This Week’s Comics – November 11th, 2015

This Week’s Comics is the pull list of Comic Books recommended by Hush Comics, with notes and suggestions by co-owner, Sherif Elkhatib.

Recommendations:

Superman: American Alien #1: Operation “Let’s show people that Superman is still cool” continues with this seven-part mini-series. Each issue will be a separate story detailing a different part in Clark’s life. It will likely be terrible, but DC is trying SO hard, you guys.

All-New [Fill in the Blank] #1: There are three new Marvel books with the All-New imprint on them this week, with the launch title Avengers being the biggest. Me, though, I’m stoked about seeing X-23 embrace her inner Wolverine.

Limbo #1: A six-parter from Image title that crosses 50’s pulp noir with 80’s vibes. The art looks fantastic and I get a very Ugly Americans vibe from the setting. Really, anything new and different from Image stays in my to-read list.


Graphic Novels:

Age of Ultron vs. Marvel Zombies (Marvel)
Andre the Giant: Closer to Heaven
(IDW)
Cyanide and Happiness: Stab Factory
(BOOM!)
Batman R.I.P. Unwrapped (DC)
Django/Zorro (Dynamite)
Drones (IDW)
Infinite Loop (IDW)
Wolf Volume 1 (Image)

Comic Books:

Archie Comics
Sonic The Hedgedog #278

BOOM! Studios
Adventure Time #46
Americatown #4
Lantern City #7
Last Sons of America #1
Sleepy Hallow Providence #4 (final issue)

Dark Horse Comics
Abe Sapien #28
Harrow County #7
King Tiger #4 (final issue)
Mirror’s Edge: Exordium #3
Rebels #8

DC Comics
Batman #46
Batman and Robin Eternal #6
Batman Beyond #6
Batman/Superman #26
Catwoman #46
Constantine: The Hellblazer #6
DC Comics Bombshells #4
Fables: The Wolf Among Us #11
Justice League: The Darkseid Wars – Green Lantern #1
Justice League: The Darkseid Wars – Shazam #1
Justice League United #15
Red Hood/Arsenal #6
Slash and Burn #1
Starfire #6
Superman: American Alien #1
Teen Titans #13
Twilight Children #2

Dynamite Entertainment:
Alice Cooper vs. Chaos #3
Grumpy Cat #2
Pathfinder: Hallow Mountain #1
Red Sonja/Conan #4 (final issue)

IDW:
G.I. Joe: A Real American Hero #219
Last Fall #5 (final issue)
Maxx Maxximized #25
Teenage Mutant Ninja Turtles: Amazing Adventures #4
X-Files: Season 11 #4

Image Comics:
68 Last Rights #3
8House #5
Airboy #4 (final issue)
Astronauts in Trouble #6
Autumnlands: Tooth & Claw #7
Birthright #11
Codename Baboushka: The Conclave of Death #2
Descender #7
Drifter #9
Faster Than Light #3
Goddamned #1
Limbo #1
Mythic #5
Postal: FBI Dossier #1
Southern Bastards #12
The Walking Dead #148
Wicked + The Divine #16

Marvel:
All-New All-Different Avengers #1
All-New Hawkeye #1
All-New Wolverine #1
Captain America: White #3
Carnage #1
Chewbacca #3
Darth Vader #12
Figment 2 #3
Illuminati #1
Infinity Gauntlet #5
Secret Wars #7
Spider-Gwen #2
Spider-Man 2099 #3
Squadron Sinister #4
Thors #4
Ultimates #1
Web Warriors #1

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Comic Book Reviews 11-04-15

Review Scale:

The mythical A+: Classic comic book material. Belongs next to your copy of The Notebook and The Joy of Cooking.

A: Would definitely recommend to all comic book readers. Even more so to fans of the genre or characters

B: Enjoyable read. Fans of the genre or characters will especially like.

C: Non-essential read. Can be enjoyable for fans of the genre or characters, but likely for only one or two events in the books.

D: Unenjoyable book. Read at your own risk. Might find satisfaction if major flaws are overlooked.

F: Please don’t buy this book. Donate your money to a local comic book writer’s workshop instead to inspire future generations to write something better than this trash.

Pick of the Week:

howard the duck 1 RTJ

Howard the Duck #1 – A
Writer: Chip Zdarsky
Artist: Joe Quinones

Like always, Howard the Duck ends up being my favorite comic of the week and so much of this is due to my past love of the character, but much of my love for this new and the pre-Secret Wars series are due to Chip Zdarsky’s fantastic writing! It is such a great mix of classic and modern Howard that it melds together better than peanut butter and jelly. This story seems to take place not that far after the events before Secret Wars, but Howard is still depressed and feeling out of place. Despite having his new Skrull friend Tara Tam and Aunt May starting work at his office, Howard still wants to get home to Duckworld, despite hating it there. So Howard and Tara take a trip to ease his stress, only to find out that is was a ruse from Howard to try and find a portal into the nexus of all realties, with help from his old friend Man-Thing. But Man-Thing is busy with the Howling Commandos of Shield, so Howard is left with a couple villains trying to use the portal and ends up in yet another stressful interaction for our duck detective. Also, Gwenpool WTF?!?! – Jacob

Second Opinion (A)Anyone else feel a little uncomfortable with how hot septuagenarian Aunt May is? It’s making me question myself. Seriously though, I really love this duck. – Montgomery

Other Reviews: 

BOOM! Studios:

Klaus #1 – A
Writer: Grant Morrison
Artist: Dan Mora

It’s really hard to not give a Morrison comic an A+ on merit alone. But this book exemplifies why I hate the most commercial aspects of Christmas: the tradition handed down to us from, literally, Woolworth’s is garbage. All the stories are insipid, and the lesson of all of them is that desire is the kindling of magic. This Klaus, however, is awesome in a way our chubby fat guy in a red suit never is. Klaus is a wanderer outside of some place very Germanic and very frozen. He wanders into the wrong town (which used to be the right town) and is kicked out and nearly hunted. The town is run by a despotic and despondent family who, because of desire, have lost all sense of life. There isn’t much exploration of Klaus as a character in this first issue, but an image painted of what kind of world needs a Santa in the first place. This Santa’s pretty metal, and a little psychedelic. – Montgomery

Second Opinion (B)I’ll tread carefully for fear of coal in my stocking, but the book needs to do a better job of merging silly tone with extra-violent theme to really get on my Nice list. The art, though, is freaking incredible. – Sherif

DC/Vertigo Comics:

Justice League Darkseid Wars – Flash #1 – D
Writer: Rob Williams
Artist: Jesus Merino

Man, DC Comics is feeling like a lame college party trying to compete with a new fraternity rush. They are completely being outdone by Marvel in every way. Even the Darkseid Wars, which is one of DC’s strongest arcs right now, is being watered down by the multiple spin-off titles. Batman’s spotlight last week wasn’t bad, but this one was just awful. Barry’s obsession with saving everyone has forced him into a stand-off with Death. Sloppy art and a few “profound” moments later, and you’ve successfully wasted $4. – Sherif


Justice League Darkseid Wars – Superman #1 – F-
Writer: Francis Manapul
Artist: Bong Dazo

I wish I could truly tell the world how much I hate this issue. We get it – dickhead Superman is not relatable. He’s also a douchebag who yells at the waiter for not getting his apple pie in 3 panels. It’s basically a superlative for every stereotype we’ve ever thrown at DC for the Man of Steel. Super seriously, it’s something not even Mad magazine would wipe their ass with. You should be fucking ashamed of yourself, DC. – Sherif

Dynamite Entertainment:

James Bond #1 – B-
Writer: Warren Ellis
Artist: Jason Masters

This was a pretty quick read because there were no words for the first seven pages. Which is a little odd. However, I just finished watching Spectre, and this was a decent read in comparison. I like a story where drugs are considered bad, and this let’s us know from the get-go that we dealing with some bad people. It’s hard to tell how well this story will unfold, but for now, it was a decent first issue. – Adrian

Second Opinion (C+): I liked this iteration of James Bond. I especially like the parts with no words and lots of killing. – Sherif

IDW Publishing:

Transformers: More Than Meets the Eye #46 – B+
Writer: James Roberts
Artist: Alex Milne

