Captain America: White #1 Review

Captain America: White #1 – A+
Writer: Jeph Loeb
Artist: Tim Sale

Captain America White #1 Cover

This book was eight years in the making. We waited for this book almost as long as we waited for Dr. Dre’s third solo album. Unlike that album, this is not a complete shit waste of time, abomination. This book, like the others in the “color” series, is timeless. It’s sort of like the Disney movie version of comic books. It’s when a story that’s as old as time (assuming time was invented in the 40s), but it can bridge gaps between old school fans and new readers.

What new readers might not know is that Jeph Loeb and Tim Sale are one of the greatest tag teams in comic book history. The Long Halloween, Haunted Knight, Dark Victory, Spider-Man: Blue, Hulk: Gray, Daredevil: Yellow, Catwoman: When in Rome… the list goes on. Captain America: White carries on tradition with its jumbo-sized premiere issue. Whether it be the lack of talent in today’s pool of artists or the years of polishing, this issue is gosh-darn gorgeous. The shading, the crispness of Sale’s lines – it’s just a reminder of what we have been missing as fans for years.

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One of the biggest parallels in their work I noticed was how familiar the concept of a hero’s ward is. The dynamic between Cap and Bucky is very similar to the one Bruce has with Dick in the Batman books. Cap is struggling with bringing a child into his dangerous world, and Bucky is just a happy-go-lucky, fearless, good-natured kid, blazing into danger’s path. However, it never felt like the same story being told; it just had a familiar feeling.

Also familiar was the “color” theme of love and loss. It might be a little weird since all the other characters’ books were about a romantic love, but that doesn’t mean it was made with any less emotion. Loeb’s own son, who passed away when he was 17 from bone cancer, is just about the same age as Bucky here in these comics. It’s apparent in the book that this was for his son, and brings me as a reader closer to it. Cap’s recounting of the war days came across as a heartfelt story about his best friend and less like the eye-rolling account of an old geezer.

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In short, Captain America: White is going to remind the world how comic books should be made. Not the waiting half a decade thing, but the amount of care, talent, and love put into it. With the money factory that comic books have become again, there are only a handful of creative teams left that I feel combine talent and passion the way these two can (Remender/Craig on Deadly Class, Snyder/Capullo on Batman, Vaughan/Staples on Saga, Lemire/Nguyen on Descender), and I hope this sets a new bar creators and publishers try to reach on their new material.

See all of this week’s reviews here.

Batman Day – Best Graphic Novels

DC Comics has dubbed today Batman Day. The Dark Knight has been fighting crime and serving justice for his 75th year since the 1939 debut of Detective Comics #27. Batman has been a big part of our lives, and was responsible for making me in the comic book fanatics we are today, whether it be through comic books and toys or television and movies. To show our appreciation for the man, the myth and the legend, we have compiled a plethora of Bat-themed lists. We hope that we can inspire you to read more about Batman and his legacy, or even give us some feedback if you agree or disagree with the lists. Sound off below! Or click on the picture below to take you to all of our Batman Day articles.

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Top 20 Batman Graphic Novels

The legacy of Batman isn’t dependent on the video games, movies or toys. Batman’s mythos is based on his greatest comic book tales. Whether canon or not, each story we chose here added to the collective representation of who we have built the Batman to be. Whether or not they are the “best” is not what we aim to debate, but these are the stories that define the Batman to us.

 

20.) Batman and Robin: Reborn

After Batman was “killed” by Darkseid in Final Crisis, I was almost ready to throw in the towel for reading comics. How could DC get away with killing off Bruce Wayne? By putting Dick Grayson in the cowl, that’s how. Grant Morrison’s idea to make the former Nightwing into Batman helped fill the part of the void left by Bruce’s departure. It was like reading a completely new book, as the dynamic between Dick and Damian Wayne was a far cry from the father and son one that Robin shared with Bruce. There was also a noticeable amount of humor that just hadn’t existed between Batman and Robin, the two taking on a big brother-little brother relationship. Dick tried to assume the fatherly rol, but it was often shoved back in his face by the prodigal Damian, often too smart for his own good.

