The Hunger Games: Mockingjay Part 1 Review

Genre – Sci-Fi Dystopian/Book Adaptation
Director – Francis Lawrence (Catching Fire)
Cast – Jennifer Lawrence, Liam Hemsworth, Phillip Seymour Hoffman (RIP), Julianne Moore, Elizabeth Banks, Donald Sutherland, Woody Harrelson
Alluring element – S*** finally gets real in the Hunger Games saga!
Check it out if you liked –  The Hunger Games franchise, other young adult lit turned film
Plot – 8
Acting – 8
Representation of Genre – 8  
Cinematography – 9
Effects/Environment – 9
Captivity – 9
Logical Consistency – 8
Originality/Creativity – 8
Soundtrack/Music – 8
Overall Awesomeness – 8

When Suzanne Collins’ The Hunger Games adaptation came to the big screen, I was ecstatic. Me, who had been a literary disaster since choosing to go to an engineering college after high school, who had not read a book without pictures in it since Huckleberry FinnThe Hunger Games was the first story where I felt fully immersed in the world I was reading about.So far, the movies have been pretty great at capturing that same fire (heh) and excitement that I had when I read the books for the first time. Heck, we gave Catching Fire a 91%. Only a year has passed since the second installment came out, but so much has happened since.

Jennifer Lawrence’s off-screen drama has been a severe distraction (not her fault, but a reality nevertheless), and the thought of a grown and sexy JLaw (ala American Hustle) was just too awkward when you consider she is playing a 17 year old Katniss Everdeen. The negative reception that the film has received since its release was disheartening. Going in, all this movie had to do to impress us was, quite blatantly, not suck. The result was one of mixed feelings; this film far from sucked, but from the start, we definitely felt that Mockingjay did not need to be split into two films – something that really has, or ever will, only worked for Harry Potter. The final movie in the trilogy had the potential to be the heart-pounding finale that we all deserved, but instead, the heart-wrenching powerful moments were broken up by a casually-paced and matter-of-fact story progression.

Natalie Dormer, winner of the Most Badass Looking Character Who Never Does Anything Badass Award
Natalie Dormer, winner of the Most Badass Looking Character Who Never Does Anything Badass Award

Now that we’ve gotten that out of the way, let me tell you how much I genuinely enjoyed Mockingjay. The arena has always been one of the more interesting aspects of the books, and so by actually pulling our heads out of the District 12 sandbox we’ve had our heads in this whole time, we are able to connect to the other Districts. That connection is really what drives the film until the end. From Katniss’ guest appearance in District 8 to District 5’s courageous effort at the dam, you understand that everybody is fighting against a common goal. Katniss, the Mockingjay, is at the center of all this, but while it might seem like she is the spark of hope, she is turned into nothing short of a puppet, a symbol for hope, by District 13 President Coin. It actually reminded me of the way Captain America was used to punch fake Hitlers and rile up the crowd when he had a perfectly adequate skills for actually taking on the enemy. And like Captain America, Katniss pushes herself right into harms way to get her point across.

How F'ing fascinating. Please, tell us more.
How F’ing fascinating. Please, tell us more.

Another big theme here is propaganda, or propos as Heavensbee would like to to call them. Basically spitting back out the same strategies that the Capitol is using against them, District 13 sends their camera crew to follow Katniss and get usable footage for these advertisements is really no better than your local Congressmen’s ads that run during Scandal. The only reason I can forgive it from 13 is that they have Natalie Dormer (Game of Thrones) on the mic. But seriously, taking advantage of Katniss’ vulnerability (and, in the process, turning Jennifer Lawrence into a pop star!) during her “Hanging Tree” performance is really just as despicable as the Capitol using Peeta against her. It’s a topic I wish the film would have dove in on, especially since it had two hours to do so. Katniss is just a tool, and will be treated with such revery only as long as it serves District 13’s purpose.