When I saw Grimlock on the cover, I peed a little. TF:MTMTE has excelled at playing its cards close to its chest, and playing a long game. I think it’s been at least two years since we last saw Grim. Fort Max is sailing the universe rounding up former Decepticon fugitives guilty of selling Cybertronian technology. He runs across The Scavengers, a team of well meaning and mostly harmless Decepticons, who have been unknowingly been involved in a sort of robot trafficking scam. They’ve also been taking care of Grimlock who, the last time we saw him, was wondering aimlessly with seemingly no thoughts in his head. The story isn’t particularly ground breaking, and his return isn’t quite a world breaking fireworks show (nor is it a full return yet, from what we can see), but the whole comic was a sweet character study of some pretty minor characters. – Montgomery

Image Comics:

Monstress #1 – A
Writer: Marjorie Liu
Artist: Sana Takeda

Damn. One amazing start to a new story. This creative team is a force not to be reckoned with. To be honest this was the first time I’ve heard of Liu, but after looking her up she has quite the resume on her.  She’s worked on Astonishing X-Men and Black Widow. At the end of the comic Liu says she got the inspiration for this comic from this stories her grandparents told about horrors they experienced during World War II. She wanted to write a story about survival, racial hatred, and the concept of fighting something monstrous. I really loved the fact that this was 75 pages instead of the usual 15-25. I don’t think I could have handled this same story taking three week to get to.  Maika the main character of the story and are is too good for that. Yes, let me wax poetic about the art. It is come of the most beautiful and intricate stuff I have seen in a long time. I found myself getting lost/wondering in the panels longer than I do with most comic books. It really begs you to sit with it longer. The narrative also treats you like you’re part of the world and doesn’t give you any heavy exposition. You’re exploring the world as the characters move though the plot. Creep factor that still makes me squirm: the witches of this series literally cut the Arcaics into chucks and eat them in order to absorb their power. So very gross, but also interesting in terms of creating a certain type of magical system. I highly recommended that people read this story. I don’t think many will be disappointed in what is all trying to be accomplished here. – Jené


Elephantmen #67 – A-
Writer: 
Richard Starkings
Artist: Axel Medellin

For Walking Dead fans, I compare this issue a lot to this last week’s episode with Morgan and his Yoda-esque idol Eastman; I am left wondering much like with Glenn, and similarly, I am wondering what happened to Ebony in Elephantmen. This issue, although just as action-packed, gives us little hope for Ebony and even makes us even more terrified of his outcome in seeing one of those damn alligators dragging him and biting his leg before going back to the action with the main crew for this story. Despite the action continuing and all the Elephantmen and their friends being in terrible danger at the start of this issue, we get to see a great flashback with Trench and how he actually saved Agathe years back, which must be pretty damning realizing how many Elephantmen he killed after that day. We leave this issue with just as much anticipation as the last ,wanting to know more now and making sure our heroes are fine… At least in the month until we find out what happens next we will likely find out about Glenn on The Walking Dead. – Jacob


Axcend #2 – B
Writer: Shane Davis
Artist: Michelle Delecki
Colorist: Morry Hollowell

In the last issue the in game betas started to show up in real life, which also includes the special in game powers. At the start of this issue we are introduced to the real life persona of Rayne. In this case she is a famous pop-singer gamer also called Rain. Rain is that pop star that tabloids love. She’s big on sex, drugs, and drinking. She’s also a world class gamer. She pulls Dog out of the game and they track down Morn and now they are teaming up to stop Ruin before he gets his beta. Ruin is sort of an unstoppable killing machine so it would be in everyone’s best interest if he was stopped. Maybe next issue. – Scott


Paper Girls #2 – B
Writer: Rick Remender
Artist: Cliff Chiang

I like how little dialogue there is in this book. The art and colors are still really mesmerizing to me, which helps me read it quickly. I have more questions than answers this time. Is it demons? Time-travelers? Aliens? The Japanese? I don’t know, but I look forward to finding out. Also, I hope the cool girl isn’t really dead. – Adrian

Second Opinion (C): Just because no Remender book can be normal reading, Paper Girls gets way to convoluted way too quickly. Hopefully Remender can help guide readers to the actual story sooner than later. – Sherif


Nailbiter #17 – C
Writer: Joshua Williamson
Artist: Mike Henderson

That was disappointing. I still love this series, but what a bunch of filler. There was nothing that was memorable. The most important players in this issue have had little to no time in the series before, so any revelations that were to be had seemed minuscule to the audience. Better luck next time, I suppose. – Adrian

Second Opinion (B-)Don’t get me wrong, I still very much enjoy Nailbiter but at this point it feels like they are building up so much intrigue, and so much mystery that there is no way the actual climax will live up to its own hype. I’m really into the new story lines outside of Buckaroo at this point, but I can’t shake the feeling that even after all these issues we all haven’t accomplished much. – Keriann


We Stand on Guard #5 – C
Writer: Brian K. Vaughan
Artist: Steve Skroce

Call me bitter, but I got really bummed when I found out this would be a six-part mini-series instead of an on-going tale. All the momentum and excitement I felt I’d have for years is now going to be boiled down into one final issue, and for that to be the case, I was largely underwhelmed. Turns out that Amber’s brother is still alive, in some weird prison with Chief McFadden. There are some interesting moving parts in the story, but it doesn’t feel much like a climax is building. Vaughan is now killing characters at will now to help wrap things up. I’m just really disappointed – for a minute there, I almost really liked Canadians. – Sherif

Marvel/Icon Comics:

Invincible Iron Man #3 – A
Writer: Brian Michael Bendis
Artist: David Marquez
Colorist: Justin Ponsor

I love everything about this book. I’m ready to let go of all inhibitions and just be an Iron Man fan. Bendis has made this book hilarious but action-packed, the tech upgrades are subtle yet impressive, and the art, holy cow, the art is spectacular. This is by far my favorite book of the All-New All-Different launch, and mostly because it keeps me dying of laughter while actually having a story to tell. Some books fail by being so funny they don’t think there needs to be a story, or taking themselves so seriously that they have been pigeon-holed into not being relatable. This is a complete 180 from the a-hole Tony Stark in Superior Iron Man, and I am loving it. – Sherif

Second Opinion (B+)The art is still off the wall. The “rude” retorts are hilarious. And it is good to note to say “Hail Hydra” to anyone if you want to date them, just to make sure. You never know. – Adrian


Star Wars #11 – A
Writer: Jason Aaron
Artist: Stuart Immonen
Inker: Wade Von Grawbadger
Colorist: Justin Ponsor

The was full of actiony goodness. There was excellent pacing between the three story lines happening at once. It didn’t feel clunky going from storyline to storyline. Watching Chewbacca fight Dengar was pretty sweet. I like these look-ins on these lesser known characters. Luke is busy fighting a giant beast that regularly eats lava monsters, so that’s no good. We finally got the story on the whole Mrs. Solo thing, to so surprise it was a way to con someone. My favorite bit came at the end though when we got Han being Han. – Scott


Doctor Strange #2 – B+
Writer: Jason Aaron
Artist: Chris Bachalo

There seems to be a pattern with these new Marvel books of using a two issue arc to tease at a larger narrative. It’s not bad, but it makes the introduction to these “new” (new like the 60s) worlds seem a little shallow. The librarian with the maggot cursed brain continues receiving help from Strange (spoiler: she gets better). Strange’s magic goes wonky. In a serious missed opportunity, she wanders into a room in Strange’s house that leads to a wasteland paved in bones roamed by the walking dead. I want to go into THAT world! I think the problem with this story and the Vision story is half the world is populated by characters we don’t really have much reason to care about (the librarian isn’t a very gripping character, especially given who Strange drinks with) and making them the focus. Whatever. I’m old and nearly dead. These are comics for Dora-the-Explorer hologram children. I can read it or lie in the street and wait for nature to reclaim my corpse. Note: not actually nearly dead. – Montgomery.


