The Walking Dead Review “Too Far Gone” S4E8

“Too Far Gone” .  Battles were fought.  Some won and some lost.

If you don’t want to know the specifics of those winners and losers, then for the love of whatever God you pray to, don’t read ahead.  In fact, if you haven’t seen the mid-season finale of The Walking Dead don’t go on the internet.  Just don’t internet.

The episode starts with The Governor giving his big campaign-style speech about how they all need to take the prison.  He becomes a voiceover for himself as he abducts Hershel and Michonne from the prison gates.  He explains to his groups that their territory isn’t safe, the prison is and that the people who currently live in the prison killed his daughter and the town of Woodbury.  Once Tara, his lover’s sister, says she’s “in” the others join in.  What sheep.  How can so many groups of people be sheep in this world? I suppose it is one of the points of this series.  Meanwhile, his lover, Lilly, is the only one who questions his actions and motives.  He has already admitted that he kidnapped two people from the prison.  Yet, he believes his sweet-talking works on her, but it will prove him fatal.

The Governor holds Michonne and Hershel in an RV as his personal inmates. He talks to them and Hershel tries to convince him that they can all live in the prison.  The Governor tells them they won’t get hurt, but they can’t all live together. At one point, Hershel calls Philip “Governor” and he is very quick to order Hershel not to call him that.  It seems so odd that he is promising them they won’t be hurt when we all know they are bargaining chips yet he doesn’t want to be called by the name he deserves to go by.  The two golden nuggets of this scene were The Governor telling Hershel, “You’re a good man; a better man than Rick” and Michonne telling The Governor, “I’m gonna kill you.”  Oh, Michonne.  What a clairvoyant.

The Governor has the group packing up for war as he leaves behind Lilly and Meghan. Lilly wants to just move somewhere by water since it seems safer.  The evil mastermind says his goodbyes to Meghan, who is making make believe peanut butter sandwiches out of red mud.  The Governor picks her up in his arms as if she is his own.  He believes that her legacy for the world will be to be alive.  We know that children who can’t protect themselves can’t stay alive.  The Governor does not know this yet.

Back at the prison, Maggie and a healing Glenn have cute couple banter.  Their anniversary is coming up.  Sometime.  Daryl and Rick discuss Carol’s ousting.  Unfortunately, we don’t get to see the entire talk, just Daryl’s mediocre reaction to it.  When Rick says he was worried about Tyreese’s reaction to Carol, Daryl threatens too late he would have taken care of it.  Daryl and Carol forever.  Sasha thanks Bob for helping save her life by treating her with meds.  He still feeling bad about life, probably the alcohol incident.  He was staring at and holding a shoe box.  What is in that box?  We will have to wait until February to find out.  Tyreese approaches Rick and Daryl before they approach him.  He found another rat that had been ripped apart, but by a human.  Right as Rick is about to tell Tyreese the “truth” about Carol (there is much debate in the Hush household about whether Carol really killed Karen) the prison gets hit by something big enough to rattle the concrete.  Rick and the rest run outside and are encountered with The Governor and his crew with the tank.  The Governor wants to talk and Rick tells him there is now a counsel.  When Rick is presented with the bargaining chips of Michonne and Hershel, who are brought out on there knees, it becomes clear that one if not both of them will be killed.  Comic book readers immediately know what is going to happen.  Clearly Rick in the TV series has not read the comics because he says, and I quote, “I don’t make decisions anymore.”  Uh, what?  Obviously there is a counsel for the poor decisions that were made but this seems a little more urgent than just throwing your hands up and saying, “Nope.  Uh-uh.”  But of course The Governor lets him know what is what and responds, “You’re making decisions today.”  Gulp.

The Governor music bangs loudly. Alisha stands behind Hershel and proves what a sheep she is.  Rick hugs Carl and walks down to the gate to have the chat.  As they start, Daryl begins to hand out the weapons to the group and conduct a plan for escape.  As Rick tries to negotiate, we see that the prison watchtower is ablaze from the tank.  The Governor and Rick go back and forth about who owns the prison, whether they can live together, that there doesn’t need to be violence.  Yada yada.  Negotiations cannot be made.  Did anyone else notice that Michonne has a band-aid on her forehead from getting pistol whipped?  Hershel must have found it in the RV.  What a sweetie.

