Denver Comic Con 2015 – Buffy/Doctor Horrible Shadowcast

Panel Name: Buffy-Horrible Picture Show

Topic: Shadowcasters silently act out Buffy the Vampire Slayer‘s “Once More With Feeling” and Dr. Horrible’s Sing-A-Long Blog while it plays in the background (similar to Rocky Horror Picture Show).

Featured Guest: The Rocky Mountain Whedon Shadowcasters.


Members of The Rocky Mountain Whedon Shadowcasters hit the Main Events stage at Denver Comic Con 2015 May 23rd for the first time this year. While the troupe has performed at other Denver pop culture conventions such as Starfest, this show was by far the its biggest. Its double feature shadowcast of Doctor Horrible’s Sing-A-Long Blog followed by Buffy the Vampire Slayer’s musical episode Once More With Feeling is always a big hit at Starfest. It was no surprise when the turnout for the show was large at DCC.

"Now the monster's real."  Photo by Connor Mudd at Puddle Photography.
“Now the monster’s real.” Photo by Connor Mudd at Puddle Photography.

The show had a very casual feel. It was all about having fun with the fans. While many actors have their lip-syncing down to a science, others simply mimed the actions of their on screen counterparts. The costumes were more approximate than dead-on and some of the entrances and exits were a little too late, but regardless of the less-than-perfect nature of the show, it is extremely fun to watch. The best performance was given by Michael Jasper in the role of Dr. Horrible whose lip-syncing was indistinguishable from the actual audio. It took audience members a few minutes to realize he was just mouthing the words. Close to follow his performance was Karl Brevik as Spike who not only embodies the character flawlessly in both his lip-syncing and movement, but is also actually British. That’s something even James Marsters can’t say! Josh Whitby also had amazing energy as both Captain Hammer and Xander and Genae Gerardi made a wonderful Buffy. Overall, the performance was a lot of fun for any fan. There were even a few jokes for those unfamiliar with the two productions, such as an appearance by Game of Thrones’ Jon Snow as Dr. Horrible sang the lyrics “It’s not a death ray or an icebeam / That’s all Johnny Snow.”

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“Let Me Rest In Peace!” Photo by Connor Mudd at Puddle Photography.

RMWS first performed at StarFest 2009, a little less than a year after Doctor Horrible first came out. Originally organized by Michael Newman, the show started as a small panel room production without the inclusion of Once More With Feeling. “I was dressed as ‘Dead Penny’,” says now director Erin Card who met her husband through the show. “[he] was one of the Doctor Horribles… and [the other cast members] were like, ‘Hey, Penny, come on down. Act this out!’ ” The first production had only five cast members. From there, Card became an integral part of the production, the role of director being past down to her. Later on, the cast would come to Card asking to add Once More With Feeling to the show. Having never seen BTVS at the time, Card was hesitant to include what would become the second half of the show, but ultimately decided to give it the go ahead.

John Snow makes special appearance.  Photo by Connor Mudd at Puddle Photography.
Jon Snow makes special appearance. Photo by Connor Mudd at Puddle Photography.

“I like performing in plays, but that can be really nerve-wracking to remember your lines and blocking and to have people only watching you,” says Lara Griffith who plays Willow in Once More With Feeling. “When you are doing a performance of something you love and know by heart and the audience knows by heart and it’s playing in the background so you aren’t the only thing people are watching, it makes it more fun and easy.  Plus everyone is incredibly nice and accepting.  We’re all there to just have a good time.” And it shows. The cast of this show is from all over Colorado, which makes rehearsing difficult. This means the entire production has to come together in what is essentially one rehearsal. Card hopes to make the show even more professional as the years go on, adding more than one rehearsal into the mix and detailed choreography. She says they are always looking for new cast members, but as of now the main cast is made up of veterans of the show. There’s a general consensus that if one actor has a lead in one part of the show, they’ll have a minor role in the next. For example, Griffith plays Willow in Once More With Feeling but in Doctor Horrible plays the small role of a news anchor.

If you haven’t seen this performance, it is likely they will be back at DCC next year, or you can always catch them at Starfest at their midnight showing in Main Events. This is one of those fan productions you definitely have to see if you’re a Whedon fan. Despite its low budget look, it’s an incredible hour and a half of fun.

Best of 2014: Comic Books – Best Mini-Series

Another year is in the books, and we here at Hush Comics couldn’t pass at the chance to rank our favorites of this year’s releases in all types of mediums. Some of the winners will surprise you; heck, some of the results surprised  us. The results are completely subjective, and therefore were chosen with infallible logic. We would love to hear your opinions on what we have chosen, or if you thought we missed anything. This should be a fun review before we gear up for 2015.

hush best of 2014
Click on the link to take you to the “Best of 2014” homepage.

Best Comic Book Mini-Series

  • Marvel Comics – Deadpool vs. Carnage (Cullen Bunn & Salva Espin)
  • Marvel Comics – Edge of Spider-Verse (Various writers and artists)
  • Marvel Comics – Hawkeye vs. Deadpool (Gerry Duggan & James Harren)
  • Vertigo Comics – Sandman: Overture (Neil Gaiman & JH Williams III)
  • Dark Horse Comics – Serenity: Leaves on the Wind (Zach Whedon & Georges Jeanty)

WINNER – Serenity: Leaves on the Wind (Whedon/Jeanty)

FIREFLY! I was so excited when this series first came out and remained excited issue to issue. Like every Browncoat out there, I can never get enough of all things Firefly and seeing what our ragtag team of rebels got up to after the events of the film Serenity was a dream come true. The plot was well placed and characters as diverse and wonderfully-flawed as ever. This is the comic that made me most jived this year and I was really sad to see it end. Speaking of it ending: holy cliffhanger Batman! For someone who has historically steered clear of cliffhangers, Joss Whedon sure did end this series on one. I got to talk to artist Georges Jeanty at Denver Comic Con for a little bit (Adrian did too. Check out her interview here!) and when I asked him why Leaves on the Wind was ending so soon he said that the Whedons don’t write something if there isn’t a story. He doesn’t force anything. Does that mean there isn’t a great Firefly story down the line? No, but for now we have an amazing comic with hope of something more whenever Joss has a story in mind for our favorite, little, cargo ship. – Charlotte

Second Place – Edge of Spider-Verse (various)

edge of spider-verse 2 mini series best of 2014
Edge of Spider-Verse #2

Have you ever wondered what it would be like if Spider-Man was a villain? What if instead of Peter Parker getting bit by a genetically-modified spider, it was Gwen Stacy? What if Spider-Man wore a mechanical suit instead of revealing spandex? What if Spider-man was a kid? What if, what if, what if?! Well, lucky for us pontificators, Marvel was also curious! Hence, they decided to bring fans Edge of the Spider-Verse mini-series. In all five issues of the series we got to experience alternate versions of Spider-Man and their vastly different backgrounds and rise to power. Stories ranged from playful, whimsical and adventurous to dark, creepy and thrilling. It was great to witness the creativity and how the multiple writers and artists that were involved with this event interpreted the wall crawling hero. It was the perfect draw-in for the Spider-Verse event that came right on this events heels. My personal favorite was the Japan-residing Aaron Aikman that wore a mecha-Spider-suit and squared off against a most deadly cyborg named Naamurah. This issue was captivating and a lot of fun to read. As were all the issues in this mini-series. Hush definitely puts the Edge of the Spider-Verse mini-series as one of, if not THE, best mini-series of the year. – Taylor