Extraordinary X-Men #1 – B+
Writer: Jeff Lemire
Artist: Humberto Ramos
Colorist: Edgar Delgado

What Jeff Lemire does best is taking something that’s been convoluted and over-complicated, and making it feel organic; he did it with Green Arrow, and Justice League Dark, and here again with Extraordinary X-Men. There are some gaps in time that beg some explaining to new readers, but it’s a wonderful transition from the last All-New X-Men canon. Not only is Old Man Logan joining the fold, but Illyana (one of my favorite X-Men who never gets any shine) and Piotr are back. The mutant “situation” is worse than ever, with mutants being hunted down like animals, and the Terrigen Mists eliminating the possibility of new mutants sprouting up. It’s X-Men at its roots, something that I am completely behind. – Sherif


Deadpool #1 – B+
Writer: 
Gerry Duggan
Artist: Mike Hawthorne, Terry Pallot, Val Staples

This issue starts off in a grand Deadpool fashion with craziness abound. Just like most post-Secret Wars titles, there isn’t much explanation offered as to how things got to where they are. Despite being all over the place, and having TONS of Deadpools, it was very well done, and even ties into the Uncanny Avengers title a little bit, which will help explain how Deadpool is an Avenger now and why and how he is helping fund the Avengers. Gerry Duggan comes back as writer in a grand Deadpool fashion: plenty of laughs, confusion, and bloody action. It also has plenty of nods to Deadpool’s pre-Secret Wars life with glimpses of Shikla, Adsit, and Preston, but not enough to know how they are or why Adsit has a huge beard. Mike Hawthorne’s pencils and Terry Pallot’s inks are fantastic for this issue and give me lot of hope for Deadpool art in the coming future, and Val Staples colors complete the trifecta of art into near Perfect Deadpool fashion. – Jacob


Drax #1 – B-
Writer: 
CM Punk, Cullen Bunn
Artist: Scott Hepburn, Matt Milla

Drax finally has his own modern series where we see his adventures outside the Guardians, but it proves to be a little lackluster when compared to Rocket and Groot’s solo adventures. I am sure in time this story will flourish and my negativity may just come from the fact I enjoyed/ am enjoying Rocket and Groot’s solo adventures (even if the other is in each others stories). This story worried me from the start though because the modern take on Drax has a very dry sense of humor to it while also having the potential to be extremely violent, very much on the same side as Deadpool, but at least Deadpool knows he is and tries to be funny where Drax is funny by just being dead serious. I do have to say CM Punk (with Cullen Bunn) had a great story here for his debut with his full series for Marvel and can only see him improving which gives me a lot of hope for the future of the series. Scott Hepburn and Matt Milla’s art is a spectacular mix of near surrealism and realism mixed into comic book fashion. Definitely a style I am totally down with. – Jacob


Nova #1 – C+
Writer: Sean Ryan
Arist: Cory Smith

Ugh. I hate kid heroes. “How’m I going to balance school work and killing giant lizards? What if Lizzie won’t go to the prom with me? Oh no! All my acne ruptured inside this helmet!” Dumb. What’s with all these “stay in school kids!” messages in all the Marvel books I’ve read this week? This book wasn’t terrible, but I feel like it’s a waste of time to pick up a book about one of Marvel’s cosmic heroes and have half the book be about seeing a movie with your buds and passing an English test. I mean, seriously, I’ve got another five paragraphs in me about this topic. It’s the same reason I hated Sesame Street as a kid: if I wanted to see regular sauce humans stumbling around being horrible and stupid, I’d just pay attention to the noxious swarm buzzing around me 24/7. When I pick up a book called NOVA about space cops, I expect to see some space action, not literally rescuing cats from burning houses. Spider-Man can handle that. I mean, also regular people can handle that. Like I said, the comic isn’t horrible, but if I don’t get equal parts space adventure in my space comic, I couldn’t care less about a hero’s personal life. – Montgomery


Vision #1 – C
Writer: Tom King
Artist: Gabriel Hernandez Walta

Vision is one of those characters whom I really love and identify with, but for whom finding a good story seems impossible. Since the new Marvel turned things around with Doc Strange, I had hopes for Vision. But I was kind of let down. The premise is that the Vision has made a family for himself and wants to live as normal a life as the thinking feeling son of Ultron can (so, that’s the origin we’re sticking with?). He has a wife, a son, and a daughter. The book has a cool premise, but it spends so much time trying to be literary in that way that screams “THIS IS WHAT SITCOMS THINKS WRITERS DO” that nothing really seems to happen. I mean, it wasn’t terrible, but, look: Because, yeah: nothing screams well adjusted like high schoolers. Maybe the point is that Vision isn’t as intelligent as he thinks he is, but things like this smack more of lazy writing, or perhaps some kind “let’s get the kids reading the comic books” PR initiative, than something the Vision might actually do. I feel 100% convinced that someone as smart as him would watch TV for 15 minutes and, correctly, conclude, “Oh, for sure, school is the last place I want to to send a person I have any hope of being balanced. And then they all get murdered. But probably not. – Montgomery

 


Funniest Panels:

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Panels with the Most Awesomeness:

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That about wraps it up for our reviews this week! Look for next week’s previews coming soon. Any comic books you didn’t see reviewed that you want reviewed? Any grades you didn’t agree on? Let us know in the comments!

All images taken from ComiXology app and the credit for them goes to the respective publishers; thanks to all the publishers for putting out great books.

Dropping Science: Marvel’s November Hip-Hop Variants

After immense success with putting Hip-Hop duo Run the Jewels on the cover of a few of their books, Marvel has expanded the idea to give each and every single book in their All-New All-Different line-up its own Hip-Hop variant. We’ve tracked down each cover, provided information about the album inspiring the variant cover, and given our two cents on whether it fits the subject. We’ll be doing this each month for as long as the All-New All-Different brand keeps putting out variants!

October 2015 Hip-Hop Variants

November 4th

Extraordinary X-Men #1 - 3 Feet High and Rising

Extraordinary X-Men #1
Marvel Creative Team: Jeff Lemire (Writer), Humberto Ramos (Artist)
Cover Artist: Sanford Greene
Hip-Hop Album: De La Soul’s 3 Feet High and Rising (1989)
Best Tracks off the Album: “Me, Myself and I,” “Buddy,” “Say No Go,” “Eye Know
How well does it fit?: De La Soul were on the front lines of the wacky, relatable, and socially responsible rhymes. With Lemire writing this new X-Men series, it’s about damn time the X-series got back to its roots.

 

Deadpool #1 - Attention Deficit Deadpool #1
Marvel Creative Team: Gerry Duggan (Writer), Mike Hawthorne (Artist)
Cover Artist: Kaare Andrews
Hip-Hop Album: Wale’s Attention Deficit (2009)
Best Tracks off the Album: “Pretty Girls,” “Chillin‘,” “Beautiful Bliss
How well does it fit?: The album name definitely fits here, as Wade Wilson is one of the most absent-minded characters in pop culture. Wale isn’t nearly as popular as Deadpooly over here, but he gets to have brunch with Jerry Seinfeld, which is kind of zany for a Hip-Hop artist.

 

Drax #1 - Man on the Moon II Drax #1
Marvel Creative Team: CM Punk/Cullen Bunn (Writers), Scott Hepburn (Artist)
Cover Artist: Mike Choi
Hip-Hop Album: KiD CuDi’s Man on the Moon II (2010)
Best Tracks off the Album: “Erase Me,” “Revofev,” “Wild’n Cuz I’m Young
How well does it fit?: Drax has been gaining tons of popularity for his sardonic sense of humor, but really hasn’t done anything to make me want to invest time in his solo career. Same with Cudi. His early success that was launched almost solely from Kanye’s sound floundered around until he began his “acting” career. Here’s hoping Drax won’t flop on his own.

Hercules #1 - Black Flame
Hercules #1
Marvel Creative Team: Dan Abnett (Writer), Luke Ross (Artist)
Cover Artist: Theotis Jones
Hip-Hop Album: Lil B’s Black Flame (2011)

Howard the Duck #1 - Return to the 36 Chambers Howard the Duck #1
Marvel Creative Team: Chip Zdarsky (Writer), Joe Quinones (Artist)
Cover Artist: Juan Doe
Hip-Hop Album: Ol Dirty Bastard’s Return to the 36 Chambers (1993)
Best Tracks off the Album: “Shimmy Shimmy Ya,” “Brooklyn Zoo,” “Raw Hide
How well does it fit?: Before his untimely death in 2004,  ODB was one of the grimiest dudes in rap. He was one of the few to transform his Wu-Tang membership into a solid career. His shining characteristic was being able to grab his nuts and throw up his middle finger to the authorities – any authority – just like our fowl friend, Howard. Howard, though, might not have the same FBI file as Dirt McGirt, which includes a shootout with NYPD. Rebel.