Lilly sits by the river in a lawn chair.  She sees a walker on the other side and he adeptly makes it through the water considering he is lifeless.  “Mommy, can you please help me dig?’ Meghan calls out.  It is then that I knew Meghan was a goner.  If anyone digs in this world, it is for graves.  Meghan is still playing in the red mud and finds a sign that reads “WARNING: FLASH FLOOD AREA”  Just as she is able to read the sign, a hand reaches out of the mud from below her, in true zombie horror movie fashion.  The buried walker rises from the dead and takes a big bite from the little blonde-haired girl.  Take note blondies, dye your hair before the apocalypse because your future is bleak.

Back at the stand-off, some walkers approach The Governor’s group.  He shoots them, though not adeptly, but they die evenutally.  Carl and Daryl aim for fire in the background and Carl talks big game.  Daryl calms him down.  Two of the little girls from Carol’s Knifefighting Academy carry baby Judith in a baby seat.  Lizzie tells the other girls that they should all have guns.  I would not want her on my island if it was just us.  But in an crisis, she is kind of smart.  Back at the non-negotiation, Rick tells The Governor that without the fences, the prison is worthless.  “We can all live in the prison, or none of us can.”  This was all The Governor needed.  He jumps down from the tank, grabs Michonne’s kitana, and puts it up to Hershel’s neck.  

Rick calls upon Tara aka “you in the ponytail” and asks if this is what she really wants.  Mitch chimes in saying they want what he (Rick) has.  Considering his brother was just stabbed in the back, he is such a dick.  Rick tells the group about having the people of Woodbury as their leaders in the prison and that they can be one of them now.  “We can still come back.  We’re not too far gone. I know we all can change.”

Hershel smiles at Rick ever so slightly, motioning that all those talks and pieces of advice had finally worked for the shows hero.  The Governor does not like Rick’s speech.  He snarls “LIAR” and slices Hershel’s neck with the kitana.  Is this a direct reference to the labels we saw in the last episode?  It would be great writing if it was.

The slow motion reactions of the group to Hershel’s death are palpable.  Maggie and Beth scream with no sound.  Choosing this effect worked so well for the emotion of the scene.  Rick screams, draws and fires his gun.  Michonne quickly rolls behind the cars of The Governor’s group to get out of the way of the gun fire.  Both groups are aiming for anybody they can.  Hershel isn’t fully dead, which is hard to watch him wiggle on the ground with half his neck detached.  Michonne gets out of her restraints.  The Governor takes her sword and begins to literally hack Hershel’s head off his neck.  For a split second, it seems that he is maybe stopping a zombie head from coming to life, but it is really just The Governor being a sick and twisted fuck head.  Ces’t la vie.

As the Governor gets done practicing his slicing skills, he looks up to see Lilly carrying a deceased Meghan.  He runs towards them.  Tara hides behind a truck and is panicking.  Alisha, her lover, tries to calm her down, but Tara brings up probably the most valid point ever said in The Walking Dead, “He chopped a guy’s head off with a sword!”  That sums following people for the sake of it pretty damn well.  The Governor takes Meghan’s lifeless body from her mother’s arms and shoots her in the head before she reanimates.  He has no emotion on his face.  He comes back to the group and commands them to all go for the prison and “Kill them all!” an iconic panel for comic fans.

From the time Hershel is so brutally murdered to the time The Governor orders the raid on the prison is only 3 minutes of screen time.  All this happens in 3 minutes.  Just soak that in for a minute.

The tank takes down the gates the prison, and really, who else thinks this is really dumb?  The Governor was able to convince them to go to the prison to take it as theres.  By running the gates down, the Prison has no use.  And then.. oh Jesus, and then, they start blowing holes in the prison walls with the tank.  Uh, what?  The one command of “Kill them all” was really enough to make a fairly peaceful group of Winnebago dwellers go all Full Metal Jacket?  Well I guess for the sake of time left in the episode it was.  But holes in the prison walls is not really a safe habitat for the RVers now.  The RVers shoot there way in as The Governor rears the back.  Beth and Maggie stop shooting and run to the bus.  Maggie instructs Beth to get everyone on the bus while she gets Glenn because “we all got jobs to do.”  Oh now they are gonna make me cry, pulling out Hershel’s advice not moments after he died.