Third Place – Deadpool vs. Carnage (Bunn/Espin)

deadpool v carnage 2 miniseries best of 2014
Deadpool vs. Carnage #2

 

The biggest mouth in the business goes against the craziest symbiote in the universe. What could go wrong? I don’t remember a single thing that I liked about Carnage but Deadpool was hilarious. It really is worth a read, especially only at four issues long, just for the Deadpool dialog alone. There are too many little jokes or panels to describe here, but the series was a riot from beginning to end. If Deadpool isn’t one of your favorite characters after reading this, nothing can convince you of his awesomeness. – Robert

RUNNER UP – Hawkeye vs. Deadpool (Remender/Craig)

Hawkeye vs. Deadpool #1
Hawkeye vs. Deadpool #1

Deadpool does not get along with anybody, apparently. In the past couple years, Deadpool has taken on the entire Marvel Universe, along with classic literature, and the end result has been more or less the same – Deadpool murders everything. What if Deadpool actually got along with the one he shares the title with (or not; we really still don’t know)? Hawkeye vs. Deadpool is the buddy cop book we didn’t know we wanted, sticking the bumbling idiot with the S.H.I.E.L.D. agent has been nothing but enjoyment. – Sherif

RUNNER UP – Sandman: Overture (Gaiman/Williams)

Sandman: Overture #1
Sandman: Overture #1

As a great man once said, “I have a Dream,” and that Dream was once pulled abruptly away from his realm and forced to spend seventy years as a prisoner to his captors.  Why was the almighty Dream of The Endless able to be captured by a few mere mortals seemingly playing around with Satanic rituals they clearly did not understand?  This is the question Sandman enthusiasts have been debating since the final issue of Sandman.  Finally, Neil Gaiman has returned to the series, with the aid of J.H. Williams psychedelic and outstanding artwork, to deliver a prequel that will address this conundrum and put many theories to rest. – Jake

Next Category: Best of 2014 Movies

Denver Comic Con 2014

Get your best People’s Eyebrow on, because finally, Hush Comics has come back… to Denver. It was just one year ago that we stepped in the Colorado Convention Center for the Second Annual Denver Comic Con and our eyes were open to what Hush could do. After the local convention blew us away, we started venturing to other conventions around the country – well, as much as our budget allows. This year, we were a well-oiled machine. We were handing out cards and stickers (hit us up if you want one because we have a few extras!), mingling with fellow con-goers and doing almost everything there was to be done. We took a bunch of pictures of cosplayers, attended a bunch of panels and even got to interview some of the hottest artists at the convention, all of which you can find at the links below.

In this article, you will find one of the most complete Denver Comic Con 2014 experiences on the web, all of which came from a diverse team (see Special Thanks To at the end of the article) of nerds that we have the pleasure of calling our own.

See also:

Denver Comic Con 2014 Cosplay articles

Denver Comic Con 2014 Panel articles

Denver Comic Con 2014 Interviews

Spotlights on 30 of our favorite DCC 2014 guests

Click on the link to take you to all of our Denver Comic Con 2014 articles

The City

The Mile High City is home to the fastest-growing city of nerds in the country. In only its third year, the estimated attendance of nearly 75,000 people has sky-rocketed it to the fourth-largest comic book convention in the WORLD, right behind San Diego, New York City and Toronto – cities with at least four times the population than that of Denver. Google “Nerdiest cities in America,” and there’s a good chance you’ll find Denver on any given list.

One of the greatest qualities of the nerds here in Denver is how diverse they are, making comic cons here a hotbed for the Mile High community. A hardcore Star Wars fan might know all there is to know about but know nothing of Doctor Who and comic books, or vice versa. This diversity usually leads to tons of pocketed groups, meaning that there is always somebody that you can strike up a conversation with pretty much anybody at any time about anything. Most convention goers I have spoken with are nice enough to tell you about their respective fandoms.

The city of Denver isn’t actually all that big, but several large suburbs make up a fair percentage of the land and population. Thanks to years of construction projects, navigating the city from any particular section is fairly early when taking the RTD Light Rail system. The best part was boarding the train with a ton of cosplayers, decked out in their extravagant costumes, sitting right next to people who had no idea Comic Con was even going on. Also, if you wanted to drive, you don’t have to roll the dice on a spot downtown or settle for an expensive lot; there were plenty of parking spots across the street from the Colorado Convention Center at Metro State University.

If you’re staying downtown, there is plenty to do on the weekends. One of the nerdiest attractions is the 1UP bar, a full-service bar that has a plethora of old-school arcade games like Mortal Kombat IITron and Paperboy – even a real-life giant game of Jenga with 2 x 4 blocks of wood. The Pavilion area on 16th street is also quite the fantastical place, full of street performers, eateries and shops to pass the time. Theater nerds can geek out at the Denver Center of Performing Arts, which hosts a variety of plays and events all year long.

There are multiple comic book stores in the metro area, and additional ones in surrounding suburbs. Each shop offers a different experience and has a specialty of sorts. All C’s Collectibles in Aurora is a great place to find sports cards, coin collections and back issues. The shop has been in business for over 25 years and is the go-to spot when I’m on that side of town. I Want More Comics is an up and coming store in Northglenn (about 10-15 minutes of highway North of downtown) that has a lot of trade paperbacks and unique collectibles. It’s hard to spend less than an hour per visit there. The store we go to for books is Mile High Comics, which has four locations in the metro area. Their Glendale store on Colorado Blvd is pretty much home to me, where Aaron and Jay always hook us up with our weekly books and specialty figures. Mile High’s Jason St. warehouse is just that – a warehouse, and the biggest comic book emporium in the world. Whether it’s a rare back-issue, an out-of-print trade or a toy you didn’t know you needed, you can find just about anything in the world of nerd at that warehouse.

Denver is a city that makes itself very accessible to nerds, and is very accepting of the culture, in general. It’s one of the contributing factors that makes it one of the best cities in the country for young professionals, hipsters, and relocation. The continued diversity of people Denver gets only adds to the attraction of events like Comic Con. The best part is that the event hasn’t even been saturated; there are still thousands of people who either couldn’t go or need to be converted. Denver is a nerd gold mine right now, and it’s great to see how many people are striking big in the Mile High City.

How Denver Comic Con Works:

Let’s be honest; last year’s Denver Comic Con was poorly organized. It wasn’t DCC’s fault, either. There was just no way to prepare for the explosion of attendance that happened between the inaugural year, which saw a modest 28,000 people attend, and 2013, where attendance ballooned to 63,000 people – making it the fifth largest convention in the world after only two years. The problems were more logistical than anything, and this year was a great reaction to the issues that plagued the previous convention. The entire exhibitor’s hall was organized in a much more logical fashion, volunteers were actually informed of what was happening, and people were actually let in the doors when the Con opened.

This year, DCC saw a reported 75,000 attendees flood the convention center. Some were looking for autographs and art sketches, some were looking to go to panels and look at cosplayers, and some were just so absolutely lost in the chaos that they walked the exhibitor’s hall like a group of Amish at Best Buy. I would venture to say that a majority of the attendees knew what they wanted to do and how to get there. Artists and creators were located at the back of the hall, while retail shops and displays took up most of the front. Off to the side was the celebrity signing booths, where various celebs took to signing for large blocks of time. Meanwhile, panel rooms were sprawled out on the first floor. Convention food could be found in multiple places, and aside from the $4 bottles of water, it was reasonably priced and tasted delicious.