 

Nova #1 - Born Sinner Nova #1
Marvel Creative Team: Sean Ryan (Writer), Cory Smith (Artist)
Cover Artist: Eric Canete
Hip-Hop Album: J. Cole’s Born Sinner (2013)
Best Tracks off the Album: “Crooked Smile,” “Power Trip,” “Rich Niggaz,” “Born Sinner
How well does it fit?: Cole is one of Hip-Hop’s brightest stars right now. His ability to relate to listeners with common themes and wrap it up with great music is one of his charming qualities. What makes him an ironic choice for a Nova cover is that this is very much a father-son book; J. Cole often raps about his crappy deadbeat father who abandoned him. Dick move, Marvel.

 

Vision #1 - Rolling Papers Vision #1
Marvel Creative Team: Tom King (Writer), Gabriel H Walta (Artist)
Cover Artist: Vanessa Del Ray
Hip-Hop Album: Wiz Khalifa’s Rolling Papers (2011)
Best Tracks off the Album: “Black and Yellow,” “On My Level,” “No Sleep
How well does it fit?: I don’t know what kind of hallucinations that weed is giving Wiz, but they’re not the same one that the Marvel robot gets. Wiz Khalifa looks like the type of kid who got beat up a lot in high school, but he’s been the face of the Hip-Hop skater stoner movement for the past 5 years. Don’t judge him by his appearance, he actually makes some pretty legit feel-good music. A sequel (because album sequels are a thing now) to Rolling Papers is due out next year.

November 11th

All-New All-Different Avengers #1 - Illadelph Halflife All-New All-Different Avengers #1
Marvel Creative Team: Mark Waid (Writer), Adam Kubert/Mahmud Asrar (Artist)
Cover Artist: Jim Cheung
Hip-Hop Album: The Roots’ Illadelph Halflife (1996)
Best Tracks off the Album: “What They Do,” “Ital (The Universal Side),” “The Hypnotic
How well does it fit?: I’m sorry, I have to say it. The Roots are dope as f*ck, and this group of Avengers is dope as f*ck. They might not draw headlines individually (save for Iron Man – he can be the ?uestlove of The Avengers), but as a group, both groups make some wonderful music. This will be a solid book, especially with Mark Waid at the helm.


All-New Hawkeye - Mecca and the Soul Brother
All-New Hawkeye #1
Marvel Creative Team: Jeff Lemire (Writer), Ramón Pérez (Artist)
Cover Artist: Sanford Greene
Hip-Hop Album: Pete Rock and CL Smooth’s Mecca and the Soul Brother (1992)
Best Tracks off the Album: “They Reminisce Over You (T.R.O.Y.),” “Straighten It Out,” “Can’t Front on Me
How well does it fit?: Hawkeye and Hawkguy are one in the same. Kate Bishop has come under the tutelage of the Avenger Clint Barton, but has pulled his butt from the fire plenty of times. Similarly, Pete Rock and CL Smooth are a rapper/DJ combination so solid that even saying their names separately sounds weird unless spoken together. Near the end of Fraction/Aja’s Hawkeye series, these two split up and the book suffered. Hopefully these two can stick together and whoop some ass.


All-New Wolverine #1 - Flesh of My Flesh, Blood of My Blood
All-New Wolverine #1
Marvel Creative Team: Tom Taylor (Writer), David Lopez (Artist)
Cover Artist: Keron Grant
Hip-Hop Album: DMX’s Flesh of My Flesh, Blood of My Blood (1998)
Best Tracks off the Album: “Slippin‘,” “Blackout,” “Coming From
How well does it fit?: Unlike DMX, the sun has not set on the possibility for a good Wolverine book. However, X-23 has a lot of unbridled rage that she can channel into a successful stint as the new Wolverine, just like DMX did in songs like “Slippin.” In all seriousness, this album was one of DMX’s weakest, but of all the DMX album covers, this one was too good to pass up.


Carnage #1 - Dare iz a Darkside
Carnage #1
Marvel Creative Team: Gerry Conway (Writer), Mike Perkins (Artist)
Cover Artist: Ariel Olivetti
Hip-Hop Album: Redman’s Dare Iz A Darkside (1994)
Best Tracks off the Album: “Bobyahed2dis,” “Cosmic Slop,” “Rockafella,” “Can’t Wait
How well does it fit?: This is one of the best fits out of all the variants – matching the spastic, chaotic Carnage with one of the biggest weirdos in all of Hip-Hop. Redman is off the charts in terms of his individuality, but still garners enough respect to rock with the mainstream artists. Plus, this cover is CLASSIC 90’s Hip-Hop.

Illuminati - Power

Illuminati #1
Marvel Creative Team: Josh Williamson (Writer), Shawn Crystal (Artist)
Cover Artist: Brittany Holloway-Brown
Hip-Hop Album: Ice T’s Power (1988)


The Ultimates #1 - The Fugees
The Ultimates #1
Marvel Creative Team: Al Ewing (Writer), Kenneth Rocafort (Artist)
Cover Artist: Mike Deodato Jr.
Hip-Hop Album: The Fugees’ The Score (1996)
Best Tracks off the Album: “Fu-Gee-La,” “Ready or Not,” “Killing Me Softly,” “No Woman No Cry
How well does it fit?: The Fugees exploded onto the scene in the mid-1990’s when Pras, Lauryn Hill, and Wyclef Jean created the Fugees. All solid artists by themselves (except Pras, he sucks), but together make one of the greatest groups in Hip-Hop history. Sadly, emotions got in the way and they split permanently, but we still have The Score to appreciate. When it comes to the book, I’m ready to see a story with Black Panther and Captain Marvel (oh, and Spectrum, I guess).

 

Web Warriors #1 - Lord WillinWeb Warriors #1
Marvel Creative Team: Mike Costa (Writer), David Bildeon (Artist)
Cover Artist: Damion Scott
Hip-Hop Album: The Clipse’s Lord Willin’ (2002)
Best Tracks off the Album: “Grindin‘,” “When The Last Time,” “Ma, I Don’t Love Her,” “Cot Damn
How well does it fit?: If you’ve had your ear to the group in Hip-Hop over the last decade, you may have heard of The Clipse, but chances are that this group is unknown to you. Two ex-dopeboys (Pusha T and No Malice) from Virginia lay colorful metaphor after another in this album produced by Pharrell’s Neptunes label. The lyrics are hard and grimy, but there’s a certain grace and intellect in their rhymes that eludes most rappers cut from similar cloths. The Web Warriors I assume are picking up where Spider-Verse just left off, and have a crazy ensemble you would expect to be gimmicky put together a decent story.

November 18th

Black Knight #1 - Food and Liquor

Black Knight #1
Marvel Creative Team: Frank Tieri (Writer), Luca Pizzari (Artists)
Cover Artist: Gyimah Gariba
Hip-Hop Album: Lupe Fiasco’s Food and Liquor (2006)
Best Tracks off the Album: “The Cool,” “He Say She Say,” “Daydreamin‘,” “Kick, Push
How well does it fit?: Black Knight has actually gone through over a half-dozen iterations since the mid-fifties, the mantle being passed from generation to generation (similar to Azrael in DC). Somehow he’s managed to fly under the radar, even with the most recent iteration in Black Panther (2005). Lupe is innovative and intelligent, but somehow manages to get overlooked by Hip-Hop heads and mainstream fans alike.


Ms. Marvel #1 - The Miseducation of Lauryn Hill
Ms. Marvel #1
Marvel Creative Team: G. Willow Wilson (Writer), Takeshi Miyazawa/Adrian Alphona (Artists)
Cover Artist: Jenny Frison
Hip-Hop Album: Lauryn Hill’s Miseducation of Lauryn Hill (1998)
Best Tracks off the Album: “Ex Factor,” “Lost One,” “Everything is Everything,” “Nothing Even Matters
How well does it fit?: Oh hell yeah, this is a combination I can dig. One of the most socially-conscious R&B artists of all time is paired with one of the most socially-conscious superheroes in the Marvel roster. It’s just… perfect. If you don’t know Lauryn Hill, go Miseducate yourself. Right now.