On the bright side, we get a noticeable decline in both Blair Witch camera and Jennifer Lawrence cry face – a repeat offender in the first couple films. The supporting cast this time around was much stronger, too. Julianne Moore and Phillip Seymour Hoffman (RIP) play a perfect President Coin and Plutarch Heavensbee, and on the other side of the mirror, Donald Sutherland is even more frightening than before as President Snow. Jeffrey Wright also makes his return as the genius Beetee, who is finally realized as the vital character that always has been. It’s also nice to see him back to being a good guy after his villainous stint in Boardwalk Empire. The old gang also makes a return, with a made-down Effie Trinket and sober Haymitch rounding out the cast with Gale, ever-ready to play soldier and submit himself to the cause.

Mockingjay P1 Effie
Effie be like #IWokeUpLikeThis #PleaseKillMe

 

At some point in the movie, the revolution turned into a love story. I know this is a movie aimed at teenagers, but it can get eye-rolling at the fact that, in a middle of a rebellion, with so many other brave and adult decisions being made, a young woman’s sole interest is not overthrowing the government, but saving her boyfriend. I’ve read that Jennifer Lawrence once tried out for Bella in Twilight; well, it looks like she won’t have to be in a sucky vampire movie to play the role of Bumbling Idiot in a Love Triangle; she has that already. This is not a love story, and it doesn’t need to be a love story to keep teenage girls interested.

That new Tracker Jacket weight-loss program is paying off!
That new Tracker Jacket weight-loss program is really paying off!

Overall, I really enjoyed Mockingjay: Part 1. There are many things happening and in an entirely new environment – enough to keep me engaged the entire time (and I am notorious for falling asleep through movies). That being said, I’m still convinced that a single movie to encompass the third book should have been in order. For its own two-hour block, it would have nice to touch over the more subtle themes of the book – especially the propaganda. If they were going to use it in the promotional materials, why not discuss it in the movie? There is simply too much exposition for this film to catch fire like its predecessor did. However, with the finale guaranteed to break hearts and box office records, there’s still a lot to look forward to when the finale rolls around next November.

All pictures belong to Lionsgate production company.

Comic Book Reviews 04-09-14

Review Scale:

The mythical A+: Classic comic book material. Belongs next to your copy of The Notebook and The Joy of Cooking.

A: Would definitely recommend to all comic book readers. Even more so to fans of the genre or characters

B: Enjoyable read. Fans of the genre or characters will especially like.

C: Non-essential read. Can be enjoyable for fans of the genre or characters, but likely for only one or two events in the books.

D: Unenjoyable book. Read at your own risk. Might find satisfaction if major flaws are overlooked.

F: Please don’t buy this book. Donate your money to a local comic book writer’s workshop instead to inspire future generations to write something better than this trash.

Pick of the Week:

The Walking Dead #125 – A

Finally!  A TWD issue that sustainably elevated my heart-rate!  I’d forgotten what that felt like.  We are one issue away from the conclusion of the All Out War arch of the series and all things are stacked up accordingly.  What’s got me even more excited is I can actually still envision a future for this series – all thanks to THIS issue.  How the war ends will be exciting and interesting (I’m betting), but real trademark of The Walking Dead series is how Kirkman and Image are able to keep that baited hook dangling in front of readers – ensuring that the everlasting question, “what will happen next?!” stays on the forefront of fans’ minds.  Maybe I’m still just on my high from #125 and I’ll be off of it by tomorrow morning.  But after being thisss close to putting this series to bed, I’m right back where I was when I first picked up this series – dying to keep reading.  See what I did there?… – T

The spirit of The Walking Dead has reanimated from the corpse that has been the last ten issues. When Rick first butted heads with Rick – and then promptly murdered one of the most beloved characters on the show – we knew there was going to be a showdown that lasted a while. However, with the way that (at least it seems from the last panel) it is wrapping up, it isn’t sitting well with me. In a GREAT way. Is Rick really the good guy? This issue contains quite possibly the greatest soliloquy the series has ever had – and then throws it all away in the name of survival. Damn you, Robert Kirkman, you had us all fooled. – S