 

19.) Batman: Zero Year

The mega-arc from Scott Snyder and Greg Capullo just ended today, and it has already secured a place among my favorite books of all time. The time period prior to Frank Miller’s Year One is one of great mystery, so for us to get a complete detail of his rise to becoming the Batman. Bruce’s journey is full of tidbits that had never made it into other comics; thanks to the fact there was no canon material to prove Snyder right or wrong, he could really do what he wanted with the story. A show-down with the Red Hood Gang and the introduction of the Riddler, as well as a different take on the origin of James Gordon were just some of the twists that made the arc feel familiar, yet brand new. Greg Capullo’s art is on point. His model of the first Batsuit is incredible, complete with purple gloves and all. This book is a love letter to Batman, and you don’t need any previous knowledge to enjoy and understand it.

 

18.) Death in the Family

When Jason Todd learns that his biological mom is still out there somewhere, the stubborn Robin runs away from home to track her down. His hunt leads him to the Middle East. He does end up meeting his mom, but hits a patch of bad luck when she ends up being on the Joker’s payroll. Yikes. Long story short, the Joker beats Robin senseless with a crowbar before leaving him and his mother in a warehouse with a bomb. There’s no happy ending here, as Jason Todd blows up just before Batman can save the day. This wasn’t all bad news for fans though, as DC had actually released a survey asking people whether or not Robin should be murdered. His death was a particularly brutal one, like something you’d see on Goodfellas, and considering Jason was just a kid, a lot of people felt it was too much. The largest impact Jason’s death had was on Batman’s psyche, haunting him for years. He considered Jason’s death the worst failure he’s ever had.

 

17.) Mad Love

Vroom! Vroom! Harley Quinn tries so hard just to impress her man in this story, but she just can’t win. After putting on a special outfit and enticing the Joker, he shrugs her off, brooding over his failed attempts at catching and killing the Bat. So Harley does what any loving woman would; she captures Batman all on her own. As she brags to Batman about how proud Joker will be, Batman tells her that he only cares about himself, but Harley shrugs it off (Note: If Batman is telling you your relationship is toxic, you know something is wrong) Excited to share the news with Mistah Jay, he becomes infuriated, telling Harley that he had to be the one to do it or it didn’t matter. That’s when things stop being funny. Joker continues to beat Harley, pushing her out of the window and into the trash. Coming from an abusive home as a child, this was really the final straw for Harley, as she renounces the Joker… for a little while anyway. Relationship woes aside, I gained  lot of respect for Harley after Mad Love.

 

16.) Under the Hood

Jason Todd, like most superheroes, couldn’t stay dead for long. However, the way that he came back was very unique from the rest of the comic book world. Taking on the moniker of the Red Hood, named after a gang Joker ran with when he turned into the white-skinned psycho he is today, Todd returns in a big way, sweeping the crime world by taking it over, and annihilating anybody who opposes. Bitter from what he considered Batman letting him die, Jason turned to more extreme measures in dealing with the bad guys. It takes Batman a while, but he finally figures out that the Red Hood is somehow Jason Todd. Cutting into his action, Black Mask joins with other super-villains to put a hit out on Red Hood. The Joker ends up captive in a room with Red Hood, who savagely beats Joker and prepares to kill him. In the end, Batman is forced to make the choice of stopping Jason from killing Joker, driving a wedge further between them.

 

15.) No Man’s Land

Gotham has suffered an earthquake of catastrophic proportions, resulting in a city-wide blackout. Civilization as we know it has ceased to exist, and random gangs have began vying for territory all over the city. Meanwhile, Batman is nowhere to be found as Bruce Wayne in in DC, fighting for national aid to Gotham. What makes the story great is that all the minor characters who never get the spotlight deserve play a major part in the resurrection of Gotham. The story feels very real and everybody acts how you would imagine they would in that kind of situation. Citizens’ fears are felt just as much as the police’s bravery. James Gordon is just the bit of hero that Batman was, proving that you don’t need to be Batman to make a difference. This huge event spanned nearly 15 series and six months, making it one of Batman’s largest-scale stories of all time.