 

Silk - The New Danger

Silk #1
Marvel Creative Team: Robbie Thompson (Writer), Stacey Lee (Artist)
Cover Artist: Woo Chul Lee
Hip-Hop Album: Yasin Bey’s (Mos Def’s) A New Danger (2004)
Best Tracks off the Album: “Ghetto Rock,” “Modern Marvel,” “Sex, Love, and Money,” “Zimzallabim,” “Sunshine
How well does it fit?: Cindy Moon has had enough of your bullsh*t, and now she’s robbing banks with Black Cat. We’re not sure how she got there from the end of the world in issue #7, but whatever. Yasin Bey (formerly known as Mos Def) has the weight of the people behind his voice, and has numerous songs about telling the establishment to eat it (“Dollar Day” and “Rape Over” to name a couple). At the very least, A New Danger is a perfect album cover for knocking over banks.


Spider-Woman #1 - Capital Punishment
Spider-Woman #1
Marvel Creative Team: Dennis Hopeless (Writer), Javier Rodriguez (Artist)
Cover Artist: Natcha Bustos
Hip-Hop Album: Big Pun’s Capital Punishment (1993)
Best Tracks off the Album: “Still Not A Player,” “Super Lyrical,” Twins (Deep Cover 98),” “Tres Leches
How well does it fit?: I don’t get it; is this a pregnancy joke? Before Pun’s death at 28 years old, the guy weighed over 700 pounds. I mean that he was so fat, his Wikipedia page should list years active ending way before his death in 2000. Fun fact about Pun: besides being one of the most respected MCs of the mid-90s, was also a notorious wife beater. Smooth move, Marvel.


Star Lord #1 - Ivry
Star Lord #1
Marvel Creative Team: Sam Humphries (Writer), Dave Johnson (Artist)
Cover Artist: Tradd Moore
Hip-Hop Album: The 100s’ Ivry (2014)

November 25th


Moon Girl and Devil Dinosaur #1 - Summertime '06
Moon Girl and Devil Dinosaur #1
Marvel Creative Team: Amy Reeder (Writer), Natacha Bustos (Artist)
Cover Artist: Jeffrey Veregge
Hip-Hop Album: Vince Staples’ Summertime ’06 (2015)

Venom-Space Knight - Lost in Space Black Elvis

Venom: Space Knight #1
Marvel Creative Team: Robbie Thompson (Writer), Ariel Olivetti (Artist)
Cover Artist: Mike Choi
Hip-Hop Album: Kool Keith’s Black Elvis/ Lost in Space (1999)
Best Tracks off the Album: “Livin’ Astro,” “Lost in Space
How well does it fit?: Oh, isn’t it obvious?? Venom is a Black Symbiote…in space! Kool Keith has changed personas more than a couple times, but each personality he exudes is funky and relatable. 


That about does it for Marvel’s new books and the Hip-Hop variants that come with them. Check back next month for a whole new set of entries.

 

This Week’s Comics – November 4th, 2015

This Week’s Comics is the pull list of Comic Books recommended by Hush Comics, with notes and suggestions by co-owner, Sherif Elkhatib.

Recommendations:

James Bond #1: Released right before Spectre hits the theaters, this Dynamite title is most likely a cash crab attempt, so stay leery. BUT! BUT! Warren Ellis is writing this. Whore 007 out all you want, but all is forgiven once you put a quality writer on it. The series promises a return to the narratives of the book series.

Klaus #1: Synopsis – Grant Morrison writes a totally barbaric version of Saint Nick that is decisively less jolly than usual. I can’t help but get a Simpson‘s “Bonestorm” vibe from this, so I’ll just leave this here…

Uncanny X-Men #600: Brian Michael Bendis’ swan song is here. I’m sad, yet excited to read this last issue. It’s been such an enthralling series so far that even if Marvel has moved on, I’m gonna go down with the ship on Uncanny.

More All-New All-Different Books Debut: Aside from Mavel annoyingly putting out books every two weeks (I got sh*t to do, Marvel!), I’m anxious to get my hands on all the new books coming out this week, most notably: Howard the DuckDeadpool, and Extraordinary X-Men.


Graphic Novels:

Adventure Time: The Time Flip Side Mathematical Edition (BOOM!)
Archie vs. Predator (Dark Horse)
Shaper (Dark Horse)
Sandman Overture Deluxe Edition (Vertigo)
Suiciders Volume 1 (Vertigo)
Bob’s Burgers: Medium Rare
(Dynamite)
Copperhead Volume 2 (Image)
Surface Volume 1 (Image)
Star Wars Kanan Volume 1: The Last Padawan (Marvel)
Star Wars Princess Leia (Marvel)

Comic Books:

Archie Comics
Hangman #1

BOOM! Studios
Klaus #1
Regular Show #29
Toil and Trouble #3
UFOlogy #6 (final issue)

Dark Horse Comics
Angel and Faith: Season 10 #20
Barb Wire #5
Call of Duty: Black Ops II #1
Dead Vengeance #2
Joe Golem: Occult Detective #1
Lara Croft and the Frozen Omen #2

DC Comics
Batman and Robin Eternal #5
Batman: Arkham Knight #10
Bat-Mite #6 (final issue)
Detective Comics #46
Green Arrow #46
Green Lantern #46
Harley Quinn and Power Girl #5
Justice League: The Darkseid Wars – Flash #1
Justice League: The Darkseid Wars – Superman #1
Lobo #12
Midnighter #6
Mortal Kombat X #12
Survivor’s Club #2
Unfollow #1

Dynamite Entertainment:
Aliens-Vampirella #3
Bob’s Burgers #5
Cage Hero #1
James Bond #1
Train Called Love #2

IDW:
Angry Birds: Super Angry Birds #3
Atomic Robo and The Ring of Fire #3
Donald Duck #7
Insufferable #7
Mickey Mouse #6
October Faction #10
Sherlock Holmes: The Seven-Per-Cent Solution #4
Transformers: More Than Meets the Eye #46

Image Comics:
Axcend #2
Black Science #17
Citizen Jack #1
Dark Corridor #4
Elephantmen #67
Humans #9
Lazarus #20
Monstress #1
Nailbiter #17
Paper Girls #2
Rasputin #10
Saints #2
Sex #25
Stray Bullets: Sunshine and Roses #9
Velvet #12
We Stand on Guard #5

Marvel:
Amazing Spider-Man #3
Contest of Champions #2
Deadpool #1
Doctor Strange #2
Drax #1
Extraordinary X-Men #1
Hercules #1
Howard the Duck #1
Invincible Iron Man #3
Max Ride: Ultimate Fight #1
Miracleman by Gaiman and Buckingham #4
Nova #1
Star Wars #11
Uncanny X-Men #600
Vision #1

Valiant Entertainment:
Ninjak #9

Comic Book Reviews 10-28-15

Review Scale:

The mythical A+: Classic comic book material. Belongs next to your copy of The Notebook and The Joy of Cooking.

A: Would definitely recommend to all comic book readers. Even more so to fans of the genre or characters

B: Enjoyable read. Fans of the genre or characters will especially like.

C: Non-essential read. Can be enjoyable for fans of the genre or characters, but likely for only one or two events in the books.

D: Unenjoyable book. Read at your own risk. Might find satisfaction if major flaws are overlooked.

F: Please don’t buy this book. Donate your money to a local comic book writer’s workshop instead to inspire future generations to write something better than this trash.

Pick of the Week:

rumble 8 POTWRumble #8 – A
Writers: John Arcudi, James Harren
Artist: Dave Stewart

Things have calmed down since the first appearance of Rathraq but on Halloween Night he’s back, sword swinging. Bobby seems like he might have a normal life, but we all knew that wouldn’t last. In this issue he’s Good Guy Bobby helping two kids find their mom. I really like how Del has become his own character, always brave although maybe not the smartest guy. Of course Bobby isn’t going to go back to a normal life and it’s Halloween so why wouldn’t a new adventure start that night? This issue was a lot like the very first one. By that I mean it seems like a normal day and Rathraq’s appearance is very sudden. If you haven’t read the story previously you could actually jump in now without too much of a problem. This is a great book for Halloween. – Scott

Other Reviews: 

BOOM! Studios:

Adventure Time 2015 Spooktacular – A
Writer & Artist: Hanna K.