“But seriously, there’s nothing weird about wanting to piss all over Rick Grimes’s dead bloated body.  He ruined everything, every motherfucking thing. It’d be weird if I didn’t piss all over him.” Hilltop is in shambles, and The Saviors are in the woods waiting nearby to finish the job. Negan is waiting for the remaining survivors to surrender after Rick dies from his injury following Dwight’s arrow to the back. While we fear for Rick’s life, Carl gives Mikey some much needed advice as he watches his father die. Hang on tight Dead-heads! The last page of issue #125 is exactly what we have been waiting for since this war began. – JS

Other Reviews:

Dark Horse Comics:

Star Wars #16 – B-

I’m still riding this Star Wars wave.  The first 15 issues have taken me up and down in my enjoyment.  I’m on my way up with the latest issue and hoping that it keeps building.  After the plot “reset” that took place last issue, I ‘m glad to see that this issue followed up in appropriate fashion.  It’s become a story of depth and internal struggles – something that defines classic Star Wars.  But man… I sure do wish Wood (writer) would drop the whole “Luke still has a crush on Leia” angle.  I shutter in disgust way more frequently than I should reading a SW comic. – T

DC/Vertigo:

Batman: Eternal #1 – A

Batman is getting a LOT of attention this year, and for deserved reasons; we celebrate the Dark Knight’s 75th Anniversary with Batman: Eternal, a weekly series headed by Scott Synder and James Tynion IV. Usually I’m a bit skeptical of weekly series, but Eternal is the real deal. The first issue pulls no punches. We’re given a glimpse of the future and it looks terrible; Gotham is in flames, and whoever is doing this knows Batman’s identity. My money is on Ra’s Al Ghul. He’s been too quiet in the New 52. Anyway, the issue also sets precedents. We’re given a new police officer recruit, and Jim Gordon gets himself in DEEP doo-doo. It’s everything I want out of a Bat-book and more, and the fact that it is weekly means they will be propelling Batman’s universe four times as fast with new (and returning) characters making an impact. – S

Superman – Wonder Woman – B+

I’m not really sure how the hell Wonder Woman has become the God of War since I don’t keep up with her regular book, but I think they could have done a better job summarizing what happened there for the rest of us. This issue wasn’t so much about the past as it is about the future. Starting with the next issue as well as the next Superman issue, they will be starting Doomed, which can only include one villain when you think about it. But just in case it doesn’t immediately come to you, I won’t spoil the ending of this issue for you. My biggest question is how will these two fare against one of the greatest DC foes of all time? Will the combined might of the God of War and the Man of Steel be enough to conquer true evil? It sure as hell better be because Supes was able to do it by himself once before so I don’t wanna see any weak crap in the next few issues. This book has been very solid throughout and I would hate for it to turn into some kind of love conquers all cliché. – R

Batgirl #30 – C

What the hell is going on in Gotham City right now? Where have all of these supernatural demons and vampires come from? I hope these last few issues haven’t been a setup for some bigger supernatural plot line they are going to introduce, because with the way they have written the last few issues regarding it, it would be enough to make me seriously consider not continuing to read this book. Aside from all of that the artwork was great and there was nice introspection from Barbara about Dick Grayson that meshed with the story very well. – R

When I first found out that Gail Simone didn’t write this issue, I freaked out. Luckily, this is just a one-time thing, as she returns to writing in #31. That being said, what was so special about this issue that Simone got bumped back an issue? I don’t really understand the Alien-like symbiote; it could be setting up some weird gooey future storyline, but it’s unclear as to how that will happen. What I really don’t get – and makes me want to chuck the issue altogether – is that she spends the entire issue pouting and “mourning” Dick Grayson. I think this is an unbelievably dumb move, because his fate is still in the balance in Forever Evil, so it’s like “Shut the hell up, Barbara, you don’t know what you’re talking about.” Gail Simone would never have been so sloppy, so I’m glad next month we can get back to normal. – S