When The Governor finally makes it to the gates of the prison, Rick attacks him and starts punching him in the face.  A lot.  It’s awesome.  They engage in fist-a-cuffs for a while and neither of them are in good shape.  Random people from both sides are shot.  Maggie and Glenn get to the bus and find Beth missing.  Beth was going to find Judith, so Maggie leaves to look for Beth.  Daryl is surrounded.  On one side, he has crazy Neo-Governors shooting at him and on the other side he has walkers.  But did anyone really think Daryl would go down like that?  Nope.  He uses one of the walkers as a body shield to be able to approach the real killers and throw a good ole grenade their way.  Bob gets hit by a bullet in the shoulder and just then, the bus takes off.  Sasha says, “We’ll figure it out.”  Clearly, she has missed a bus or two before.  Tyreese is ganged up on by Alisha, who apparently is cool with guys getting their heads chopped off.  He jumps in the garden and BAM, Lizzie and her kid sister are holding guns.

They shot Alisha.  The clearly graduated from Knife School.  They run off and Tyreese tells them to go the other way.

The Governor is now on top of Rick strangling him.  He is inches away from death when:

FUCK YES Michonne!  She skewered him.  She fucking skewered him.  Best female character on TV right now.  And she just watches him writhe in pain.

Rick gets up and goes to look for Carl.  Daryl throws a grenade in Mitch’s tank.  Shit blows up.  Daryl shoots Mitch with an arrow.  Beth runs to Daryl.  She couldn’t find the kids, but Daryl tells her they need to go. Rick yelps for Carl and is then approached by walkers. Carl takes them out and he and his father hug.  They go to look for Judith and instead find a bloodied baby seat.  A little too bloodied to be from somebody picking her up out of the seat, but not too bloodied to have been a plate full of zombie finger food..  It does not look good for Lil Asskicker.  A walker approaches and Carl shoots it too much and then he finally cries. And not just any cry, but a sad, sad cry. Like a Jennifer Lawrence Hunger Games cry.  He and Rick walk away.

As The Governor fights for life, Lilly approaches him and shoots him in the head just as he shot her daughter.  A hoard of walkers enter the prison, one stepping on the white chess piece.  The King is dead.

Rick and Carl are in the hills beyond the prison.  Rick tells his son, “Don’t look back.”

Wowza!  What an episode!  What a way to end!  So many cliffhangers.  The Governor is dead, but the rest of the group is in shambles.  At episode end, Glenn is with the bus, Daryl and Beth are together, Tyreese is alone, Sasha is with Bob, Maggie is alone and Rick and Carl are off in the woods.  Will they all come back together?  Will one of them stumble on Carol?  Will they join up with some of the RVers who feel badly?  The trailers hinted at some more comic book convergence, with Rick sick in the house alone with Carl. Another crazy thing is that Chandler Riggs is a growing boy. All the events in the books that occurred with him as a timid eight-year-old are now taking place with him as a pubescent young man with a deadly trigger finger. And where the hell is Carol?? We have to wait until February.  Oh, man.

Hush Comics gives “Too Far Gone” an A.  It was the best episode of the season thus far, but only because it was so full of action.  We finally have a dead Governor, but Hershel gone.  No more for our one-legged Summer Santa with the wisdom of a farmer.  Until February, fellow Dead Heads.

written by Adrian Puryear

The Walking Dead Review “Dead Weight” S4E7

We open with chess pieces. The Governor is playing the strategy game with Megan again. They are in a new camp with a new group of survivors led by Martinez. Megan studies the board. Phillip Blake, still acting out the part of Brian Heriot, calls Megan “Pumpkin”.  We cut away to where “Live Bait” left off with Martinez pulling Brian and Megan out of the zombie pit. Martinez allows The Governor back to the camp with his brood, under several conditions, “One, I’m in charge. Two, no dead weight. That goes for everyone.”  The scene cuts back to the game. The Governor tells Megan that letting her win wouldn’t be winning – his daddy used to say so.  He also says that his daddy used to beat him in everything, including fisticuffs. Because of his tone, we are led to believe that Philip was an abused child.