The stories about Marceline and Simon way back in time just following the Mushroom War are some of the most somber and gratifying. I think it was actually a Simon/Marceline flashback in the cartoon that keyed me into Adventure Time’s zany dynamic. In the Spooktacular, Marceline’s mostly grown up wandering the wasteland with her dog after Simon has gone full Ice King and abandoned them. This story doesn’t do much to clear up any of the mythology’s (large) dark and unknown spaces – we still don’t understand how Marceline got the way she is or where she is – but it’s a pretty somber and intimate look at the world post-Mushroom War. Marceline treks the waste and finds a settlement of humans living in fear of vampires. She goes hunting and vows to outlive all of them. So Marcy’s for sure not a vampire. I love the art in these Adventure Time comics. It bends my brain a little bit that a cartoon based on such a simple art style could be the progenitor of such lush and complex themes and representations. – Montgomery

Dark Horse Comics:

Hellboy and the B.P.R.D.: 1953-The Phantom Hand & the Kelpie #1 A
Writer: Mike Mignola
Artist: Ben Stenbeck

Much like the Adventure Time Spooktacular, B.P.R.D. and Hellboy side stories are almost always gratifying; they might not progress the mythology or central story, but they give the world real weight. Of the two stories here, “The Phantom Hand” is definitely the superior. In 1953, Hellboy and his adopted father, Trevor Brutenholm, along with a local occultist travel to London to investigate reports of a murderous ghostly hand. They find the hand and discover it’s the hand of a child murderer who claims the devil made him do it. Turns out he wasn’t lying; his hand was possessed by a large and powerful demon. Hellboy engages in fisticuffs and manages to beat him back with a surprising object. The real hook of the story, however, is when Trevor remarks on Hellboy’s power and potential, and how he seems to have natural ability, where others fail, to eliminate these threats and literally change the atmosphere. It’s actually quite moving. – Montgomery

DC/Vertigo Comics:

Justice League 3001 #5 – B+
Writer: J.M. DeMatteis, Keith Giffen
Artist: Howard Porter

I still love this book. This particular issue felt more like a holding pattern than it did progress, but it was a marked improvement over the last issue. One of the Starro horde now lives with Green Lantern in order to learn about and perhaps to come to accept the League. Green Lantern is having weird lapses in memory that just may be her hose DNA trying to crawl back to the surface of memory. Meanwhile, Batman and Supergirl (god Supergirl is so badass in this book) are hunting an impostor Batman on the prison world, and Lois Lane’s robot slips to Superman about her plan. I guess a lot of story did get progressed. It’s just that this issue is busy setting so much stuff up that it felt like no one thing in particular happened to make this issue memorable. But that impostor Batman? Stylish. – Montgomery


Prez #5 – B
Writer: Mark Russell
Artist: Ben Caldwell

What would happen if America apologized for all of our crimes? Well, it turns out, that is a tough question to answer. Either way, it made for a pretty interesting story line. But what was best about this month’s Prez was that War Beast escaped Guantanamo Bay, and then headed to a church group. It was so hilarious I spit out my coffee. Make sure to scroll for our funniest panels to catch the zinger of all from this issue. – Adrian


Justice League Darkseid Wars: Batman #1 – B-
Writer: Peter Tomasi
Artist: Fernando Pasarin

First of all, let me just say that Batman looks utterly ridiculous rolling around Gotham in a giant Tron chair. The gist of this issue is that Batman is now going through Gotham with his all-knowing super chair and stopping all the crime before it happens – and he’s being kind of a dick about it. It’s all very reminiscent of Superman/Batman #53 where the two switch powers. It’s kinda corny, especially when “it gets personal.” However, the issue ends on an exciting note when Chair Batman is looking to take on The Joker again. I’m curious what kind of continuity is taking effect in Justice League since it clearly isn’t in line with Batman. – Sherif


We Are Robin #5 – B-
Writer: Lee Bermejo
Artist: Jorge Corona
This book is still really interesting to me, but this issue was a little blasé. We did find out more about Izzy and her background. The crew was then sent to find out more about the nest. There are so many unanswered questions still. I do think this was a bit of a filler issue, but I’m okay with that. There is enough mystery here to keep me going. This is one of the best DC book out right now! – Adrian

Batgirl #45 – C
Writers: Cameron Stewart, Brendan Fletcher
Artist: Babs Tarr
Colorist: Serge Lapointe

The wedding is finally upon us, and as always, Barbara finds herself pulled away at the last moment. Dick Grayson makes an impromptu appearance for… seemingly no reason at all other than to bug her. Everybody loved Grayson before the elaborate death faking incident, but now he just seems to be hanging around town like the cool guy from high school who can’t move on. For Babs, though, there is a huge growth moment for her where she pretty much tells Dick that she’s moved on and that he shouldn’t hold her back anymore. It’s quaint, but there isn’t much else to lean on as far as the book goes. – Sherif


Art Opts #1 – C
Writer: Shaun Simon
Artist: Mike Allred
 

So… art is alive. There’s a secret organization that helps paintings/art wondering around the streets. There’s a man with an artsy squiggly hand and shadows that are alive that can rip off arms. A masked vigilante whose mere presences makes people sick and helps works of art in the whiteness protection system and some sort of evil trying to destroy art. Yup, that’s pretty much everything going on in this comic. I think it poses an interesting exploration into the whole concept of life imitating art/art imitating life sort of kit and caboodle. It’s a very strange and disjointed narrative that’s aim is more philosophy than story, but interesting none-the-less. I’m not sure if it’s something that I’ll be able to keep up with but it has my attention for now. – Jené

Second Opinion (D): While the art was crisp (and it better have been, it’s a book about art), the dialogue was often cheesy. It was almost as if the characters weren’t really supposed to have dialogue, but should have been thinking something to themselves. Instead, it came off as trite. And none of the characters were likable, so that didn’t help either. – Adrian

IDW Publishing:

Transformers Redemption #1 – A
Writer: John Barber
Artist: Livio Ramondelli

I think the this month’s theme for me might be “side stories.” I feel like almost every book I’ve reviewed thus far has been a side story. In Redemption, the four remaining Dinobots struggle for purpose in the wake of armistice and their missing leader, Grimlock (I think we saw him once maybe 30 issues ago, suffering from amnesia and discovered by the hardcore Decepticon group? But not since?), and struggling to keep Slug’s restlessness and rage from pulling them down. Sludge is the triceratops in case you didn’t know (which you almost certainly didn’t). Believing their purpose is to do the dirty stuff for the good guys, they take a shadowy mission from a couple Camiens and one of Starscream’s secret police. It’s a pretty cool story with some interesting twists and very cool noir like narration that doesn’t feel canned like a lot of superhero narration. By the end of the book, the Dinobots end up adding a member to their group (but not who you think). Much like the Hellboy side stories, I love when the writers of the TF books slow things down to really focus on a neglected group or group and imbue them with character. But I can’t help but wonder when Grimlock’s coming back. – Montgomery


Teenage Mutant Ninja Turtles #51 – C
Writers: Tom Waltz, Bobby Curnow, Kevin Eastman
Artist: Ken Garing

The all-new saga of TMNT begins after a magnanimous ending to issue #50 left Splinter “honor-bound” to The Foot. After one issue, I am not impressed. The new art from Ken Garing is actually more on par with the original gritty Eastman work, but it doesn’t look as polished and appropriate as Santolouco’s pencils did. Plus, Raphael is just about as into this Foot thing as I am, and Mikey on his own is a sad sight. The reign of The Foot may be over before it begins, and there are several new players about to create waves. It’ll be interesting to see what happens from here, but this issue gets a big “meh” from me. – Sherif

Second Opinion (A-)This issue may just not be up to par for me because of the insanity that was issue #50 but it still was my favorite of the week. I can not wait to see where Michelangelo’s story arc here begins to go!