Dynamite Entertainment:

Flash Gordon #1 – B

I’ve had the misfortune of being born in the 20th Century.  The internet, smart phones, and automated coffee makers that will, in all likelihood, enslave the human race one day have all been the norm for me.  As such, I never got to experience Flash Gordon in his original form as a 1930’s adventure comic hero.  So imagine my surprise when I was hit with nostalgia and wonderment when reading the new Flash Gordon series.  Weird right?!  It’s abundantly clear that Parker (writer), Shaner (illustrator) and Dynamite have an agenda with Flash and his courageous crew in that they are bringing a cherished piece of nerd history to the present.  The beauty of issue #1 is that it’s cliché in nearly every aspect of the original comic book medium – from the artwork, to the general plot and character banter.  But it’s all done in a way that captures my attention and makes me want more.  I mean, if George Lucas used this as inspiration for Star Wars, that means it guaranteed to be good. – T

IDW Comics:

Rocky and Bullwinkle #2 – B

In the second issue of Rocky and Bullwinkle, we have the same format as about every episode of the show and the last issue. It is a two-part story with a “Dudley Do-Right” story in the middle. This series reads so much like the show, which makes them absolutely wonderful for fans of the past. It is hard to get through without speaking the lines as Bullwinkle or Boris and yet Snidley has not tied Nell to train tracks yet. This issue brings up a almost Burt Wonderstone feel of how magic is lost in modern times and no one goes to see the magician, the Great Griffin anymore. Moose and Squirrel find him and try to help him make it onto a reality show competition but as magic is no more in this modern era, he inevitably fails. The baddies Boris and Natasha try to kidnap Griffin to have him open a safe and only with the help from some old friends will Rocky and Bullwinkle be able to save the day in time. The Dudley Do-Right story is great as well and puts the well known Mountie phrase to the test, “A Mountie always gets his man!” Filled with many great gags, references, and even a Kardashian joke to wrap it all up, this series is a great read and always bring lots of nostalgia into your life. – JR

Samurai Jack #7 – B-

Samurai Jacqueline and the Scotswoman are back for another adventure…wait. With Jack and the Scotsman under a spell that has turned them into women, the Leprechauns whom cursed them send them on a journey to defeat a bothersome giant. Once the duo reach the giant and attack it relentlessly they find out the giant is actually a good person and his screams drown out the spell making both Jack and the Scotsman men again. Once that gender switch is taken care of the heroes now head back to the leprechauns with their giant friend to defeat them once and for all. This two-issue story was quite entertaining and left you almost wanting to see the gender bending team stay on for more than just two issues. As always, the art of the Samurai Jack books are great and the dialogue is slim which makes it just like the series. A great read for any Jack fan and of course if you had read last months issue. – JR

Image Comics:

Shutter #1 – A-

Seriously, does Image Comics have a bad book? Their latest new book, Shutter, is a fantastic story of a young girl who was groomed to be the world’s greatest explorer. The traumatic death of what we think is her surrogate or biological father derailed her ambition, but “She’s seen some shit,” so she says. Somewhere in the middle, there are holographic ninjas and mechanical Monopoly men. The book is funny and exotic and I can’t wait to keep reading. I mean, any story in which the moon is considered boring must be an adventure worth taking. – A

Marvel:

Iron Fist: The Living Weapon #1 – A

This comic was amazing; it was dark, filled with that reminded me of a brutal anime (Afro Samurai) and set the tone for a great story to take place. I really like this new Iron Fist, and I only want to see more of him. For those of you that love the character, or know nothing about him, this is a great comic to check out. I can’t wait for the next issue to come out and I highly recommend it.  – E

Kick-Ass 3 # 7 – A-

Hit-Girl is back and s*** is about to go down. There is only one more issue left and it finally feels like we are going to see the badass kickass we have been waiting to see since the beginning. Three storylines in the making, and he finally is done being such a wuss. Lots happened this issue, but none of it is as important as what is coming up next issue. This conclusion could mean the death of one, or both, of our heroes, as Millar has said before that this will be the last installment of the epic trilogy six years and two movies in the making. I don’t know how they are going to end it all but I can’t wait to find out, this issue has got me pumped for the finale. – R