Due to the fact that we had a team of BAMFs (Nightcrawler or Pulp Fiction – either analogy works) networking, attending panels, and taking some great cosplay pics, we were free to do so much more than before at a convention. For others, it was a bit more difficult. Due to the small size of the Main Even and Mini Main Event panel rooms, it wasn’t uncommon to wait for an hour just to get a seat in a panel. We noticed the same thing when it came to getting a sketch from an artist or an autograph from a celebrity. At that point, it’s all a matter of prioritization. There were definitely things we didn’t get to do or see over the weekend, but I feel like had they been our top priorities, they would have gotten done.

There is so much cosplay going on at the Denver Comic Con that it punches you right in the face as you walk in the doors. The sheer volume was amazing. I’d guess that I saw more people dressed as Harley Quinn here than I did people dressed up altogether at Houston’s Comicpalooza. From Dragonball Z to Dark Crystal, the diverse crowd really made for a thoroughly entertaining game of Guess Who? People we talked to said they came to DCC specifically for the cosplay, and the hard work put into their costumes proved their validity – especially in the contest winning Mr. Freeze. The dedication didn’t just stop at costumes. Colorado Movie Cars had a fleet of nerd-inspired vehicles for attendees to look at, including the Ghostbusters‘ Ecto-1, Knight Rider‘s K.I.T.T., Bumblebee’s Camaro, Herbie and the TMNT Party Wagon, which it has become my new goal in life to build. There were also two Batmobiles in the house (Burton and West) and the Umbrella Corps Dodge Magnum.

This year also brought in some big name guests. Since the convention was created to promote Comic Book Classroom, a lot of the guests are people that we grew up idolizing as kids, like: Kevin Conroy (the voice of Batman in Batman: The Animated Series), Jim Cummings (the voice of Winnie the Pooh, Tigger, and Darkwing Duck), Adam West and LeVar Burton. We were all there to see somebody different, and our varying experiences were all equally cherished. The love didn’t stop there, though, as we were able to get some astonishing artwork and keepsakes from our favorite people in the nerd world.

 

 

Meet the Press!

Hush Comics was lucky enough to receive media passes to DCC, and we felt like we were treated with great respect. Not only were we able to get priority seating for the popular panels, but we were also granted access to the exhibitor’s hall before the doors opened. Both days we snuck in early, we were there to interview artists. We were able to sit down for an extended amount of time and speak with Georges Jeanty, who just ended his run on Serenity: Leaves on the Wind, and Yanick Paquette, who’s currently working on Wonder Woman: Earth One. Both were complete gentlemen, and the formal interview quickly turned into a completely casual back and forth. We were even able to request a commission from each of them of our favorite characters making a hushing gesture and they turned out amazing! Check them out below:

 

Like at Comicpalooza, we were lucky enough to give away a couple of 3-Day passes to a lucky Facebook fan by the name of Jumoke Emery, who is a great guy getting to enjoy his first Comic Con. Here’s his account of the weekend:

So I have a confession to make: This was my very first Comic Con experience. Mostly I spent it wandering around starry-eyed, high-fiving awesome cosplays while not the least bit tipsy off of Brews Wayne. I was most excited for the panels, yet managed to miss every single panel that I stood in line for (P.S. Comic-con lines for panels can be ridiculous, and I’ve decided that the fire marshal and I aren’t friends). However, I still had a blast! Being among my fellow geeks feels like home, now the only debate is whether I’m John Stewart or Power Man for next year’s Con. Shout outs to Hush Comics for helping me have an amazing Father’s Day weekend!

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Aside from the great interactions we had with people, it was such a joy to be able to tell people what we’ve built over the past year. It’s not the shiniest website on the web, but the hard work and hours of writing feels validated when we get such great feedback from people we randomly meet and strike up conversations with. I can only expect that we will continue to grow, adding more quality writers and covering more ground than we do now. Thanks to everybody that made this a fun and fruitful experience. See you next year!

 

Special Thanks to:

Jacob Robinson: You may have seen him dressed as Ash Bender at DCC, or just noticed his stylish mustache and dreads. Jacob wrote multiple panel articles and

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Jené Conrad: Although Jené had to leave for the weekend to attend a friend’s wedding, she was an integral part of getting set up for the convention, and was not shy at all about networking with others on Hush’s behalf.

Robert Michael: Most of the photography of the convention you see was taken by either Adrian or Robert. He also wrote a few of the big panels, like The Oatmeal and Arrow. Robert was the utmost professional and we are lucky to have him on the team

Robert LOVES reading
Robert LOVES reading

 

Alyssa Mitchell: This girl is a machine! She came to the convention after pulling night shifts, and was an absolute pleasure to be around. She’s Robert’s girlfriend, so it makes sense she was always at work – whether it be pushing the Hush name, taking media duties or helping us plan out the day.

Charlotte Renken: Our newest writer is a straight-up prodigy. We sawn her passion for cosplay inspire others in real time, and we’re lucky her unique voice has found a home at Hush Comics.

charlotte newmar

Lewis Brown: This phenomenal artist is one of our favorites in Denver. Check out his Facebook page. He’s extremely humble and personable, and he spent a lot of his time at the con doing free work for the non-profit Aurora Rise. Definitely make yourself familiar with his work, so that one day, you can tell people you knew who Lewis Brown was before he made it.

Lewis Brown Sketch 1

Scott McCauliffe: Scott has had the most unique experience at DCC among us; he has been an artist at the con, a patron, and this year, a member of the press. He was able to make it for Father’s Day, and his article on his experience is one worth reading.

John Layman

Evan Lowe: Evan couldn’t be here in person this year. He was busy completing a rigorous course to get his Master’s Degree in Social Work! The only thing he requested was a picture of Lou Ferrigno. I’d like to think we delivered. Now that his courseload has slowed down, expect more from him soon.

Lou Ferrigno Evan

Sherif and Adrian: We had to throw a little love our way… mostly so I could post these pictures of us.

 

Tips for Future DCC-ers:

  • Buy your passes early. Even if you end up not going, you can definitely sell the passes on Craigslist or at the door. When we originally bought 3-Day passes a few months in advance, we paid $55/pass. Compare that to the daily rates of $40/day they were charging the week of the con, and you’ll be face-palming yourself for not capitalizing on the situation earlier.
  • Before the convention starts, make a list of things you want to do, and plan it out according to which days things are happening. If you plan things out, there’s a good chance you can get to it all.
  • Cosplaying is amazing, but what’s even better is wearing comfortable shoes. You will spend hours walking, standing, rinsing, repeating. On a similar note, please do shower and wear deodorant. Yes, people will know it’s you, and they will judge you for it. DCC even put on a satirical PSA about “Con Funk” to reiterate the dangers of not valuing personal hygiene.
  • If you get cold often, bring a sweatshirt in the convention center; it might be 90 outside, but it’s likely refrigerated inside.
  • Know where the Guiry’s booth is. Grab any sleeves for prints/pictures you need to avoid getting them all smashed up.
  • Come prepared to buy stuff: artists prints, doo-hickies, collectibles, and of course, comic books. Also know that you will be having to bring or send this stuff back home with you. Some of the best things to prepare are:
    • Comic book portfolio: holds approximately ten issues for signing and collecting.
    • Poster tube or picture hard-sleeve: don’t let those prints/signatures get bent. Trust me, hiding it in a book will not cut it.
    • Know where a nearby FedEx is to ship back the really valuable stuff
  • Take a fair amount of cash with you. A lot of the booths and special events only accept cash – not to mention cash only parking lots in the surrounding area – so avoid getting caught cashless when a good opportunity arises. There are ATMs available around the convention center.
  • If you have time to leave the convention center, there are a lot of great, relatively inexpensive places to chow down nearby. Some of our favorites are: Cheba Hut, Snarf’s and Bubba Gump Shrimp Co. (kinda pricey, but worth it if you’ve never been).
  • Over-estimate the time it takes to get anywhere. Denver is largely a commuter city, so plan accordingly.
  • Prior to going to the convention center, make a to-do list of what you want to accomplish and decide what is realistic.
  • Don’t take yourself too seriously. Ever.