We are introduced to a new crew of zombie killing roughnecks, Mitch, Pete, and Alisha. Alisha is  played by actress Juliana Harkavy of Graceland. Mitch is played by actor Kirk Acevedo, best known for his work on HBO’s OZ as Miguel Alvarez. Pete is played by Enver Gjokaj, known for his role as Victor on Joss Whedon’s Dollhouse series. It was exciting to see TV junkie fan favorites in this episode.  I tend to give a series more credibility with known actors, especially  if they come from The Wire! (Dear Tyresse and Bob, please come back into our lives.)  Our new group is scouting the woods with “Brian” in the opening scenes. Sidenote: there’s some history in the book The Rise of the Governor that explains this more thoroughly, but we think that he changes his name because Brian only has one I…. get it?? One EYE! The exchange between Martinez and Philip is tense. Martinez immediately catches on to The Governor’s identity theft scam and plays along. We cut back to The Governor and Megan. The frame widens and just behind Brian is an army tank. Fans of the comic appreciate its significance.  It remains to be seen whether or not that tank will be used to its full capacity.

Well… FUCK.

This week’s episode of The Walking Dead is titled “Dead Weight.”   We find Philip and Lilly clearly in a relationship. Their interaction reminds us of his relationship with Andrea. He deceived both of them. We are made to feel sorry for these women. If only they knew! Brian’s new family of Tara, Megan, and Lilly is dependent on Martinez concealing Brian’s true identity, the diabolical sociopath known as The Governor.

Martinez, Mitch, Pete and Brian go on patrol in the woods, and Mitch clearly doesn’t respect The Governor. He throws a jab at him. “Hey one eye, what you doing?” Brian is focused. We come upon a beheaded body strapped to a tree. The word LIAR is written on a sign and nailed to its torso. Back at camp Tara and Alicia have a flirtatious exchange.  Grrh.  The group finds another body, this time the word RAPIST is nailed to its cadaver. These bodies have led Martinez, Brian, Pete and Mitch to a cabin. MURDERER is nailed to the last body on the porch. They enter the cabin cautiously.  They investigate and are attacked by biters. Brian shows his prowess by saving Pete’s life and reasserting his dominance. The scene is horrid. The severed heads of the bound corpses are rolling about on the cabin floor. We are given no explanation as to why, and it adds to the loss of humanity in this ghoulish nightmare.

And you thought your exes were bad…

Martinez is clearly in charge. He tells The Governor that  he wouldn’t have saved him from the pit if he had been alone. Martinez has lost complete respect for him. He isn’t The Governor’s subordinate anymore. Martinez has made a place for himself now.  The four men spend the night in the cabin. Mitch finds beer and The Governor gives an disapproving  look. One of the funniest lines of the season comes at this point, “I can never tell if he’s winkin’ or blinkin’.” Said in a Southern accent by the gruff Mitch makes for some of the best comedic timing and delivery in the show.  In a tender moment, Mitch reveals that he was an ice cream truck driver turned army tank operator. Pete was at Fort Benning before the turn.  Hooah.

We return back to the camp with the girls. The Governor doesn’t like the conversation between Martinez and Lilly. He is visibly upset when Martinez hints to their past community at Woodbury. Martinez and The Governor clearly are in a pissing match. They are both the alphas. At some point they will have to lock horns.

If you were looking for Bromance, watch Big Bang Theory

Martinez invites The Governor to his camper.  Drunken, he shoots golf balls from the roof of his RV into the zombie pits. He reveals that Shumpert is dead  and it was Martinez who ended up having to put the bullet in him. Martinez hits the ball into the great beyond, and tells The Governor to grab him another. My how the tables have turned! In my head, all I could think was “Who’s the bitch nooow?” Martinez suggests that they share the crown, and that’s when the fun begins! The Governor clubs him with a 5 iron. It was a swing Elin Nordegren would appreciate. The Governor kicks him over the side of the camper. Once down, he drags Martinez, like dead weight towards the biter pits as The Governor blubbers, “I don’t want it,” The biters pull Martinez into the pit. Martinez is a sacrifice, and the image is almost Christ-like. His arms are spread, as if some macabre stage dive at a concert. The hungry mass pulls him in.