 

14.) All-Star Batman and Robin

For some reason, this Batman is really pissed off. All-Star Batman and Robin isn’t everybody’s cup of tea, but it’s one of the most entertaining stories I’ve read. Not only does Batman get laid, say “Goddamn” a lot and defeats the Green Lantern by literally using the color yellow. The books chronicles the recruitment of Dick Grayson as Robin and Batman’s introduction to the Justice League, as well as a few other minor events. The Batman in this book is a raging asshole; he puts his hands on Alfred, constantly belittles Robin and shows little value in the life of criminals – notably by hurling a Molotov cocktail at a group of them as them erupt in flames. The real take-away are the beautiful full-page spreads by Jim Lee, who manages to calm down the rage-aholic writing of Frank Miller.

 

13.) Dark Victory

The sequel to Jeph Loeb and Tim Sale’s The Long HalloweenDark Victory continues along the lines of a mystery story that just happens to have Batman characters in it. We get an introduction to Robin, and a brand new villain with a new shtick, The Hangman. Many of the corrupt politicians from Year One are found hanged to death by this mystery murderer. We also get to see the complications of Batman and Catwoman’s relationship, but Batman feels perpetually alone, refusing help from Catwoman and Gordon on numerous occasions.

 

12.) Knightfall

Bane gets overlooked a lot of the time for being a hulking beast, but he’s one of the smartest villains in Gotham. In Knightfall, he strategically breaks out all the villains from Arkham, wearing Batman out as he tried to contain the situation. Bane deduced Batman’s secret identity, meeting him in the Batcave for a super-sized beat-down, ending in Bane shattering Batman’s spine and his confidence. It was an eye-opener for fans that realized defeating the Batman was, in fact, possible. Batman began a rigorous training regiment with Lady Shiva to get his mojo back, and charged Jean Paul Valley (Azrael) to take over as Batman in his stead. JPV let the role go to his head, and before we knew it, he had modified the Batsuit to become a nightmarish Azrael suit. The first volume of the arc was the best, but there were still enough interesting events in the rest of it to warrant reading.

 

11.) Battle for the Cowl

Bruce Wayne is gone, and Dick Grayson must take up the mantle of the Bat, but is reluctant. Sensing that Batman is gone, an impostor show up to take the gig over. That impostor ends up being a sociopathic Jason Todd. In an attempt to stop Jason Todd, both Damian and Tim Drake are shot and severely wounded. At this point, Dick realized that only he can inherit the mantle of the Bat. The story isn’t that long, but the repercussions of it echo all the way into Bruce’s return.

 

10.) Joker

Batman’s number one villain gets his own mini-series in this story by 100 Bullets‘ Brian Azzarello and artist Lee Bermejo. The story is told through the eyes of a common criminal looking to join the ranks of Joker’s gang. This perspective, unlike the first-person perspective of the supplementary Luthor book, enhances the perspective that nobody really knows what the Joker is thinking. Reading the book, you get lost in the madness, but sober right up as you realize just how frightening Joker is. In a confrontation with Harvey Dent, Joker glues shards of broken glass to his fists in preparation for the fight. This is right after blackmailing him and right before raping Dent’s wife. Joker also commits other unspeakable acts such as: skinning a man alive, shooting over a dozen people (not all in anger) and stabbing one of his own men in the eye with a glass bottle. This book is a clear example of digging beneath the surface and realizing you probably shouldn’t have.

 

9.) The Black Mirror

Before Scott Snyder was awarded Batman in the New52, he wrote The Black Mirror, a creepy story about the dark reflection in Gotham that stares back at our protagonists. Commissioner Gordon, Gotham’s hero on the police force, beloved by the people, is hiding something, or rather someone, when it turns out that his estranged son is a complete deviant. Dick Grayson, meanwhile, who was still Batman at the time, infiltrates an auction held by The Dealer, where items used by villains were used – the item for bid was the crowbar The Joker used on Jason Todd before murdering him. It’s all pretty gruesome stuff, and would set the tone for the dark material in the New52 relaunch.

 

8.) The Killing Joke

Alan Moore’s stand-alone story is commonly thought of as the greatest Joker story ever told. There are plot points in this book that would remain canon and have repercussions that lasted decades. We get a good glimpse into the Joker’s twisted psyche, as he visits the home of Barbara Gordon and shoots her point blank, paralyzing her. The Joker then kidnaps Commissioner Gordon, takes him to an abandoned amusement park (I think Gothan has one too many of those) and shows Gordon pictures of his daughter, all to prove that even the most upstanding citizen can lose their mind after one bad day. The ending to The Killing Joke is very artistic, and many believe resulted in the death of the Joker.