Comic Book Reviews 06-18-14

Review Scale:

The mythical A+: Classic comic book material. Belongs next to your copy of The Notebook and The Joy of Cooking. A: Would definitely recommend to all comic book readers. Even more so to fans of the genre or characters B: Enjoyable read. Fans of the genre or characters will especially like. C: Non-essential read. Can be enjoyable for fans of the genre or characters, but likely for only one or two events in the books. D: Unenjoyable book. Read at your own risk. Might find satisfaction if major flaws are overlooked. F: Please don’t buy this book. Donate your money to a local comic book writer’s workshop instead to inspire future generations to write something better than this trash.

Pick of the Week:

Teenage Mutant Ninja Turtles #35- A

I am loving this story arc and where it is taking the turtles. I have had problems in the past with Santolouco’s art design for the turtles, but he is by far my favorite artist for humans in the series. But the more he does I feel the better he does as Slash in this issue looks amazing! I feel this series just keeps getting better and better to me and having a Slash centered issue was great and opened up so many opportunities for the series. – Jacob

This issue is going to open up so much! The mutagen is the key to everything. Does this mean a war with Krang and Hob’s army? Or will the turtles be able to stop the madness before it gets out of control? My money is on the former because I love Old Hob’s character; he’s like the Magneto of TMNT. I also really appreciate the development of Casey Jones, who is no longer the one-dimensional tough guy goof off  he has been in other mediums. There’s a reason this was my favorite book last year, and it continues to amaze. – Sherif

  

Other Reviews:

Dark Horse Comics:

Serenity: Leaves on the Wind #5 – B

Things are wrapping up for this Serenity series sadly. In this second to last issue we see the normally great art for this series and it is always good to see Wash, even if it has to be from the past. This is definitely the issue the climax of this series and we see everything set up for the last issue next month and does it well. It has been a great series and hopefully we will get more once everything finishes. – Jacob

DC/Vertigo:

Wonder Woman #32 – B+

If this cover isn’t the new poster for feminism, I don’t know what is – Wonder Woman fighting a manly bull warrior with two swords and a baby strapped to her back. The war for Olympus is waning, and there aren’t many left to oppose the First Born. Diana and a small team of gods try to make a last stand. We even get to see a new rendition of Wonder Woman’s armor, which looks gorgeous in modern colors. The story is dwindling down, but it’s not that it’s getting boring; I mean, how many arcs do you know that last over thirty issues? This series has just enough momentum for a ridiculous send-off – let’s just hope it gets there without being predictable. – Sherif

Supergirl #32 – B-

Luckily it seems as though we only have one more issue to deal with the Red Lantern version of Supergirl. She has been kicked outta the corp and on her way back to Earth she is attacked by another worldkiller. The scenes of her battling the Diasporians are pretty cool and really the only reason to check out this episode. I am glad this story arc is at its conclusion but with the events of Superman Doomed affecting her ability to live on planet Earth, I am afraid we are going to be stuck with more space adventures for the time being. I hope I am wrong but that seems like the direction they are going to take. – Robert Batman Eternal #11 – C I really don’t know where they are going with this book anymore but now they are rehashing characters from the original Batman Inc. comic. I am curious to see if they manage to add Julia to the Bat family or if she will move on at the end of this arc. This issue was beyond filler and I cant think of one thing that happened to move the story forward this issue. I am also not a fan of the way the art changed an issue or so ago. I has an amateur look about it that I can’t get over. – Robert

Batman and Ra’s al Ghul #32 – C

We’re just one issue away from the finale of this long series of guest features. It has brought Batman across the world to confront the Demon’s Head and take back the bodies of Talia and Damian, choosing to lay them to rest and keep Ra’s from resurrecting them to rule the world under his control – typical Ra’s. The issue was supposed to be a major milestone, but the epic showdown was interrupted by something far more worrisome. I’m not a huge fan of how this is turning out, but I think that fact that I have no idea what’s going on now is a good thing. Who is the new Robin going to be?? Find out next month. – Sherif

 

IDW Comics:

Teenage Mutant Ninja Turtles: Turtles in Time #1 – B+

Here we go folks another TMNT micro –series! This time referencing many past incarnations of the turtles. Obviously the name takes us back to Super Nintendo days battling through time in the game with the name of this series. The time travel devise looks an awful lot like the one in the film Teenage Mutant Ninja Turtles 3, and of course there are going to be tons more. This first issue doesn’t have the best art; well at least it doesn’t fit the series well since it looks an awful lot like the animated series running now on Nickelodeon. But since the artist is changing in each issue it is hard to complain. I look forward to seeing the whole story here (which is highly connected to the Teenage Mutant Ninja Turtles Annual 2014 coming out in December.) and the ever changing art, and if they are planning on referencing past properties in the process, this is a must read for long time fans. – Jacob

Samurai Jack #9 – B+

We have another issue where there is hardly any dialogue besides the odd robot language and one thing from Aku. I love that the style of the show can work so well in comic form because it definitely makes me love the show and the series that much more. I hope if this series ever ends we get the send off it deserved on television because so far it is one of my favorite monthly comics. – Jacob

  Image Comics:

Sex Criminals #6 – A-

It’s been three months since the last issue of the most pleasantly lewd book in the industry came out, but issue #6 is here, and I can plainly say that it was worth the wait. John and Suzie have escaped the sex police – to those of you just now hearing about the series, yes the Sex Police are real – but they are still left fearing orgasms will be their end. The once fiercely passionate couple are in quite a rut, and Chip Zdarsky’s art highlights the changes perfectly. There are even bigger plot points around the corner, though, as this instantly shot back up my list of favorites after the hiatus, which creatively did the book service. – Sherif

The Wicked + The Divine #1 – A-

Gods live among us. Not only that, but they perform at concerts and are so purely awesome they make us ejaculate in our pants so hard that we pass out from the impact. There’s a lot more to that, but if that first sentence didn’t at least grab your attention, you might not care for this book. Tired of being viewed at as phony entertainers out to exploit the entertainment crowd, one of the gods makes a brash decision, landing her in big trouble. Aside from the fact that gods can also flick their fingers and make people’s heads explode, I really didn’t walk away from the issue knowing anymore more than I did when I picked it up. I know that the story flows, and I know that the art is beautiful. Image Comics has a great track record, so I can’t wait to see where this goes. – Sherif

 

Marvel:

Daredevil #4 – B

Matt Murdock’s stay in San Francisco hasn’t exactly been my favorite story, and Mark Waid having to follow up his own tremendous run on the series that just ended doesn’t make it any easier not to compare the two. This new frenemy that Daredevil has made is interesting enough to carry the story and interest me in reading more, but I’m already an invested Daredevil’er. I can’t see the current pace or story really grabbing any new fans. I could always be wrong, but I think Waid is going to have to kick things into high gear if he wants to recapture the magic he had in the last run. – Sherif

Elektra #3 – C+

What is with this guy chasing Elektra around trying to eat her brains? We get that Elektra is messed up in the head but I don’t see how they have managed to squeeze three issues outta this. I don’t see this story going anywhere exciting at all. The art is interesting but I would like something a little clearer as some of the pictures and coloring look a little confusing.  – Robert

That about wraps it up for our reviews this week! Look for next week’s previews coming soon. Any comic books you didn’t see reviewed that you want reviewed? Any grades you didn’t agree on? Let us know in the comments!