Oh man! Martinez is goin like big-screen TVs on Black Friday!

The Governor is upset about murdering Martinez. Lilly tries to comfort him, not knowing what he has done. He is conflicted. Pete now wants to control the camp, but is met with discord by the other camp members.  Why on Earth would he want that shit job? One thing that we can rely on in this world is that with enough time, heroes and loose ends meet their maker. Most of the camp look like extras from Duck Dynasty anyway.  Pete seeks Brian for help. They find another camp while on patrol. The three of them, Brian, Pete and Mitch, contemplate robbing the camp. Mitch wants to, but Pete still has morals and shit, and is not prepared to make the hard decisions. The Governor watches and plots. They return back to camp.

The Governor wants to leave . He feels like it isn’t safe. He doesn’t think the interim regime will last. He convinces the girls to leave. Alicia tags along because she and Tara have started a serious relationship, like a day ago.  They leave camp in the night and don’t get far. The road is blocked by biters in quick sand. Stuck in the mud, gruesome and alone, The Governor stands in the car’s  high-beams looking back at the RV of scared women with the biters behind him stuck waist-deep all vying to eat him; the scene is like a comic book  panel or one of those lame “Choose Your Own Adventure” Goosebumps books. They have no choice but to turn back.

Back at camp, The Governor wastes no time and kills Pete by literally stabbing him in the back.  How poetic.  Brian puts on his leather jacket and embraces his true self. He has his Mojo back!  Except that he forgot to pop his collar.  Oh, well.  He immediately goes to Mitch, gun drawn.  He offers a smoke and an opportunity. The nerve! He kills the guy’s brother and then cons him into believing that it was necessary because Pete was weak. The Governor talks about his own brother, a weakling, his first mention in the series. Easter Eggs, galore!!! The Governor tells Mitch a story about stealing his dad’s cigarettes. He and his brother smoked the Lucky Strikes, a clear shout out to Mad Men and Don Draper; plus we see what seems to be a Fleetwood Bounder RV in this episode, a subtle nod to Breaking Bad and Walter White.  Awww, look at AMC sticking together. He tells Mitch, that he won’t need to worry about doing the right thing or wrong thing, because they will do The Only Thing. This implies that morality is Dead Weight in our world and has no place. The two coldly craft a story about Pete’s death. The Governor intentionally doesn’t crack Pete’s skull to keep him “alive” as a biter. He dumps his chained body into a nearby lake. As Pete is reanimated, we see The Governor, standing above his submerged body. He is staring into the water as Pete the Biter tries to reach out of the water for him, much like he did with his heads in the fish tank. Fans of the books know that Phillip did this to keep strong – to erase any fear or doubt. Pete serves the same purpose; he will undoubtedly be visiting him often. Pete has now literally become Dead Weight.

That’s cool AMC. Introduce on of our favorite actors from Dollhouse and then kill him. This scene will have him casted for Lady Gaga’s new video in no time.

The Governor is running the show with a  leather jacket and a swag in his step. He gives orders and people willingly follow.  He once again proves his badassery after a Walker wanders into camp and attacks Megan. While the others are unaware of what to do, he blows its head off, with his shirt open, blowing in the wind. It was a defining moment for the camp. He proved that he is the right man in charge. He won’t hesitate when threatened and they can trust him. He is back. With a new confidence The Governor drives his truck out to the prison. He watches Rick and Carl, once again plotting. He walks the perimeter and sees Michonne with Herschel. He raises his gun and…

Hush Comics gives “Dead Weight” a B for its awesome yet predictable portrayal of The Governor’s fall back into crazy. The next episode is the mid season finale entitled “Too Far Gone,” a title shared with the trade paperback of The Walking Dead Volume 13 in the comic series! The comics are far evolved from this point in the storyline that the show parallels, so we’ll see if there’s any connection to it on the mid-season finale. It’s been a wild ride so far.  Come back next week for our recap and review! 