 

7.) Flashpoint Batman: Knight of Vengeance

Flash might have been the headliner here, but the alternate timeline that Batman was set on was as clever as it was tragic. When Flash altered reality by way of the Speed Force, Batman’s origin changed with it. Instead of Martha and Thomas Wayne taking the bullet, it had been Bruce. Engrossed in guilt, Thomas dealt with the situation by becoming Batman. This Batman was much more lethal with his methods, and operated a casino in town where he oversaw all the crime in town. Meanwhile, Martha developed another coping mechanism – laughter. My mind was blown. The Waynes, who were once the Jay-Z and Beyonce power couple of Gotham City, were now bitter enemies. The story ends in tragedy (as most Batman stories do), and all I could do is thank the stars that Flash was able to set the timeline straight again.

 

6.) Batman: Year One

Frank Miller’s Batman wasn’t always insane. The quintessential origin story, Year One took us through Bruce Wayne’s first attempt at fighting crime. In short, he kind of sucked at it. Gotham was a city where the rich got fat at the poor’s expense. While Batman was making his introduction on the streets, James Gordon had transferred from Chicago to be met by a very corrupt police force. Bruce and Gordon’s stories paralleled each other very well, adding to the feeling they would work well together. This is as good as any place to start in the Batman mythology if you don’t know where to start reading.

 

5.) JLA: Tower of Babel

Batman has a contingency plan for everything – even his friends. When Justice Leaguers start dropping like flies, with methods specifically designed to eliminate them, everybody is completely lost as to the mastermind who came up with these designed traps. Everybody, that is, except for Batman, who had kept a file detailing the Justice League’s weaknesses in case they got out of control. Ra’s al Ghul, who had a habit of being able to sneak into the Batcave whenever he wanted, sneaked in and stole the files, intending to use them to immobilize the heroes while he did his global domination thing. As Batman is the only one left to defend the world, he must undo the damage that his files wrought on the League. Tower of Babel was great commentary on whether or not that much control over a situation is a good thing, especially when the information wasn’t secure.

 

4.) The Dark Knight Returns

A retired Bruce Wayne has watched his city fall apart without a Dark Knight to protect it. It would seem, though, that the world is not ready for his reemergence, as Superman, who has pretty much become the President’s bitch, must make an example of this vigilante. That’s really the least of Batman’s worries, as he takes on Two-Face, a revitalized Joker, and a gang of punks called the Mutants. The story is chock-full of socio-political commentary that has stayed relevant throughout the decades.

 

3.) Batman: The Long Halloween

The Long Halloween was the first comic book I’ve ever read, and I was instantly hooked right in. Armed with Jeph Loeb, one of the greatest comic book storytellers in recent history, and the unique art style of Tim Sale, this book was enthralling. Part mystery, part action, Batman had to solve murders around town that were committed on holidays. He even enlisted the help of Calendar Man. The story takes place early in the Batman timeline, chronicling the transformation of Harvey Dent into Two-Face and before Jim Gordon was Commissioner. The story included a plethora of villains, and when the headlining Holiday is finally found out, it’s a big Aha! moment you just don’t get in comic books anymore.

 

2.) The Court of Owls

Scott Snyder kicked The New52 off with a bang, as a brand new series with a brand new villain emerged. The Court of Owls are an underground society of Gotham’s oldest and wealthiest families. They control everything going on in the city, and have decided that Bruce Wayne and the Batman have got to go. With an army of trained, slightly-undead soldiers called Talons at their disposal, they are an instant force to be reckoned. The owl-like masks, as well as the detailed Talon design added to the Courts intrigue, and the way Capullo arranged the panels when Batman tangles with the Owls in their maze echoes the insanity Batman feels. While the reboot allowed for tinkering to the mythology, Court of Owls actually added a lot of interesting gadgets and tidbits to it. At a whopping twelve issues, this book won’t fail to hold your interest.