Captain Marvel # 2 – B

That Flerken Cat! Captain Marvel is back in space after an awesome introductory issue. We get a good scope of how strong of a character she is, physically and in character. The only thing that could make her book even more enjoyable is a team up with the Marvel darlings, Guardians of the Galaxy! Rocket Raccoon steals the spotlight a bit, as he always does, and the whole issue is entertaining. I’m really excited to see how this team-up builds and, of course, Kelly Sue DeConnick‘s writing shapes the story wonderfully. Go buy this! – S

All-New Ghost Rider # 2 – B

Only into the second book and this series has proven its worth. We still don’t have an explanation as to why Robbie Reyes has become the Ghost Rider but I am sure we will get that soon enough. This series and the characters are growing very nicely and we are definitely getting to sympathize with Robbie and beginning to dislike many people he will likely be battling and defeating in coming issues. This issue shows us what the mystery pink pills that were in the car Robbie borrowed to race can do, and it introduces us to multiple people who may end up being main adversaries throughout the series. Although the standard Johnny Blaze and the motorcycle we all know and grew to love are gone, this new, gritty and very different artistic take on Ghost Rider is guaranteed to please old fans and create many new ones. – JR

Thanks to Marvel’s earlier studio movies – okay, really, it’s just Nicholas Cage’s fault – fans have a sour taste of Johnny Blaze in our mouths. Couple that with the fact he hasn’t been around since the end of Fear Itself a couple years ago, and it just screams reboot! Robbie Reyes is to the barrio what Kamala Khan is to Muslim Americans; there’s a certain honesty that All-New Ghost Rider carries with it is refreshing and unique. The new outfit, vehicle and art style are very polarizing. I feel like you either love how it feels or you think it looks cheap and poorly designed. You can add me to the list of the former, because Ghost Rider is quickly catapulting to the upper echelon of books in my pull list. – S

(Note: can’t win ’em all) The new Ghost Rider has a new look, and as Tim Gunn would say, “This concerns me.” The new GR is a Los Angelino named Robbie Reyes. No more flaming chopper and black leather jacket, our hellish vigilante is pushing a muscle car and looks more like a H&M model than hellfire corpse. Look at it this way, I read this comic so that you won’t have to. – JS

All-New X-Men # 25 – B

This book is beautifully illustrated. I’m not sure that I am versed enough in comic folklore to fully appreciate the massive team of talent that went into this singular issue…if you are a comic head you will appreciate this Dream Team roster of artistic talent; Bruce Timm, Laura Martin, Arthur Adams, Justin Ponsor, David Mack, Skottie Young, Jason Keith, Robbi Rodriguez, Lee Bermejo and Marte Gracia to name a few. Beast is visited in the middle of the night by The Watcher. He plays a Ghost of Christmas future role and shows Hank all the damage he caused by bringing the X-Men to the future. What this issue lacks in story, it makes up in production. – JS

All-New Doop # 1 – B

If you see the cover of this and are immediately turned off because it’s ridiculous and dumb, then you can hand in the keys to your childhood right now. Doop is described as the “green potato thing,” and boy is that on the money…. I guess. Doop reminds me of a cuter version of DC’s Bat-Mite as he sneaks around behind the scenes and meddles with the X-Men’s affairs in Battle of the Atom. It’s just overall a really cute book that adds a breath of fresh air, especially in a week filled with so many anniversary and tribute issues. Take this book for a spin and I bet you won’t be disappointed. – S