written by John Soweto, Adrian Puryear and Sherif Elkhatib

All images credited to AMC Television

The Walking Dead Review “Live Bait” S4E6

Last week we got to see a side of Herschel that Chuck Norris would be proud of. This week’s The Walking Dead continues with the individual character study and it does not disappoint. Welcome back, Governor! We open on the tail end of Phillip Blake’s bat-shit crazy assassination of his army.  He is tormented. He is defeated and alone. We see him burn Woodbury. He wanders the badlands like a Grateful Dead fan. He looks like a cross between McGuber and Forest Gump on his cross-country jog.  David Morrissey plays the nomadic drifter to perfection, although the 80’s Kurt Russell look doesn’t quite fit him. It is clearly No Shave November. As he walks, we hear a conversation as a voiceover. He is talking to a woman, and the voice sounds eerily like Carol, but we find out later that it may not be. He tells the voice, “I barely got out alive.”  All of this plays out over, The Last Pale Light in the West, by Ben Nichols.

Dodge-A-Walker of the year champion goes to The Governor.

He is in a daze; he appears to not be aware of his surroundings. He comically sidesteps a walker, and it falls to ground. He had the grace of a Summer League Rucker player and continues on his sleepwalker roam until he sees a little girl in the window of a building.

This week’s episode is titled, “Live Bait.”

The Governor walks into the ransacked building and is greeted by a Smith and Wesson and a baseball bat. Completely alert and threatening are two women standing in a doorway, one with a gun aimed at his head, the other in a Jackie Robinson stance. There is a silent exchange; he hands over his bag and weapon. He is allowed to enter their home. We are introduced to Tara, Megan, Lilly and their father. For the true Fanboys these names will have meaning from The Rise of the Governor novel by Robert Kirkman and Jay Bonansinga.  Finally, we have comic book, novel and TV crossover all wrapped up into one neat little rotting flesh package. The immediate reaction in the room as we watched was one of shock. The Rise of The Governor is essential to The Walking Dead folklore and we recommend that you pick it up or download it from iBooks.  There are three books in the Governor story arc and they are crucial for understanding Wizard Magazine’s villain of the year 2010. Even more compelling is the fact that he tells them that his name is Brian Heriot, a name that was on a barn he passed while on the road. The use of the name Brian is very significant in the novel and could be seen as forewarning for future events. He is allowed to stay by promising by “pounding it up,” with Tara. We are sure the Obamas would be proud.

The girl’s dad is elderly and on oxygen. Miraculously, his tank is still full. Before the turn he drove for the Gorbelli food company and his truck is parked in the front of the building. This has been their primary food source.

They feed The Governor Spaghettios, and he throws them out in disgust. I guess Herschel’s Spaghetti Tuesday gets one less vote.

After a talk with the father about a game of Backgammon he goes upstairs to retrieve the game, he finds an immobile zombie in a tub, he puts #BathSaltZombie down and takes a gun that was by its side.

Lilly explains to Phillip that her father has Stage 4 lung cancer and he needs oxygen to live. He is nearly out and is dire need. She asks Phillip if he could go on the equivalent of a Taco Bell run and grab some tanks at the near-by retirement home.

He accepts. This benevolent Governor is puzzling.  Why is he doing this for these strangers? What will this ultimately benefit? Doesn’t he have a Michonne to torture and a Rick to kill?

The clinic is filled with zombies in wheelchairs, id-bracelets, and hospital gowns. Ironically they don’t look much different from what you would expect in a hospice. Once again he avoids them like some grotesque game of tag. Terrell Davis had nothing on this guy! Go Broncos!!!

He dodges and closes doors behind him; he has obviously found a way to manage avoiding them with little effort.  He is fearless, but his heroics seem misplaced. Why isn’t he killing zombies? After stirring up the Bingo room he can’t get all of the oxygen tanks out and brings back what he can carry.

He returns to the apartment with two full tanks and goes to his room. Lilly takes care of him and it is clear that they are forming a relationship.