 

1.) Hush

Call us biased, but Hush is the best Batman graphic novel of all time. In no other book are you introduced to so many beautifully drawn villains. Jim Lee’s art in Hush will go down in history as legendary, with a mixture of regular pencils and even taking a stab at water colors. Hush also marks the return of Jason Todd from the dead and introduces Thomas Elliott, Bruce’s childhood friend. Like other great mysteries by Jeph Loeb (The Long HalloweenDark Victory), you don’t find out who the villain is until the end of the book. In Hush Batman finally lets Catwoman into his heart, giving her a big smooch and revealing his identity to her. This has since been undone in The New52, but it has remained canon in my heart. Hush is the book that made me officially fall in love with comic books, and it’s one any Bat-fan will enjoy.

“Respect My Craft” – Tim Sale

In this consumer-based industry, it can be easy to forget the years of hard work that the people in the business put in. Behind every panel, it takes a skilled writer, artist, inker and colorist to make the product complete. Behind each scene goes hours of preparation. Hush Comics’ weekly article “Respect My Craft” will dive into the history of these comic book and pop culture greats that will hopefully give a new perspective on how the men and women behind the pen (or stylus) contribute to the collective awesome-ness of the nerd world, or at least give you a reason to invest in their work.

 

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Click on the link to take you to all of our Denver Comic Con 2014 “Respect My Craft” articles

 

Name: Tim Sale

Profession: Comic book artist

Notable Work: Batman: The Long HalloweenSpiderman: Blue

“I remember the moment I truly decided to go into comics–I was working at Taco Time, looking outside at a nice summer day. I said to myself, ‘If you had an ounce of sense, you would work really hard on your comics so you could take your artboard out there and lie in the sun!’ Ironically, it turns out that I can’t draw outside.” – Tim Sale

 

He was born in 1956 and attended the School of Visual Arts in New York. He even took some workshops under John Buscema. But what is most impressive about him, is that he is color blind.  He can only work in black and white. Tim got his start in 1983 working on the series Myth Adventures and later the fantasy series Thieves World.

He made a real name for himself once he started to collaborate with writer Jeph Loeb. Sale and Loeb were asked to Batman: Long Halloween after the success of their Batman Halloween shorts graphic novel Batman: Haunted Knight. Long Halloween takes place within the Batman: Year One continuity. Long Halloween received mostly good praise and led to the sequel Batman: Dark Victory, which introduced Robin into the origin story. Together they also created Catwoman: When in Rome, a parallel storyline focusing on Catwoman. For DC the team, he also produced Superman for All Seasons.

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Tim Sale and Jeph Loeb teamed up again to do the “Color” books for Marvel. These books focused on Daredevil, Spiderman, and the Hulk. The duo started a series for Captain America, but only one issue has been released since September 2005. These color book focused on key moments in the characters life with colors that reflect the characters emotions.  Yellow for Daredevil represents fear, Blue for Spider-Man with sadness for the death of Gwen Stacy, and the Hulk is represented in Gray. The gray in hulk, at least from my point of view, just represents Banner’s struggle between himself, Betty Ross, and the Hulk. Captain America: White has only received a #0 issue so far and I have been waiting a long time for the continuation of this story.

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Sale and Loeb also paired together to work on the show Heroes. Sale was the creator of the paintings done by the character Isaac. He also did the art for the 9th Wonders! comic seen in the series often being read by Hiro.  In fact, whenever there is an illustration created by any of the character Tim Sale did the actual art. I was very happy that the producers decided to use such a strong talent like Sale for series.

Tim Sale has been my favorite artist for many years now. My first experience with him was coveting a small black and grey Batman statue a local shop had. It was $300 and just had a small tag with his name on it. From there I researched him, found Batman: Long Halloween and never turned back. His art stands above the rest.

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None of the media in this article belongs to Hush Comics; it all belongs to their respective properties (DC Comics, Marvel Comics). Join us tomorrow as we continue our countdown to Denver Comic Con with Star Trek: TNG‘s Klingon Worf, Michael Dorn.

“Respect My Craft” – Jim Lee

In this consumer-based industry, it can be easy to forget the years of hard work that the people in the business put in. Behind every panel, it takes a skilled writer, artist, inker and colorist to make the product complete. Hush Comics’ weekly article “Respect My Craft” will dive into the history of these comic book greats that will hopefully give a new perspective on how the men and women behind the pen (or stylus) contribute to the collective awesome-ness of comic books, or at least give you a reason to invest in their work.