All images taken from ComiXology app and the credit for them goes to the respective publishers; thanks to IDW Comics, image Comics, Dark Horse, Boom! Studios, Dynamite Entertainment, DC and Marvel for putting out great books.

Denver Comic Con 2014 Interview – Georges Jeanty

This weekend at Denver Comic Con 2014, Hush Comics interviewed the wonderful artist Georges Jeanty, famous for his work on Buffy Season 8 and 9, as well as his current stint on Serenity: Leaves on the Wind.  He had a lot to say about his past, present, and future, including his time with Joss, what he really thinks about Buffy hook-ups, and whether or not Wonder Woman is in his future.

Click on the link to take you to all of our Denver Comic Con 2014 articles

Hush Comics: What was it about comics that sucked you in?

Georges Jeanty: I guess when you’re a kid, you really don’t know anything else.  Maybe now you do with video games and all, but that really didn’t exist.  Maybe Pong existed when I was a kid.  It was just the love of stories, reading, and things like that.  I was a very weird child.  I liked to read when I was younger.  And, comics just grabbed me.  And it grabbed me in a way that it just never let me go.  And then when you get older, you realize, ‘Hey, I can draw!” And then you go, ‘Hey, I’m actually kind of good.  Hey, look I can do this.”  So it was sort of a natural, evolutionary process.

HC: Currently, you are working on the Serenity comic, and I know you were a fan of the show Firefly, when it was on the air, so can you tell me a bit about what made you love the story?

GJ: Love the story that I was doing or the show?

HC: Both.

GJ: Well it’s a show that really had potential and obviously cut down before its prime, type of thing.  So, it’s very sad.  The vindication, of course, is that it got a movie and it goes on from there.  The comics, honestly, it’s all because of Joss Whedon.  I firmly believe that if Joss Whedon didn’t like comics, it would not be a comic book, per se.  Buffy probably would have been, because I believe Buffy is co-owned by FOX, but Joss has Firefly and had he never really been interested in the medium, there probably wouldn’t be a Firefly comic book.  The story is great because it’s the first one that really is post film and it takes place after and you find out what happens to everybody and where they went after the film.  So that’s the really cool part about it.  As a fan, I couldn’t wait to read the scripts when I was getting those.

HC: Awesome!  I am a huge fan, too.  When you were younger, I have heard that you wanted to be an actor.  Who were your inspirations and did you ever act in anything?

GJ: Man, when I was younger, Robin Williams was Mork in Mork and Mindy.  I have always been more attracted to comedy and the people who make you laugh.  It is sort of a philosophical thing.  You never forget the person who makes you laugh.  Somebody can you make you cry, somebody can make you mad, somebody can you give you all those other emotions, but it’s the people, you may not even remember their names, but the people that make you laugh.  I did a little bit in high school, acting, and in college, and church plays here and there, but I quickly realized I was a better artist than I was an actor.   Or that it would probably pay better for me sooner than later.

HC: So at one point you were an artist with a collaborative Gaijin Studios.  What did you do there and how did being with them get you the big gigs that you ended up with?

GJ: Gaijin Studios was primarily just a studio with a bunch of artists. We didn’t necessarily produce anything.  We all worked in the same area as a sort of cohabitation.  We all had our cubicles or rooms as it were.  The great thing about that was a lot of the guys there had been in the business a little longer than I had, and had a reputation that when I was looking for work I could say, ‘Yeah, I’m part of this group called Gaijin,’ and it was part of this swag of being part of that studio that people were like, ‘Oh! Interesting.  I know the studio.  I don’t know you, but if you’re part of that studio, you must pretty good. ‘  So that probably got me Bishop: The Last X-Man years and years ago, and that probably got me that gig.

HC: Speaking of Bishop, Days of Future Past just came out and as a kid I always connected with the animated version of the story.  So how does it feel to have your version of Bishop on the big screen?

GJ: It was the version that I did.  It wasn’t technically my version because that concept was already done when I came to the book.  I evolved in it.  I did about 15 issues of Bishop, so it sort of evolved into whatever version it was.  It was really cool.  I have no criticism, per se, but, of course, you’re looking at something and thinking, ‘Yeah, he would have been a little bit bulkier,’ or ‘He would have been a little more of this.’ But just to see the character that you did, and essentially went into obscurity, its nicely vindicated.  Granted he didn’t have a lot of screen time.  Funny enough, if you didn’t now who he was, you’re going, ‘What? What’s he doing?’  Bishop could absorb power and redirect it. That was his mutant power.  But they never actually explain that in the movie.  So, you’re kind of like, ‘Ok, I guess he can shoot stuff out of his hands. Cool.’

HC: Can you tell me a little bit about how you were able to work with John Ridley on The American Way?

GJ: John Ridley, who has just blown up, totally. Actually coming out next he has got a musical biography of Jimi Hendrix coming later this year.

HC: With Andre 3000?

GJ: With Andre 3000.  Yeah he [John Ridley] was a great guy.  Again, another guy who just loved comics.  He did a couple of things with Wildstorm.  He wrote Authority and then something else, a short story.   And then he pitched this creator owned gig and they brought me on after the fact to say, ‘Hey, he would love to collaborate with you.’  I created the look of the characters with a description that he had done.  He said essentially, ‘You being apart of this, I know there aren’t any big stars or Superman, Batman, any of those characters are not in here, but what I can offer you is a piece of this particular pie should it ever go anywhere.  This was 8 or 9 years ago, where you going, ‘Oh, whatever.  Cool.’  And the story was so good.  I think at the time, I was pegged to do The Flash.  So I was geared towards something that was more established and more known.  After I read his script I was going ‘Oh my God.  This is so good.  If I didn’t draw this, this is something I would want to pick up and read.’  And finally Ben Abernathy, the editor, at Wildstorm at that title at the time was really selling it.  Through Ben’s generosity, I said, ‘Sounds like these would be really cool people to work with.’  When you’re looking at a project like that, originally it was 10 issues and it ended up being 8 issues, but you’re going, ‘I’m going to be with these guys for 8 months.’  That’s a relationship where you’re like, ‘If I don’t like you now, I’m really not going to like you in 8 months.  But if you seem cool, hopefully there is hope that we will really get along.’  John and I got along great.  I mean it was a lot of back and forth.  We called each other a lot and talked about it.  He loved the comic medium.  He really loved the idea that he was saying something about the Civil Rights Movement and all that stuff.  It is probably one of the things I am most proud of in this business.