Image Comics:

ODY-C #8 – A
Writer: Matt Fraction
Artist: Christian Ward

I can’t believe this is only issue 8. I feel like I’ve been reading this series since I was in high school, or something. And, finally, on the 8th issue, I’ve discovered the secret to reading the comic, and it’s the same advice one of my favorite professors gave me: read it out loud. I read it out loud, and for the first time in months, I feel like I have a grip on the story. Now that we’re in the Arabian Nights arc (of which I know nothing, so I’m picking up almost none of the references), this one follows two brothers confined to a kingdom of their making. Their lovers leave and get involved with each other, so the brothers murder everyone. It was nice to feel like I had any sense of what was going on. And Christian Ward continues to deliver the best visuals in current comics. I don’t want to spoil what’s happening in this picture, but that’s an entire country built out of the bones of a single person. So, y’know… hobbies? I guess? – Montgomery


Black Magick #1—B
Writer: Greg Rucka
Artist: Nicola Scott
Colorist: Chiara Arena
 

As first issues are concerned, I’m extremely excited about this series. It’s the first time in forever that a witch has been painted in a light that’s not some evil spawn of the devil. Anything that connects to the Salam Witch Trails has my attention. I guess having an ancestor hang for witchcraft will do that to a woman. So far the story is mystical yet realistic and pulls you in right away. At first I thought it might be something akin to Witchblade. It’s not. It’s way better than then that. And the art is fracking spectacular. Breathtaking even. The sort of noir art style is amazing. And the one color page that highlights Rowen’s powers shows the power that the artist is leaning to the narrative. All in all I’m really excited to continue reading this comic book. – Jené

Marvel/Icon Comics:

Howling Commandos of S.H.I.E.L.D. #1 – B+
Writer: Frank J. Barbiere
Artist: Brent Schoonover

I have to be honest and say I have no idea what I just read here and how it fits together, but despite that fact I thoroughly enjoyed every second of it. Since the Howling Commando’s made of monsters appeared in the Secret Wars Mrs. Deadpool and the Howling Commandos series, I was hoping we would get some variation of that team. As a monster fan , and a big fan of the character Man-Thing, this series seemed right up my alley and I have to say, despite being majorly confused at how things got to where they are in this issue I found it to be everything I wanted from this series within this first issue even with the robotic Dum Dum Dugan. I have complete faith in Frank J Barbiere’s writing after this issue and expect much more explanation as the series goes on. Brent Schoonover does a spectacular job on the art mixing all these different monsters together from the incredibly bad ass  Hit-Monkey to the rather dumb Zombie Jasper Sitwell., Definitely a great series to sart so close to Halloween! – Jacob


The New Avengers #2 – B+
Writer: Al Ewing
Artist: Gerardo Sandoval

I missed the first issue of this, which is a shame because the first issue might have been an A+. This issue was still pretty good though. The only minus (which seems pretty significant, hence the drop of a whole letter grade) is that the crystal headed guys are actually NBD if you just scream right. Way to deflate all the tension. Also, how does Squirrel Girl beat up a sub-hulk exactly? At any rate, the Avengers post-Secret Wars, as I’ve commented elsewhere, has a very Grant Morrison feel. I kind of wish maybe Grant Morrison would be allowed to do for Marvel what he does for DC, like, twice a week. Those Lie Minus crystal headed guys seem ripped right out of Doom Patrol. And the concept of Life Minus seems ripped right out of Kirby’s Fourth World and the bulk of Morrison’s DC work, which centers around the anti-life equation and universal conquest. But the Ultimate universe Reed, called the Maker, who is totally bonkers, is the guy behind it all. I’m a little exasperated that we’re only two issues into the all new all different Marvel universe, and Maker is already talking about other universes. What was the point of the last year, Marvel? What? Was? The? Point? Anyways, the demon he conjures is pretty badass, and Morrison as anything that’s Morrisoned a Morrison. – Montgomery


The Unbeatable Squirrel Girl #1 – B+
Writer: Ryan North
Artist: Erica Henderson
I was worried this book might lose some of its allure since it is the second reboot in only a year. I was proven wrong, and I love when that happens! The new series starts in Doreen’s sophomore year at Empire State. She and Nancy have a place together, and the whole team seems closer than ever. There are some allusions to Doreen’s place in the New Avengers, and there are lots of good jokes surrounding that. Doreen’s number one fan came to town, a.k.a. her mom. There was a lot of play with just how embarrassing but also awesome moms can be. I thought the “bad guy” was a little silly, but I am still happy that Squirrel Girl is around. – Adrian

Chewbacca #2 – B
Writer: 
Gerry Duggan
Artist: Phil Noto

The second issue into Chewbacca’s adventure without his cohort in smuggling Han Solo brings him to the point where he is helping a young girl named Zarro free her friends and family from the evil gangster Jaum. This issue focuses on them basically getting to where they need to be and starting their plan, but it ends at a place where we don’t know if anyone survived. Gerry Dugan does a good job writing, especially for Chewbacca seeing as all he says is, “Hraa, Rawrrrrr!!” and similar manuerisms. You definitely get the point across by the great art of Phil Noto as well making sure Chewies expression comes across very clear and we know what he is thinking simply by the illustration. Duggan of course has the supporting cast help out with the emotions and plot but overall this series seems to just be getting its footing and the end of this issue leaves us eagerly awaiting the third issue. – Jacob


Deadpool vs. Thanos #4 – B
Writer: 
Tim Seeley
Artist: Elmo Bondoc

The final issue in this series finally brings us the versus in Deadpool vs Thanos and boy is it an insane battle. After Deadpool and Thanos finally find out where Death is they along with Black Talon head straight to her location to find she is prisoner of Eternity because of the chaos she has caused in, well, all of eternity. Eternity battles Deadpool and Thanos and ends up actually killing them but Death brings them back as the undead to battle Eternity but Thanos gets a little out of control and Deadpool has to try and take him out before he actually destroys everything by killing Eternity. The story ends well and we see a couple epic battles, but overall the series was a little disappointing in that the journey to the good end was a bit unneeded. That is not saying it isn’t an enjoyable ride, but the series could have had a bit more substance to it and a little less mindless journeying. I do have to say Tim Seeley’s writing is enjoyable the whole time, despite some of it feeling filler material and Elmo Bondoc’s art is what really carried me through the series. – Jacob

Funniest Panels:

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Panels with the Most Awesomeness:

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That about wraps it up for our reviews this week! Look for next week’s previews coming soon. Any comic books you didn’t see reviewed that you want reviewed? Any grades you didn’t agree on? Let us know in the comments!

All images taken from ComiXology app and the credit for them goes to the respective publishers; thanks to all the publishers for putting out great books.

Creator-Owned Spotlight: No Wonder [EXCLUSIVE] with Jeremy Hauck

Are we too plugged in? People are almost always staring at a screen of some kind, whether it be a phone, a tablet, or even an old fashioned laptop, believe it or not people still use them. Even in this wonderful world of comics, things are trending to the digital age. You can get any book you want and read it on any of your numerous electronic devices. A new creator owned comic, No Wonder, takes us to a world where we are jacked-in 24/7. I recently had the pleasure of asking No Wonder’s creator, Jeremy Hauck, some questions about his new project.

NoWonderComic

Hush Comics: When did you start the project? What was the most difficult process you found?

Jeremy Hauck: No Wonder actually started out as a TV script I wrote almost two years ago. The concept has drastically changed since then, but the message has remained the same.

As for the most difficult process, I’d say it was definitely building our world at an early stage. When most of our world’s population essentially knows “everything,” as a writer, you need to consider the repercussions that might have on a working society. There wouldn’t be any school, right? When there is nothing to teach, why would there be? What about the economy? How do you tackle internal conflict? These were difficult questions to answer, but they needed to be addressed if our audience was going to buy the concept.

HC: You have a full team for No Wonder. This isn’t so regular with small creator owned projects, especially picking up an editor and a web designer. What made you want to go all out with this? Was it hard assembling the right team?

JH: I knew that if I was actually going to attempt this and create my first comic book, I wasn’t going to half-ass it at any stage. Sure, the budget increases when more players join the collaboration, but that’s the sacrifice you make if you want to have a professional-looking, polished product. Luckily, I have an amazing team of polishers.

Finding a web designer was easy; he’s my best friend that happens to work in that field and has done an incredible job with our site so far. Finding our editor was easier since, well, she’s also my girlfriend. She has supported me since day one and I couldn’t have done this without her.

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It took a few months to find our tremendously talented illustrator, Ellis Ray III, but he was well worth the wait. I brought Sean Callahan (our colorist) and Jamie Me (our letterer) into the fold after reviewing their extremely professional portfolios and, before I knew it, we had an actual team working on this project.

HC: In No Wonder, humanity is essentially wired together in a collective mind of sorts. Is this a virtual reality they all exist in?