Name: Jim Lee

Profession: Artist, DC Co-Publisher

Notable WorkX-Men: Mutant Genesis, WildC.A.T.S., Batman: HushSuperman: For Tomorrow, Justice League

Jim Lee is one of the most revered comic book artists in the industry. From his unlikely start in independent books to his rise to the top of the ranks as Co-Publisher of DC Comics, Jim Lee’s story is one of as much absolute detail as his work.  Lee has a Korean heritage, but grew up in St. Louis, Missouri. Always a comic book fan growing up, Lee gravitated towards the X-Men, reason being that they were marginalized for their differences – something many can relate to. It was even a dream of his to create his own comic book company after graduating high school, an accomplishment he was voted most likely to achieve by his peers. As money crushed dreams and grown-up responsibilities set in, Lee was pressured by his parents to enroll at Princeton University with the goal of becoming a medical doctor.

After obtaining his BS in Psychology, Lee made a deal with his strict, but loving, parents to take a hiatus from med school to try it on his own for one year as a comic book artist. This was during the mid 1980’s, when such iconic books like The Dark Knight Returns and Watchmen were leading a renaissance in the industry. After putting his foot in the door and submitting portfolios to publishes all over the country, Jim Lee got his start in the comic book business in 1986 by lending his artistic talents as an inker to Samurai Santa #1 (no, seriously). Without much else to go off of, Marvel Comics hired Lee to pencil Alpha Flight, a mid-tier comic, in 1987 that started with Alpha Flight #51.

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After several issues of Alpha Flight and then moving on to Punisher: War Journal (which Lee started illustrating in 1989), Lee got his wish to draw his favorite childhood characters in Uncanny X-Men #248. He was asked to come back for subsequent issues until Marvel asked Lee to draw a twelve-issue run simply titled X-Men with writer Chris Claremont, widely regarded as one of the best X-Men writers. Together, the two created Omega Red and the fan-favorite character, Gambit. He also redesigned many of the characters’ costumes – most of which are still used! To this very day, the first issue of X-Men (Vol. 2) is the highest selling issue of any comic book in history.

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The success of X-Men meant that Lee could pretty much write his ticket wherever he wanted to go. It just so happened that what he wanted was more creative control over his work. Along with several powerhouse writers and artist, including Hush Comics’ favorite, Todd McFarlane, Lee helped found Image Comics. This is the same Image Comics that has been the birthing grounds of: The Walking DeadSagaBlack Science and Deadly Class. Taking more interest in writing and producing, Lee branded himself as Wildstorm Productions and created WildC.A.T.S., a team of aliens caught in an intergalactic war, and Gen13, which follows a group of teenage super-heroes as they find their powers while running away from government testing. Both were very intriguing books that lasted far beyond Jim Lee’s involvement, showing that Lee has substantial writing capabilities to back up his artwork.

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In an effort to focus more on art, Jim Lee sold Wildstorm to DC Comics and, shortly thereafter, began illustrating some of the most beautiful panels I’ve ever seen. In 2003, Lee joined acclaimed writer Jeph Loeb on Batman: Hush. This is the arc that got me into comic books, and it was largely due to the full-page panels, detailed background and unique use of medium by using watercolors (a first for Jim Lee). If you want to know how much we love Hush, look no further our very first graphic novel review. The iconic “Kissing the Knight” panel impacted me so much that I decided to get it tattooed on my arm. A year later, he joined Brian Azzarello (current Wonder Woman and 100 Bullets) for Superman: For Tomorrow, a very unique book about the Man of Tomorrow. Lee followed For Tomorrow up with a darker, more brutal All Star Batman and Robin The Boy Wonder,  written by Frank Miller, which is the first comic to use the legendary “Goddamn Batman” line. It was a bit of a departure from Lee’s tone, but the art keeps up with Miller’s rough and grimy story perfectly.