HC: That says a lot.  After you were done working on The American Way, you were contacted to work on Buffy.  Up that point you hadn’t seen the series yet, but piggybacking off of my Firefly question, what is it about the Buffy story that you love, not only the show, but what you did?

GJ: Uh, that it was Joss Whedon.  I didn’t even read the script.  I didn’t know what the script was, but they said, ‘Well Joss Whedon’s going to be writing the first arc.  Would you be interested?’  I’m like, ‘Yeah.  Sure.’  And I hadn’t really watched Buffy.  I knew Buffy through pop culture, but I had never really absorbed her, and I really quickly caught up when I did get the gig.  Joss was really generous.  I knew who he was, and just the fact that he was giving this to me, this guy who really had no reputation.  I mean, I had done books, but whatever.  He had seen my work, liked it, and wanted me.  I was like ‘Yeah, you’re Joss Whedon.  Cool.’ [Now referring to Joss] ‘No, no, dude, here’s my phone number.  Call me if you need anything, or if you have questions about his or that.’  This was the first time Joss was actually doing a Buffy comic book which was very monumental.   Buffy had been printed up until then for years, but he had never actually done anything.  He did a little something in the Tales of the Vampire and the Tales of the Slayer, but never on Buffy directly.  I quickly realized how much of a big deal this was.  I jumped in on that strength, not really knowing the character.

HC: I know that you didn’t watch it before hand, and I have heard you watched it out of order.  What order did you watch it in?

GJ: I did.  I started with season 6 and then 7.  I liked it so much, because the sent me season 6 and 7 on DVD, I liked it so much, I went back and watched 1-5 on my own.

HC: And did you watch 6 and 7 again so you felt you had the whole series?

GJ: No.  I sort of watched little bits here and there where I needed to get the characters a little more defined.  No, in my mind when I think of Buffy in the end it’s when she actually dies saving Dawn.  That season 6 two-parter was kind of strange because I’m like, ‘She’s dead? So she’s coming back? And who is this biker gang? And now there is this other Slayer thing? What is this?’  And a big thing that I just never understood was her Slayer strength.  I knew she was a Slayer, but to me that did not automatically denote she was more powerful than everybody.  So, a lot of the first few episodes I saw, I felt bad that this girl is getting beaten up and I thought, ‘Oh my God, this is like a masochistic television show. That poor little girl.’  And then when I talked to Joss, because I was doing the comic book… I sort of need details.  You need your stage in order to perform.  You need to know what’s on that stage so you know what you can use.  And with Buffy, I told Joss, ‘Well she’s strong.  Ok. I get that, but how strong?  Is she Superman strong?‘  And he’s like, ‘Well, it’s funny.  We’ve never really tested her limit, but in all honesty, think maybe Spider-Man strong, not Superman strong.  But definitely more than Batman strong.’  So that sort of put things in place to me where as an artist I knew how far I could go.  She could probably turn over a car, but she would have a lot of trouble lifting it over her head.  Those little details, which obviously never came to play in the book, but I knew what she could do.

HC:  I have heard season 6 is your favorite season.  Is that still true?

GJ: Yes.  Totally.  I’m all about change.  I totally get it, the people who were with it all the way from the beginning, people love season 3 when Faith comes in, and no one likes season 4 for some reason.  But there were moments like Oz and Willow, and then Tara coming in.  There are moments in every season.  It’s not that any one season is a blanket of awful or great.  There are moments.  But I thought season 6 just said, ‘This is what it was, and now these guys are growing. ‘  Sometimes, you might have a bad year, or you might get fired.  That year is your lowest year, but that doesn’t mean you are any less of a person, but your life has changed.  That year was such a year of change. A lot of people who didn’t like Spike were like, ‘Well, that’s because they hooked up that season and it was awful.’  I appreciated that change and I loved Andrew, Warren and Jonathon coming in.  Those guys were so funny.  It’s obvious the writers were having a great time writing their dialog.  That felt to me like a cool season.

HC: Do you have a moment from season 6, that you are like, ‘That’s the moment’?

GJ: I’m probably supposed to say The Musical.  It’s been a while now and all of has just morphed in to one big Buffy ball.  I couldn’t tell you the specifics of season 6.  I will tell you though, and since Joss was such a big comic book fan, he modeled Willow’s dissension on Jean Grey and Dark Phoenix.  When you watch it having known that, you see that when Willow brings Buffy back and then Giles has that conversation, like, ‘You incompetent idiot.  How could you have done that?’  And she’s like, ‘Maybe you should be a little nicer to me knowing how much I actually did.’  You can see she wasn’t bad there because she didn’t have the black magic obviously, but you can tell there was that seed that was planted and I love that.  And it’s something if you’re a long time you’re like, ‘Cool, this is going somewhere.’  Oh! Ok, I do have a moment.  Probably the best moment, and Joss loves to do this, is when Dark Willow is doing whatever, he [Joss] recreated it in season 8 in the first arc, where Willow is like ‘Nothing can stop me now.’ And then bam!  She gets hit and Giles is like, ‘I’d like to test that theory.’  And that’s the end of the episode, and it’s like, that is the coolest ending ever.  And when Amy the rat comes back and she does it and Willow does the same thing, it’s ‘Oh my God that is so cool.  And I was a part of it.  Cool!’

HC: That is awesome!  How has working under Joss’ direction influenced the way you tell stories through art?

GJ: His story telling is not so much about the script.  I learned a lot more talking to him.  I’m the kind of artist where I get the script, I read it, absorb it, but of course there will be little nuances and I always tell a writer I work with, ‘Do you mind if I call you because I want to get your thoughts.  When you say this person walks into the room upset… Buffy walks into the room upset, that could mean a lot.  Could be upset that she just had a hangnail, or she didn’t get her nails done, or upset that she got really bad news.’  I would usually talk to my writers and ask, ‘What is the context of this?  How upset?  What is their body language?’  I guess that is the actor in me who is coming in and saying, ‘Well, what are they doing that gets them to that point?’ Obviously, if you’re upset, you’re standing in a different way, or you’re looking in a different way.  Your posture is definitely different.  That was one of the things I would talk to Joss about.  There was one time where he was writing a script and he was a little late and I was like, ‘When do you think it’s going to get done?   The editor is on my back because I have to draw it and it takes a whole lot longer to draw. ‘  And he said, ‘Yeah, the only problem I am having with this script is that I don’t know what I am trying to say.’  And that is when it solidified to me that Joss works on theme.  Like the theme of loss or redemption; anything you can put in a theme.  That’s where he says, ‘This is my theme and I am going to try to structure the episode around that theme.  Everybody is going to be affected in some way by that theme.  They may not be the central focus of that theme, but they are going to be affected.’  That to me makes really good story telling because you’re combining everything. Especially in television, since it is a serialized drama, it keeps going on and on, all you really have are themes because there has to be that arc, and usually for that episode, you know that there is something they went through.  That is the biggest thing he taught me, indirectly, just reading his work and listening to the man talk.

HC: If you could draw any scene from a Whedonverse show, what scene would you draw?