JH: That was actually an idea I tossed around in No Wonder’s infancy, but when it started to feel too much like The Matrix, I decided against it. A.T.O.M isn’t virtual reality nor augmented. Think of it like this: before the user can even question about the dimensions of a table or ask how far Jupiter is from Earth, the answer is just…there; leapfrogging the learning process entirely.

I’ve done some research with how the mind works, and you’ll see that in later issues, but hopefully that answers your question because if I say anymore, we’ll be in Spoilertown.

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HC: In the pages you’ve released we see the city streets being used as farmland. Obviously mankind still has to eat even if it’s plugged in 24/7. Who is planting, managing, and gathering the resources? How are they dispersed and administered to the populous?

JC: *Choo-choo* Next stop, Spoilertown.

I’d love to answer this because it’s such a good question, but I’m going to leave that one alone so the mystery remains. Besides, that’s what this comic is all about, right? Leaving you the opportunity to wonder instead of just giving you the answer?

HC: No Wonder stars Turner Lane, a teenager. What made you decide to have a younger protagonist? As a teenager, how naturally curious were you?

JH: Personally, I was pretty curious and skeptical as a teenager – questioning religion, fate, and what made the world tick on a day-to-day basis – but I don’t think that was unique to just me. Our teen years have always been depicted as the “developing age” of our lives. It’s a terrifying but exciting time for us because, although we’re developing, we don’t exactly know what we’re developing into. Turner’s age just felt like it should be right in the middle of that, especially since he’s being pulled away from a device that essentially fostered him through life.

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There is also so much to wonder about when we were younger, so writing our protagonist as one of the youngest characters in our cast just made sense to me.

HC: Also something not often seen in comics is a Canadian setting. Why Vancouver?

JH: When I first looked into the process of creating a comic book, I was told early on that you should always “write what you know.” Growing up in Seattle, WA, Vancouver always felt like a Canadian cousin, geographically. You have a city near the water, surrounded by evergreen and mountains filling the background.

I also just really dug that town and the people I met when visiting. Vancouver deserves to be put in the spotlight, so I went with it.

HC: Webb looks like he’s been living off the grid for a while now. Has he ever been hooked up to A.T.O.M.?

JH: I love this question as well, but unfortunately, I can’t answer this one either, my friend.

What I can say is that Webb shows signs of being a Luddite in sequential issues.

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HC: The custodians seem like a rather creepy group of people. Are they there to keep everyone in line? They seem like a Warriors-esque gang at first sight.

JH: Okay, I guess I can’t be “too” tight-lipped about everybody in our story, but I just don’t want to give too much away! It ruins the magic of our story as well as the message behind it.

I’ll tell you this about the Custodians: They are a religious group that established themselves in the wake of A.T.O.M going online.

That, and their design originally had no smiles. Ellis threw them in when we were working through our concept art when we first were getting started. When I say it, it just so creepy that I had to write in a reason as to why they have them in our world. Fortunately, I found an awesome one that just made sense to those characters.

HC: What’s your ultimate goal with No Wonder? Are you looking at publishers or just taking the reins on this project yourself?

JH: Right now, my focus is on our Kickstarter and actually funding the book. I’ve worked so hard to make this thing happen and it pretty much all comes down to the Kickstarter.

If our book is funded and we garner a bit of a following, I’ll definitely look into other publishers to help print/distribute more issues. It also helps, in my opinion, to have a finished product in your hand when introducing yourself to publishers. Hopefully Kickstarter will help make that a reality.

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HC: Do you think as a society we’re too plugged in? No Wonder looks like it’s going to be a strong commentary on our digital existence.

JH: Absolutely; we have such a bizarre relationship to our electronic devices and the information consumed from them. Don’t get me wrong, I’m a guy who loves technology, its growth, and the gadgets that derive from it. But when those gadgets stifle healthy social behavior, or distract you from an intimate moment you can only have outside of the screens we carry around, it’s definitely a bad habit most people need to kick. No Wonder will amplify that obsession we have with staying-up-to-date, and hopefully tell an entertaining story that people can relate to by doing so.

HC: Your Kickstarter starts November 5th. What are your plans if it’s not successful the first time around?

JH: I’m not sure what will happen with No Wonder if we don’t meet our goal – I just don’t have that mentality right now. I’m probably blinded by the unbelievable support my family and friends have given me through this experience, but I think an optimistic outlook, blinded or not, is the best thing to have when taking on something like this. So for now, let’s just see what happens and hope for the best!

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Exclusive! Here is a preview of some of the goodies you can get your hands on for pledging to the Kickstarter:


No Wonder is sure to make us turn a mirror to ourselves when it comes to our attachment to the digital age. With a younger protagonist I personally think this would be a great new book for a younger crowd, hopefully to inspire some to put down the phone and look at the world around them. No Wonder hits Kickstarter on November 5th. It only makes sense to get this one in paper form. You can check out their website, nowondercomic.com, or their Twitter page for all new updates. Check back for a link to their Kickstarter page once it goes live!

Secret Wars Agents of Atlas #1 Review

Of course on Battle World, almost everyone has “Kill Doom” on their bucket list. That motivation has made the vast majority of Secret Wars very hit or miss, but mostly miss. That’s fine for a few of the series, but sometimes a series embraces its messed up world and its adventure takes place largely in spite of Doom being god. Agents of Atlas does it in what might be the most refreshing way possible: a fairly simple rescue mission.

Synopsis

The book opens with a brief description of Baron Zemo who rules Metropolita with a ruthless iron fist. SHIELD acts as his bludgeon, and the Agents of Atlas is the only group who stands against him in any significant way. Gorilla Man has a meeting with agent Coulson because Johnny Woo (leader of the Agents) is missing. Turns out SHIELD isn’t the bludgeon the Agents thought they were, and off they go looking for Woo. As a plot, it’s pretty simple. So, what gives it it’s A+? As far as I’m concerned, there are three things: the art, the quirk, and the tightness of the narrative.

Art

Steve Pugh handles the art. I know him most memorably from Generation X (Marvel’s most underrated book IMHO), though his CBDB reads like a good portion of the comic book reading public’s “best of” lists. His art is clean, and expressive and makes good use of heavy lines. Those seem like such basic comic-art requirements, but Secret Wars has been overwhelmingly plagued by some low-rent looking art. But, in a single panel, we don’t even need the caption to see the looks of absolute haunted trauma.

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He captures reactions and subtle details of non-human characters as well. It’s not really a ground breaking skill, but it’s nice to be able to interpret emotions via faces without having to rely on story cues (looking at you, Mike Land). I mean, ultimately, Pugh isn’t the best artist, or even the best artist of Secret Wars, but his clear, crisp art is.

Quirk

The story is full of quirk, both inherent to the concept of Atlas, and playing within the bounds of Marvel. Just for eyeball’s sake, (most of) our heroes:

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Gorilla Man: a man turned gorilla through a curse, and whoever kills him inherits the curse
Marvel Boy: alien royalty psychically bonded to a UFO (not pictured)
Namora: cousin to the ruler of an underwater kingdom
M-11: a robot riddled with some pretty faulty programming.

Not pictured are Jimmy Woo — Chinese American secret agent; and Venus — a living siren acting as goddess. I mean, really, the team cries out for a Morrison run. If there’s anyone out there who can incept that idea in his brain, then by all means, please do. For the sake of the world.

The weirdness doesn’t end there either. I mean, Baron’s making these:

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And I don’t care about spoilers, but there’s some weirdness with Baron’s sun that’s too delightful for me not to want you to discover it on your own.

Narrative

I think the best thing about this, like the Silver Surfer stories, and “Pax Romana” is that not a single word or panel is wasted. The story is so tight and fast paced. Every element feeds just perfectly into the next, and all the tension is character driven: because Gorilla Man is so good, they hunt for Jimmy Woo; the story resolves in part because M-11 is able to overcome his faulty programming. Zemo’s evil is the result of a very flawed search. But the action feels purposeful and fast and inventive, and you can’t wait to see what comes next. I mean, u guys…

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I frequently think that Marvel tries to steer away from the weird and nonconformist sometimes because now they’re owned by Disney, and as such, their entire survival depends on being accessible, non-alienating, and recognizable. It just feels like genuine fresh air to see something so unique.