The blonde haired, blued eyed girl seems to be the metaphor for innocence, or salvation in our world. It’s either that or an omen for really bad shit to happen. Megan is a cute little girl who resembles Penny, Sophia and especially Teddy Bear Walker from the very first episode of The Walking Dead Series. She thought the governor was her dad; that’s why she watched him from the building, which ultimately led him to this group of women. Megan’s real father left for a couple of beers and a Powerball ticket before the turn, and we’re guessing he didn’t win.

The Governor has alone time with Megan in the bathroom, but not that kind. She asks what happened to his eye, and he speaks freely to her, more so than any of the others. He says that he was trying to help people and got hurt as a result.

They Pinky Swear to keep the secret about his eye and she “crossed her heart and hoped to die,” but left out the “stick a needle in her eye” part because she probably didn’t want to seem insensitive.

He tells her that he is a pirate with a smile on his face. He laughs, almost in a jovial way and shows the first bit of emotion since the episode began. This tender moment shows us another side of Phillip Blake. He is the governor no more, at least not now.

He is working backwards. He teaches Megan to play chess, now clean-shaven; it seems as if Megan has brought him back to life. As he is explaining the basics it is apparent that he is talking about the events at Woodbury.

The Governor teaches us about the game, too.

“You can lose a lot of soldiers and still win the game,” It’s the king; it’s the guy you want to capture. Megan takes a marker and puts an eye patch on the white king piece. “We start with the pawns.”

AMC does love their White Kings…. when will Don Draper get one?

So who do you think is creepier with kids, Carol or Phillip? Phillip is bonding. He gives a jealous look to Lilly when she comes to get Megan as their dad is dying. This brief moment is strange enough to fill our thoughts will all kinds of devious acts that The Governor could be plotting.

As their dad dies and turns, in his reanimated state he grabs for Tara and Phillip smashes his face into the bed with his own oxygen tank. Splat!

Did anyone else notice that Lilly is like a less hot Maggie?

The next scene we find Phillip burying dad in the back. Megan is now fearful of the Governor and hides behind the couch when he comes back inside. Tara pounds him up for saving her life, but he is not concerned with her. Alone he burns the picture of his old family, they are now dead to him, he has found a new family, or has given up on the idea.  He threatens to leave them, but they stay together, taking to the road in the Gorbelli truck like a National Lampoon’s Vacation sequel set in hell.

Tara apologies to Phillip for lying to him about her occupation before the turn.  She asks if Phillip is lying to her, and he says no. His con-game is working; he has earned their trust and can manipulate the situation to suit his needs.

Megan is still afraid of Phillip. This is clearly upsetting him; he has to make things right with his pseudo-daughter.

They travel through the day and stop to rest.  In the back of the truck Lilly allows him to cuddle with her. They kiss, oddly, and seemingly make love. Yuk!

The next morning the truck breaks down and they end up walking. There is a small herd of walkers around the bend in the road, they swarm in hunger as Tara falls and injures her leg. Megan freezes and Phillip calls out to her, she runs to him, and he carries her away from the herd. We made note that he called to her instead of just picking her up because we feel like he wanted her loyalty. This is the long con.

While running they fall into one of his walker traps (Remember those huge pits he was using to build a zombie army?).  He immediately springs into action with the walkers in the pit and pulls a walker’s throat out in a completely badass move. Fatality!

Um. Ouch.

He grabs a femur and uses that to pry the jaw off another walker.  This primal survival tactic seemed to be for Megan’s benefit. Remember, he got really good at avoiding the dead without using force. As he fights Spartacus style in the pit we hear gun fire in the distance. Martinez shows up with his machine gun at the end of the episode and now things should get really interesting. Upon Martinez arrival, he will have to maintain his Brian Heriot persona with Tara and Lilly. He will ultimately have to kill anyone who threatens his identity bluff or continue the deception indefinitely.  

Hush Comics gives “Live Bait” a B+. This episode pulled us deeper into The Walking Dead mythology but left us with more questions. There were epic kills and border-line restraining order behavior with minors. My vote for Governor goes to Brian Heriot.

Stay tuned next week when we recap Dead Weight, and don’t forget to visit our website! This week we have a special message from comic book legend Todd McFarlane!

written by John Soweto