Daredevil # 1.50 – B-

Here we get yet another anniversary issue, celebrating fifty years of Matt Murdock. We begin with a letter from the editor revealing that The Avengers came about solely to fill in a gap when the writers of Daredevil were late – very interesting. This anniversary special is broken into three parts: one written in the future by current writer Mark Waid, one by legendary writer Brian Michael Bendis, and the final a reprinting of an old Gene Colan piece (RIP). It’s better than a lot of tribute issues as of recent where too many writers just too few pages to tell a meaningful story. Instead, we’re given unique and powerful panels that remind us why Daredevil is The Man Without Fear. Even fans not caught up with the book can appreciate this. – S

Deadpool # 27 – B-

Dubbed “The Most Important Issue #27 in Comic Book History,” I was already offended before I flipped to the first page Note: This is a joke, of course, but Detective Comics (1939) #27 gave us the first appearance of Batman, who is experiencing his 75th Anniversary this year. The cover to this issue is amazing; it would be a fun game to see how many of the 232 characters we know (key in the back of the issue). This issue is really long-winded, but serves as a tribute to and from all the writers and stories Deadpool has had over the years. There’s a really cool sense of ownership and community of the character. It kind of lost its mojo part way through, but the general consensus is that Deadpool has been lovestruck a lot and now that he finally has a bride, things can’t go his way for much longer. – S

Nightcrawler #1 – C

Disappointing effort from Chris Claremont. I was expecting something completely different. Nauck’s art lacks depth (in my opinion) and this book falls short. This was a boring first attempt to reenergize a fan favorite. Let’s hope there is more to come. – JS

For a book that sees our beloved Nightcrawler return from the dead, there sure wasn’t a whole lot to celebrate here. Acclaimed writer Chris Claremont is back to write the series, but a lot of the “umph” that he had in the 90s. His signature style of explaining every little nuanced detail of the character’s personality was endearing twenty years ago, but readers really don’t need that much background anymore. As for Nightcrawler, he’s really not even the focus in this book; he takes the backseat to both Wolverine and Amanda (Claremont explains everything but the history of this character, who is important to Nightcrawler, but not really in the X-Universe). At the end of the day, I just wanted more of the lovable BAMFer and less distracting side-story. The man just came back from the dead, can we get him a beer or something? Expand upon the stories of Heaven, Hell and Azazel? I’m willing to give it another chance, but I’m ready to teleport out if the next issue is as disappointing. – S

All-New Ultimates #1 – C-

This comic was fairly good. When there was action, it stood out and was very entertaining, however throughout a good part of the comic it just felt like nothing was happening. I do like that they didn’t make this new team the “ultimate weapon” right off the bat. They are still very new and green and they showed that side in the comic. Overall I enjoyed it and I recommend it to people that enjoy the characters. – E

That about wraps it up for our reviews this week! Look for next week’s previews coming soon. Any comic books you didn’t see reviewed that you want reviewed? Any grades you didn’t agree on? Let us know in the comments!

All images taken from ComiXology app and the credit for them goes to the respective publishers; thanks to IDW Comics, image Comics, Dark Horse, Boom! Studios, Dynamite Entertainment, DC and Marvel for putting out great books.

Written by Sherif Elkhatib, Evan Lowe, Adrian Puryear, Taylor Lowe, Robert Michael, John Soweto and Jacob Robinson

The Hunger Games: Catching Fire Review

Genre – Dystopia, Fantasy, Scif-fi, Action, Book-to-Movie Adaptation
Director – Francis Lawrence (Constantine, I Am Legend, and no relation to Jennifer Lawrence)
Cast – Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Lenny Kravitz, Donald Sutherland, and Philip Seymour Hoffman
Alluring element – It’s based off the best book in The Hunger Games trilogy, Philip Seymour Hoffman
Check it out if you liked – The Hunger Games franchise, any survival movie ever.
Plot – 9
Acting – 8
Representation of Genre – 10  
Cinematography – 9
Effects/Environment – 9
Captivity – 10
Logical consistency – 8
Originality/Creativity –  8
Soundtrack/Music – 10
Overall awesomeness – 10

hush_rating_91
Hey Girl, have you seen Catching Fire yet?
Hey Girl, have you seen Catching Fire yet?