GJ: Well, why would I do that?  I will counter that statement, actually.  I did have a conversation with Joss just about this.  I will tell you there is a scene that I would have loved to have drawn that never made it on television but should have.  When we were doing season 8, I hate to give myself credit for this, but I am the Buffy fans, best friend because I was going to bat. When Buffy slept with another woman, I was like, ‘Nuh-Uh! She’s not going to sleep with another woman.  I’m not going to draw that.  You need to justify that to me before I can do that.’  When Giles died, “Nuh-Uh! Giles isn’t dead because I’m not going to draw it.  You have to justify that to me first.’  So I was really going to bat.  I went to Joss at some point and said, ‘Dude, you’ve got Spike coming in season 8.  That’s great, we are finally getting the gang back together.’  But I was like, ‘Joss, you realize, if you think about it, Buffy doesn’t know Spike is alive.  Because he became alive in Angel obviously and there was never that scene where it’s like, ‘Oh my God’ [referring to Buffy].  He [Joss] was like, ‘Yeah but the fans are really…’ and I’m like, ‘Yeah, the fans want to know that stuff.  That’s the stuff that they love.’  He said, ‘No, they can probably assume that Andrew told them’ because of “The Girl in Question” in Angel, they both go and see Andrew. ‘They can just assume Buffy found out from him. ‘  I said, ‘It’s a little bit of a cop out, I gotta tell ya.’  In my mind, over the years, I wonder what that scene would be like.  The writer in me, doing Buffy for so many years at that point, I was creating that scene so I could justify it when they did get together and of course subsequently have all these conversations.  In my mind, that is what I feel happened in continuity, although it never actually showed up.

HC: Do you have time to read comics, and if so which ones are you currently reading?

GJ: Yes.  I hate to say this because it probably makes me a bigger geek than I am, but I’m at the comic shop every Wednesday, looking and seeing what’s out.  I’m reading The Uncanny X-Men that Brian Bendis and Stuart Immomen are doing.  And the Miracleman reprints, the Alan Moore stuff.  Comics today are a very different animal, and very rightly so because of the movies.  Now, limited series is a thing.  A continuity book is virtually non-existent, and reading this has really restored my faith in what comics could do because while Alan Moore isn’t reinventing the wheel with his stories that he did back in the ‘80’s, it’s obvious that he is taking the story telling medium, and these were a bunch of 8 page stories that he did that were collected eventually, and with these 8 pages he is just telling the story as it is progressing, but every 8 pages is doing it in a different way.  It is so entertaining.  Miracleman is sort of a British knockoff of Shazam.  Even in that, he plays with that factor, and it is just so good.  I cannot recommend it enough.  Anyone who wants to be a comic writer ought to be reading those Miracleman comics because he is just doing great storytelling.

HC: You drew Buffy for season 8 and 9, will you be making a return in season 10?

GJ: That is a very interesting question.  Well, I did Serenity, which was sort of always the plan.  Yeah, personally feel that Buffy was the girl I came to dance with.  I certainly don’t want to abandon her.  If they ask me back for something, whatever it is, probably not as long as I did before, but I would come back for something special.

HC: Since Serenity will be ending soon, do you know what your work will be in the future?

GJ: I personally finished Serenity a few months ago, because of course you have to do it ahead so they can print it.  But, I’m working on The Future’s End for DC right now, which is their big 52 book, a whole year, every week.  I am doing what I can; I pretty much do a book a month.  So, I’ve done an issue and I’ve got an issue waiting for me, so I will for the foreseeable future be doing that.  And there is some talk of maybe doing some Wonder Woman stuff down the line.  Who knows?  It’s just hearsay right now.  So, we will see!

“Respect My Craft” – Nicholas Brendon

In this consumer-based industry, it can be easy to forget the years of hard work that the people in the business put in. Behind every panel, it takes a skilled writer, artist, inker and colorist to make the product complete. Behind each scene goes hours of preparation. Hush Comics’ weekly article “Respect My Craft” will dive into the history of these comic book and pop culture greats that will hopefully give a new perspective on how the men and women behind the pen (or stylus) contribute to the collective awesome-ness of the nerd world, or at least give you a reason to invest in their work.

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Click on the link to view all our Denver Comic Con articles!

NOTE: Nicholas Brendon can’t make Denver Comic Con.  So sad!  We will see you next year!

Name: Nicholas Brendon

Profession: Actor

Notable Work: Xander Harris from Buffy the Vampire Slayer

“I want people to say, ‘Nicholas Brendon, he’s supposedly the nicest guy in the world.’ I want to do good work, but more than that, I want to stay a good human being. That’s more important than any character I play.” -Nicholas Brendon

Nicholas Brendon has been in my life for 17 years.  Typing that seems so surreal, and it makes me seem much older than I really am.  When I was 9 years old, Buffy the Vampire Slayer debuted on TV, and I was hooked from the start.  I instantly knew I was Buffy, and subsequently, Nicholas Brendon’s Xander Harris became my best friend.  When I was in 5th grade, I was the new girl in school.  I made fast friends with a boy and a girl and I often roped them into playing “Buffy” with me on the playground.  It worked out well that the boy was named Alex, and he was the best Xander any 10 year old could ask for.  15 years later, when I was lucky enough to attend San Diego Comic Con in 2012, I had the opportunity to meet the real life Xander Harris, Nicholas Brendon.  I remember being very scared, even at 25, to meet one of the people who influenced my thought process and language.  He even gave me the oft said line, “It’s funny if you’re me.”  I nervously approached his table and as sweet as pie, he asked if I wanted a hug.  Who would say no?

Adrian and Nicholas Brendon 2012 SDCC
Nicholas Brendon and I San Diego Comic Con 2012.

Nicholas Brendon was born in 1971 in Los Angeles.  And yes, he does have a twin brother named Kelly. And yes, it is mind boggling how similar they look.  Brendon was a huge baseball fan growing up.  As a child, he dreamed of being a Dodger.  Brendon loved baseball so much that at his own prom, he decided to watch a Dodger game instead.  “We had better music at Sunnydale’s prom than at my real-life prom. And at my prom, I didn’t really have a date, which is sort of what happens to Xander. At my real prom, I kind of ducked out the hotel ballroom and watched a Dodger game until 3 a.m. because it went about 22 innings. And my friends were saying, ‘Oh no! Where’d Nick go?’ I think I was trying to get people to worry about me. That whole teenage angst thing.”  When he was a teen, he injured his arm, making his professional chances slim.  After dabbling in many different careers, Brendon decided at age 25 to try to become an actor.

Brendon’s career really began with Buffy.  He had been in showbiz for about 3 months before he got the job of a lifetime, playing Buffy’s quirky, yet lovable best friend, Xander.  Before Buffy, Brendon had played background roles in Married with Children and Children of the Corn III.  It has been highly publicized that Brendon has a stutter.  He has talked very positively about how he has dealt with it, becoming a role model for people who also stutter.  When it comes to his decision to act, he has said, “I always wanted to be an actor, but with a speech impediment it’s kind of tough. I decided to roll the dice and take an acting class, which was very, very nerve-wracking… my stomach would just be in knots.”  His roll of the dice led to his most notable role.  For 7 years, Brendon was a lead role on Buffy the Vampire Slayer, appearing in 143 episodes.

Nicholas Brendon as Xander Harris
Nicholas Brendon as Xander Harris in BtVS.