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As he was finishing All-Star, Lee was also waist-deep into the DC Universe Online. Released for Playstation and PC, Lee spent years creating character models for the game as its Executive Producer. Seeing these renders as fully-functional video-game characters is a sight to behold. Along the way, he earned the title of Co-Publisher for DC Comics and spear-headed The New 52, a complete reintroduction of the DC Comics’ catalog. He and Geoff Johns became the creative team behind the Justice League relaunch (review of Volume One: Origin here). Since then, Lee has headed numerous design projects for DC, including: a partnership with Kia to design Justice Legue themed cars (the Batman Optima is the best, by far), promotion for the We Can Be Heroes charity (donations usually lead to goodies), design work for Scorpion’s costume in the Injustice video-game DLC, and he still makes time to attend various comic book conventions around the country.

Jim Lee free-hand sketching at SDCC 2012
Jim Lee free-hand sketching at SDCC 2012

As amazing as Jim Lee is, it’s important to remember that a lot of work is done between the last pencil stroke and the time the issue hits the shelves. Most artists use a team, composed of an inker and a colorist. The inker is in charge of turning dark pencil marks into appropriate shadows or accents, while the colorist brings the appropriate shading and tone to the story. Dating back to his run with Uncanny X-Men, Lee has used Scott Williams and Alex Sinclair for inking and coloring, respectively. They deserve just as much credit for his quality work.

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Checked out his bibliography and still want more? Check these books out:

Batman: Hush – Unwrapped is drawn entirely in pencils, with no inking or coloring. The amount of detail is stunning, showing why Jim Lee is one of the best in the business.

ICONS: The DC Comics & Wildstorm Art of Jim Lee offers a lot of background about Jim Lee – history and anecdotes, as well as some great spreads of his best work.

Image Comics: The Road to Independence gives an in-depth look at how a group of brave men disbanded from the largest comic book company to create the third-largest comic book company.

Just Imagine If… Stan Lee Created Wonder Woman is written by Stan Lee, drawn by Jim Lee, and kicks harder than Bruce Lee

Wizard: Jim Lee, Millennium Edition is like ICONS but gives a better look at his pre-Wildstorm days.

How Much Does Hush Comics Love Jim Lee?

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I wanted to point out that none of this art is mine; it is all credited to the original publishers (Solson, Marvel and DC). Check back next week as we kick off Black History Month by honoring all Black writers and artists, as well as graphic novel reviews with cultural significance. Peace and much love to ya!

Written by Sherif Elkhatib

Graphic Novel Review – Batman: Hush

Graphic Novel Review: Batman: Hush

CollectingBatman #608-619

Original Release Date: 2002-2003

Publisher: DC Comics

Batman: Hush brings in the whole cavalry.
Batman: Hush brings in the whole cavalry.

Characters: Batman, Hush, Catwoman

Writer: Jeph Loeb (Batman: Dark VictorySuperman/Batman #1-26, Spiderman: BlueHulk: GrayDaredevil: Yellow)

Artist(s): Jim Lee (X-MenSuperman: UnchainedWildC.A.T.S.), Scott Williams & Alex Sinclair (inker and colorist, respectively, that work with Lee)

SCORECARD (each category ranked on a 10-point scale):

Storyline – 10
Art – 10
Captivity and Length – 10
Identity – 10
Use of Medium – 9
Depth – 10
Fluidity – 8
Intrigue/Originality – 10
The Little Things – 9
Overall awesomeness – 10

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DISCLAIMER: I will start this by saying that Batman: Hush is hands-down my favorite graphic novel ever. It’s the second graphic novel I ever read and, ultimately, what inspired me to delve deeply into the world of comics. I have two tattoos dedicated to what this book means to me and it’s part of the inspiration behind our name, Hush Comics. That being said, I will try not to blow too much smoke up your butts, because if you haven’t read it for yourself, I don’t want to ruin the experience.

Batman: Hush uses the entire spectrum of the Batverse to tell a sophisticated story about the emergence of a new cerebral villain into the Rogues Gallery and explores the quasi-romantic relationship between Batman and Catwoman. Hush also marks the return of one of Bruce Wayne’s wards, whose previous death marked his greatest failure as the Batman. It spans the length of twelve issues to tell its story, twice as long as traditional six-issue story arcs; with a plot as involved as this one, this allows Loeb space to create a non-formulaic, dynamic graphic novel. This is also a book that both seasoned comic nerds and people new to comics can be receptive to. Hush does a great job of not making you feel like an idiot because every scene portrays the adequate background information to understand what is going on – something that is the exception more than the rule in comics nowadays.