As I rated The Hunger Games: Catching Fire and argued my points for my rating scale, I realized that my high scores are coming from a biased fan-girl prospective.  That being said, Catching Fire was the most enjoyable movie I have seen since Star Trek: Into Darkness.  Was it as great as the book?  Well, is any movie as good as the book it was adapted from?  Catching Fire is arguably the best book of author Suzanne Collins teen-based dystopian trilogy.  I had very high expectations going into this film and felt greatly rewarded *gush*.

Our Heroine and her crew dressed for The Capitol
Our Heroine and her crew dressed for The Capitol

Catching Fire continues to follow the story of the winner of the Hunger Games, Katniss Everdeen and the aftermath of winning the Hunger Games, particularly because of the way she won, by defying the rules of the Hunger Games and offering to kill herself with her televised lover and District 12 partner, Peeta Mellark, rather than be forced to kill him herself.  If this is too confusing for you, you may want to go back and either read the first Hunger Games book or watch the movie as the sequel does not include much explanation from the original story.  The consequences of winning the games is on par with actually being in the games.

Many of the reasons I am so fond of this movie is because of the clear differences between it and the first film.  First off, no more motion sickness camera.  Throughout the first film, I found myself having to constantly close my eyes or else get sick.  With a new director on board, the jiggly first-person camera went away.  We also lost the amount of dramatics the Peeta/ Katniss (Peeniss) relationship had going.  The first film made their relationship so awkward it was uncomfortable to watch.  I can see the argument that the reason for that was because the two had to make “a show” for the viewers from the Capitol to be interested enough to send them gifts, thus making it easier to survive, but I also think that the “love” between the two was a ploy to keep the Twi-hards of the moment involved with the story.  In Catching Fire, the forced love was a ploy for the real audience, but was better acted as ploy for the people of the Capitol.  It was also better demonstrated by the heart-to-heart President Snow had with Katniss at the beginning of the film about her relationship with Peeta vs. Gale.  Once Katniss and Peeta ***SPOILER*** enter the games again, Katniss has genuine feelings about Peeta’s well-being and shows it better than she did the last time they almost died together.

There were many little moments that really made the film amazing for me.  At one point President Snow asks his young granddaughter when she started wearing her hair in a braid, to which she says that all the girls at school are doing it.  It is such a small and quiet scene, but the acting by the wonderful Donald Sutherland is enough to make it extremely significant.   The dress Katniss wears, made by Cinna, to reveal as the beautiful bride turned Mockingjay aka The Face of the Rebellion is also noteworthy.  When she raises her arms to reveal the wings, it culminates what readers of the book would have wanted to see.

Do they make that in my size, please?
Do they make that in my size, please?

The portrayal of the edgy victor, Johanna Mason, played by Jena Malone, was very well done.  She is questionably loyal to Katniss, but proves herself worthy at the end.  And she is an actress I have followed since she was a child, so it was cool to see her play a sexier, older role.  The change in Effie Trinket is also nice to see.  She is still all about the fashion of The Capitol, but is also very dedicated to the “team” from District 12 and is genuinely sad about the bad things that happen to each of her victors.  The relationship between newcomer, but resident victor, Finnick O’Dair, played by Sam Claflin and his pseudo-mother, Mags, is really moving during their scenes in the arena.

Look at that... Trident.
Look at that… Trident.

Another note about Finnick is that he is the Aquaman of this universe, and the trident is officially cool because of it.  And despite the outfit he is forced to wear to the tribute tour, he is damn sexy.  The segment featuring the training arena also did an amazing job of showing how strong Katniss is.  She performs at top speed while practicing her archery skills.  She then shows the Game Makers her amazing skill (although not archery) during her solo evaluation.  They also touched on the gratuitousness of the Capitol people who eat and then throw up just to eat more.  The Game Maker’s room and the translation of that room to the actual arena was visually stunning.

Oooh, Shiny.
Oooh, Shiny.

It is rare when a film can capture the imagery of a book’s description so well.  The arena is beautiful and the technology behind it is just as intriguing.

