color, and Scott Williams, ink, add to the already beautiful pencilwork. The team switches up colors and even mediums throughout the book when it suits the mood, helping the reader transition between scenes. All of Lee’s drawings are crisp and have an edgy yet realistic appearance. With so much detail spent on each panel, Jim Lee and his team guide the reader through a completely immersive environment.

DC Comics Batman Hush Kissing the Knight B&W

Batman: Hush can be viewed as a stand-alone story, but fits in the old Batman continuity pretty nicely. Since launching The New 52 in 2011, DC has pretty much abandoned any continuation of the Batman-Catwoman romance (except for two awful smut-filled issues of The New 52 Catwoman) and there hasn’t been an appearance of Hush in any titles yet. Don’t let this discourage you from reading though, as there is tons of dialogue and events that coincide with other milestones in past Batman publications. There are a few different books written with Hush as the main villain, most notably Hush Returns and Heart of Hush, but these do not boast the big time writers or artists that this book does, and the story feels a little forced in the romance department, but it’s still a decent read. Overall I’d say that while it reads best as a stand-alone story, there are enough bat-nuances to make you want to get deeper into the Batman lore.

General Reception: You will find Batman: Hush on DC Entertainment’s Essential Graphic Novels list and it’s for good reason. An all-encompassing story that spans all of your favorite Batman villains, sidekicks and introduces enough new elements to tell a tale that both seasoned veterans and comic book rookies can all the same. The characters’ dialogue and actions seem familiar without giving away any of the plot twists throughout the book. There are a ton of different transitions in Hush, giving each scene a distinct ambiance by Jim Lee and his brilliant art team.

Related Books: Hush ReturnsHeart of HushFaces of Evil/Hush Money and Batman Beyond: Hush Beyond (kinda). Hush also makes appearances in videogames LEGO Batman 2 and Arkham CityBatman: Hush has recently been repackaged in Batman: Hush Unwrapped, featuring the sketch-work of Jim Lee. I wouldn’t recommend buying this version first, but if you read Hush the first time through and fall in love with Jim Lee’s art like I did, it’s a sensible purchase. Published in 2011, Absolute Batman: Hush is a completely over-sized version of the original with all its glory. It’s loaded with extras but it’s pretty pricey, so I wouldn’t recommend this unless you are a big-time collector or really love the story.

More by the writer: In terms of Batman books, Loeb has written acclaimed mystery crime graphic novels Batman: The Long Halloween and its sequel, Batman: Dark Victory. Loeb has also written Marvel books in the color-themed Daredevil: YellowSpiderman: BlueHulk: Grey and Captain America: White. He’s also worked on Superman/BatmanHulk and Cable series.

More by the artist: If you’re looking for more recent Jim Lee work, look to the first two New 52 Justice League story arc and the ongoing Superman: Unchained. His most distinguished works are X-Men: Mutant GenesisAlpha Flight and WildC.A.T.S., the latter being a series that he created when he left Marvel to help create Image Comics with the likes of Todd McFarlane, Rob Liefeld, and others.

Written by Sherif Elkhatib