I always feel that writers of Batman books have an automatic leg up because the Batman of the last twenty years always has the answers, always knows what to do, and the writer usually coasts on it. Jeph Loeb takes the task one step further and helps you identify with the man behind the mask. You realize that Batman has been through a lot of trauma and stress, and although he’s the most badass superhero on the planet on the outside, he still struggles with the same things we do: who to love, who to trust, etc. This vulnerability is accomplished by a steady flow of personal monologue that narrates each panel with Bruce’s (sorry, spoiler?) inner thoughts. Each character, and there are a lot of them, has a distinct voice and personality. Long-time fans will also take note that the cast is scripted quite well. Nothing seems out of place or character in the writing and there is enough suspense to keep the reader from knowing what will happen next. The new villain is cunning and knows just where to hit Batman to make it hurt. This type of strategical villain with a large cast hasn’t been portrayed this well since Bane in Batman: Knightfall.

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The artwork from the legendary Jim Lee is what really won me over here. Jim Lee, now co-publisher of DC Comics, constructs vividly detailed panels that range from small transitional fight scenes to full-page beauties like the one below (Kissing the Knight). Lee’s team, Alex Sinclair, color, and Scott Williams, ink, add to the already beautiful pencilwork. The team switches up colors and even mediums throughout the book when it suits the mood, helping the reader transition between scenes. All of Lee’s drawings are crisp and have an edgy yet realistic appearance. With so much detail spent on each panel, Jim Lee and his team guide the reader through a completely immersive environment.

DC Comics Batman Hush Kissing the Knight B&W

Batman: Hush can be viewed as a stand-alone story, but fits in the old Batman continuity pretty nicely. Since launching The New 52 in 2011, DC has pretty much abandoned any continuation of the Batman-Catwoman romance (except for two awful smut-filled issues of The New 52 Catwoman) and there hasn’t been an appearance of Hush in any titles yet. Don’t let this discourage you from reading though, as there is tons of dialogue and events that coincide with other milestones in past Batman publications. There are a few different books written with Hush as the main villain, most notably Hush Returns and Heart of Hush, but these do not boast the big time writers or artists that this book does, and the story feels a little forced in the romance department, but it’s still a decent read. Overall I’d say that while it reads best as a stand-alone story, there are enough bat-nuances to make you want to get deeper into the Batman lore.

General Reception: You will find Batman: Hush on DC Entertainment’s Essential Graphic Novels list and it’s for good reason. An all-encompassing story that spans all of your favorite Batman villains, sidekicks and introduces enough new elements to tell a tale that both seasoned veterans and comic book rookies can all the same. The characters’ dialogue and actions seem familiar without giving away any of the plot twists throughout the book. There are a ton of different transitions in Hush, giving each scene a distinct ambiance by Jim Lee and his brilliant art team.

Related Books: Hush ReturnsHeart of HushFaces of Evil/Hush Money and Batman Beyond: Hush Beyond (kinda). Hush also makes appearances in videogames LEGO Batman 2 and Arkham CityBatman: Hush has recently been repackaged in Batman: Hush Unwrapped, featuring the sketch-work of Jim Lee. I wouldn’t recommend buying this version first, but if you read Hush the first time through and fall in love with Jim Lee’s art like I did, it’s a sensible purchase. Published in 2011, Absolute Batman: Hush is a completely over-sized version of the original with all its glory. It’s loaded with extras but it’s pretty pricey, so I wouldn’t recommend this unless you are a big-time collector or really love the story.

More by the writer: In terms of Batman books, Loeb has written acclaimed mystery crime graphic novels Batman: The Long Halloween and its sequel, Batman: Dark Victory. Loeb has also written Marvel books in the color-themed Daredevil: YellowSpiderman: BlueHulk: Grey and Captain America: White. He’s also worked on Superman/BatmanHulk and Cable series.

More by the artist: If you’re looking for more recent Jim Lee work, look to the first two New 52 Justice League story arc and the ongoing Superman: Unchained. His most distinguished works are X-Men: Mutant GenesisAlpha Flight and WildC.A.T.S., the latter being a series that he created when he left Marvel to help create Image Comics with the likes of Todd McFarlane, Rob Liefeld, and others.

Written by Sherif Elkhatib