Hey ther, creepy Career.
Hey there, creepy Career guy.

More importantly, the Game Maker himself, Plutarch Heavensbee, is so expertly acted by Philip Seymour Hoffman that he is reason I give the film an “A” rating.  I call in the Hoffman offset.  He is so intriguing and easy to hate that the twist at the end is even more shocking when the audience finds out his true nature.

Of course there were moments the movie missed.  They could have been included as small allusions, as many other great moments were.  It seems like at this point we should know how Haymitch won his games considering he is mentoring our two heroes, he is a complete drunk mess, and that ***SPOILER*** he is revealed to be the one who is creating the rebellion and stamping Katniss’ face on it.  The way Haymitch won his game is at the least slightly important to this story.  Also, despite the detail of the solo presentations by both Peeta and Katniss, it is never mentioned in their interviews with Caesar Flickerman what their final scores were from those presentations.  It’s small, but I think worth nothing since it was a major scene in the first movie.  Before the victory tour starts for Katniss, she discusses running away in the woods with Gale.  In the book, she actually does run for a short while and finds other people who are also on the run.  The movie was already a bit on the lengthy side, so it may have been purged because of time constraints, but it could have been an interesting addition to the film’s depth.  And lastly, I’m putting it out there, why the hell does Peeta still have his goddamn leg?!  For gods sake, it was cut off in his first tour, and if they didn’t have the guts to do it for the first film, this could have been their film.  But no, its still there. and honestly, when Peeta is on the screen, I just stare at his legs with bated breath waiting for a random meat cleaver to come swinging from the jungle trees and chop it off.  Perhaps they will save that for the last movie, but I’m starting to think its never to going to happen.  Sigh.

The brutality in Catching Fire  is worth noting.  The games themselves are brutal, of course.  The Careers are brutal, of course.  But it is the commentary on the Government and the Peace Keepers enforcement of the peace that is particularly striking.  When the people start showing signs of rebellion during the Victory Tour and during The Reaping, Peace Keepers oddly do exactly the opposite to keep the peace.  There are some very hard scenes to watch because of the violence that occurs on the people in the districts.  It is particularly shocking because of the juxtaposition of the dystopian society and the society we live in today.  One scene shows a very brutal and bloody whipping of one rebel and may be a bit much for little ones.  At the same time, it is was great to see, not because I’m a sick person, but because this movie is far from a love triangle, but rather the story of a people who are trying to make a better world because the one they live in is so controlled and the lengths those people are willing to go to accomplish that.

Katniss steps in between the rebel being whipped and the Peacekeeper.  What a brave girl!
Katniss steps in between the rebel being whipped and the Peacekeeper. What a brave girl!

As a final caveat, I just have to talk about Jennifer Lawrence’s cry face.  I’m not usually one to talk about how people’s faces look, because its just not nice, and I adore Jennifer Lawrence.  But her cry face is just awful.  And I say that with full confidence that the cry face she constantly wore during the film is not her true cry face, but the face she made especially for this film.  Katniss cries all the time in the film.  And I feel that she was justified in crying most of those times because she is put in so many positions that we would all cry.  But the thing about Katniss is that she is supposed to be the Face of the Rebellion because she is different from previous Tributes.  She is emotionally stronger and more skilled than the others that preceded her. From a feminist standpoint, it was a little annoying to see this strong-willed, smart young woman be taken down a notch by her overwhelming use of emotion and make her the weaker sex because of it.  I still think Katniss is a better heroine that most teens in today’s pop-culture, but the film made her more delicate than she was portrayed in the books.  That being said, with all the other social commentary going 0n, it may have been hard to relate to her by making her cold to her surroundings.  The world isn’t quite ready for the full effect of Katniss Everdeen, the kick-ass teenager who changes Panem, but Catching Fire did a fine job of preparing us for those changes and the girl who will lead that rebellion; the Girl on Fire.  Until next time, May the Odd be Ever in Your Favor.

written by Adrian Puryear