Brendon’s Xander started out as a goofy, not so popular skater, and best friend to other not so popular Sunnydale High sophomore, Willow Rosenberg (Alyson Hannigan).  Over the shows 7 seasons, Xander became more than just comic relief, although he was always good at that.  In his relationship with Buffy and Willow, he was the heart of the group.  Along the way, he ended up becoming the secret boyfriend to the most popular girl in school, the go-to guy about weapons due to his knowledge of the Army, and the only guy on the show without some sort of “label” who also saved the world.  Xander may have been “The Zeppo”, but Brendon’s portrayal of the character allowed everyone to love him.  And led everyone to cringe, wail, and yell violently when he got his eye poked out.

Nicholas Brendon as Xander Harris with his gals Buffy and Willow (Sarah Michelle Gellar and Alyson Hannigan).
Nicholas Brendon as Xander Harris with his gals Buffy and Willow (Sarah Michelle Gellar and Alyson Hannigan).

Since Buffy ended in 2003, Brendon has been in roles intermittently, though he admitted in his panel at Comicpalooza 2014 that he believes he has been typecast.  Despite that, he is a recurring character on Criminal Minds as Kevin Lynch, a technical analyst and love interest to the character Penelope Garcia.   He also played Lee McHenry, a rapist, who had a 4 episode arc in Private Practice.  He has spoken on how emotionally difficult that was to play.  Aside from acting, in 2010, Brendon and artist Steve Loter started an online comic, Very Bad Koalas.  Currently, Brendon helps write the comic adaptation of Buffy, contributing largely to his own character, Xander.  In two weeks, Brendon’s new movie Coherence will come out in theaters,  Coherence is a science fiction drama about a group of friends who are together when a comet passes over Earth.  It is being highly touted, and you can read a spoiler-free review here.

Hush Comics is very excited for Nicholas Brendon to come to Denver Comic Con.  Buffy may have ended 10 years ago, but Xander will always be “the heart.”

Most of the media in this article belong to Hush Comics; it  belongs to their respective properties (Mutant Enemy). Join us tomorrow as we continue our countdown to Denver Comic Con with chameleon Karl Urban.

written by Adrian Puryear

Comicpalooza 2014- Buffy Panel

A small scale Buffy reunion was in full action at this year’s Comicpalooza. In attendance were James Leary, who played Clem in seasons 6 and 7; George Hertzberg, who played Adam in season 4; Clare Kramer, who played Glory in season 5; James Marsters, who played Spike in seasons 2-7; and Nicholas Brendon, who played Xander Harris for the entire run of the series. The panel was in question and answer format.

Click on the link to take you to all of our Comicpalooza articles
Click on the link to take you to all of our Comicpalooza 2014 articles

One of the first questions on deck was whether the actors were a fan of the genre before they were cast on Buffy the Vampire Slayer. Brendon said he was not and still doesn’t do too much revolving around the genre, but says “I started with the best, why settle for the rest?” James Leary began his acting career after the show had been on the air. When he went to L.A., Buffy was one of the 5 shows he wanted to be on. Hertzberg said he just likes good writing regardless of genre. But James Marsters had the best answer. He said that in 1973 there was a Star Trek convention in Oakland. He went wearing a blue tunic, pointed years, a phaser he made himself and a big, blonde Afro. What a vision!

There was a fan hell-bent on touching celebrities faces. At every panel I went to where this person was in attendance, they asked to touch the stars face after asking what the strangest question the star have ever been asked. Marsters said his idea of strange is way sicker than we may think. For some odd reason, both Brendon and Marsters misheard “face” for something a little more personal, proving they are both a little sick. At one point in the panel Brendon expressed a crass desire for a Xander pregnancy kit. Marsters said he wanted Spike condoms. After some sexually overt banter, Brendon took it too far and Marsters asked if there might be kids in the audience. As a note, it may too adult for little ones to go to a panel with Brendon.

The Buffy cast at Comicpalooza 2014
The Buffy cast at Comicpalooza 2014

James Marsters talked about his favorite episode “Once More with Feeling,” or The Musical. He said no one had much faith in creator Joss Whedon because when they were given the tape where Whedon had recorded the songs, they realized Whedon couldn’t sing or play piano. Marsters believed Whedon was going to “flush the show down the drain along with all of our careers,too.” Today, the Musical is a cult favorite episode.

Each actor shared their favorite line from their respective characters. Kramer’s is “did anyone else know the Slayer is a robot?” Hertzberg, in good humor considering his lack of dialogue, said his is “Mother.” Leary’s is “Spike, she is sweet girl. Issues!” Brendon had a hard time deciding because he had so many great lines. Two of them are “Master-bater” from Buffy vs. Dracula and “I’m 17 years old, everything makes me horny.” Marsters, in his British accent said to the crowd, “Out for a walk…Bitch.” And if you are familiar with that line you know we all cheered when he said it.

As far as memorable fan moments, Clare Kramer talked about a recent proposal from one fan to another at Emerald City Comic Con. Leary likes when fans talk about what Buffy means to them. Marsters met someone who helped design the Mars rover. But Hertzberg had the most interesting story. He said he was in London and a father and daughter came up to his table. The little girl said, “Show him Daddy, show him!” Then the man lifted his shirt and there was George as Adam tattooed on the man’s back.

When talking about the iconic language of Buffy, Kramer said it was easy to memorize because it was so rhythmic and poetic. Marsters said Buffy was not like other shows where you could improvise. He joked that Joss would yell, “James, you missed a comma!” If they could play different characters, Marsters said he would play Clem, only because the actresses would sit on his lap and play with his ears. Leary said that Marsters has a different memory of his time on the set than he does. Pranks were rare because the set was so hard working. However, at a Christmas party, Alyson Hannigan received a bloody prop of Clem’s ear which she shockingly exclaimed “This is so cool!” when she saw it.

James Marsters spoke on one of his favorite Joss moments on set. When it became apparent Spike was more of a romantic vampire rather than a scary one Joss was upset. His intention with vampires and other demons were to make them ugly and scary like the things people overcome in adolescence. Joss approached Marsters, backed him up against a wall and screamed “You are dead. You are dead! YOU ARE DEAD!” It is important to know Joss is famous for killing off loved characters. Marsters also said his role in Macbeth helped him prepare for the role of Spike because they both enjoy killing people.

James Marsters and Adrian at Comicpalooza 2014
James Marsters and Adrian at Comicpalooza 2014

Nicholas Brendon told the audience that be originally came up with the shwarma joke from The Avengers while filming Buffy. He said he has seen Robert Downey Jr. take credit for it. Brendon quipped “fucking liar.”

Fan fiction has long been apart of Buffy because fans write so much of it. But do the actors read it? James Leary has looked at Clem and Spike relationship stories while Brendon has looked at Xander and Giles stuff. Marsters says he really appreciates when people release their creativity but as far as reading it, “No way in heck!”

The hardest thing to film in the series for Marsters was the episode where Spike attempts to rape Buffy. Marsters says any scene with that theme he refuses to watch and it actually sent him to therapy. He qualified it by saying it was a good thing; however, it was still eye-opening to hear that. Marsters wrapped up the panel by saying he preferred being the villain because the villain can watch everyone else run around and feel guilt they can’t save anyone. The villain can also mess with people. He would mess with Sarah Michelle Gellar and then when they had to fall in love, he had to be nice. Although he had to be nice, he was able to continue his “mean” streak later. He ended by saying, “So I went on Angel and messed with him.”

written by Adrian Puryear