Diggin’ Through the Crates: Organized Konfusion “Bring It On”

Song: “Bring It On”

Artist: Organized Konfusion

AlbumStress: The Extinction Agenda (1994)

Lyric: “Rippin shit up at prime time, I’m Optimus Prime-time material/Imperial wizard of vocabularic havoc, I eat MC’s like cereal!”

 

Character Reference/Meaning:

DTCers, ROLL OUT! After a bit of a hiatus that I was on for grad school, we’re back at it again, ready to bring you all another ridiculously nerdy lyric that’ll probably make you want to transform into a rapper AND a nerd. Wait, that doesn’t make sense, because in Prince Poetry’s case, they are the same thing, AND I’VE BEEN SAYING IT SINCE DAY ONE!

Organized Konfusion, the dynamic rap duo out of Queens combines the awesome power of Prince Poetry, and DTC hall of famer, Pharoahe Monch. You would think that Pharoahe’s multiple appearances on DTC mean that he’s due for another spotlight, but today the honor goes to his counter part, Prince Poetry! These two individuals have ON (Original Nerd) status, seeing that they’ve been pushing bars since 1987. Need proof? Look no further than their 1994 hit, “Bring It On.”

With Transformers: Age of Extinction currently in theaters, it seems only right that we pay homage to two leaders of their respective packs – Prince Poetry and Optimus Prime. Shall we check the resumés? Prince Poetry a.k.a Prince Po has been rapping since before I was born, and is the founder of Nasty Habits Entertainment. He has four solo albums and EP’s apiece, in addition to the three Organized Konfusion alums. Impressive stats from an underground rapper. Now onto Optimus Prime. Prime is the leader of the Autobots, originates from the planet of Cybertron, sword enemy of the Decepticons, has saved planet Earth several times, while headlining countless cartoon episodes, movies and comic books. If you ask me, they’re pretty much one in the same.

On this DTC track, Prince Po is, without a doubt, letting you know this. Po is at the top of his game, and all the others dragging behind him, either need to figure out how to keep up, or learn how to step off. What he is saying is that if the rap game was planet Earth, and all the other rappers in the world were Autobots, he is pretty much Optimus Prime in comparison. After hearing his verse on this track, it’s kind of hard to refute that statement. Don’t believe me? Check the play on words. “I’m Optimus Prime-time material.” He is Optimus Prime and Prime Time, the nickname of Leon Sandcastle (That joke is funny). This lyrical ability demonstrates a great transformation in itself. Often times, young black men growing up in disadvantaged neighborhoods are seen as useless, and unable to contribute to anything productive in society. Knowing that one in three black men eventually end up in prison, it’s hard to keep the faith. However, Transformers is given the same treatment. To the untrained eye, that hunk of junk truck that’s always sitting in that lot across the street is completely useless. It’s rusted, run down, and it only belongs in a scrapyard somewhere. What if I told you that piece of junk was a Transformer? Does your perspective change? All it takes is one fluid move, and all of the sudden, that uselessness turns into something extraordinary. See, these young black kids growing up trying to be rappers, or even rappers today may seem like pieces of junk to the outside world, but to those who are paying attention, they are greatness. Hip-hop is more than just music to some, it is a way of life, it creates change inside of us that is unstoppable. So, that kid on the corner may seem like a piece of junk now, but who knows when he will transform into something powerful beyond measure.

Basically, Po is nothing short of hall of fame material. When he goes hard on tracks like this one, all the Decepticons suddenly have something to worry about. See, Optimus and hip-hop have many things in common. Probably one of the biggest factors the two share is the their influence on the youth of the 80s and 90s. Growing up in the hood, black community, or any community where hip-hop was a way of life, being an MC’s with dope lyrics was something to strive for. Having a lyrical ability was somethings people admired, it gave you status and an overall sense of purpose despite your upbringing. Growing up in the hood, you are given more opportunities to fail rather than succeed, and it’s much easier to stay up, than to try and climb your way out. Optimus could be viewed in the same light. Despite Optimus being the very last prime, his commitment to his cause and craft never wavered. To the audience, Optimus made it cool to be a good guy. Similar to Captain Planet and G.I. Joe, his courage and willingness to sacrifice everything for what he believed in was admirable. Hip-hop and Optimus are strong, righteous, and dedicated to what matters in life. For Optimus, that meant saving Earth through the way of the sword, maintaining what was honorable and good. Hip-hop does the same thing for planet Earth, only rather than the sword, hip-hop uses the mind and the spirit. Both fight evil, and both create a better way of life, both inspire hope.

Po dropped a transformers reference back in 1994, when hip-hop, nerds, rappers and transformers were all prime indicators of greatness. Knowing that transformers originated as a popular toy line only 10 years earlier, and then expanded into a cartoon television show, and then blew up to what we know it as today, it’s obvious the product hasn’t lost traction. When the toy line dropped, right off the bat, Optimus was the one to have. Little kids on the block were saving up what they have, folding bills in their socks, and begging their parents to go down to the toy store. If you were one of the lucky ones, and actually got that money, or that ride, if you left with anything other than Optimus Prime it just didn’t feel right. If you aren’t Optimus Prime, you might as well be a Decepticon.

FUN FACT: Optimus Prime was created by Denny O’Neil, legendary Batman writer who had a long career alongside artist Neal Adams.

 

 

Diggin’ Through the Crates: Pharoahe Monch “Rapid Eye Movement”

Song: “Rapid Eye Movement”

Artist: Pharoahe Monch

Album: P.T.S.D. (Post Traumatic Stress Disorder) (2014)

Lyric: “Vocally twice as magnifying as ever hearing Chewbacca scream/Through a megaphone with the significance of Dr. King.”

Character Reference/Meaning:

Coming back for his second tour to “DTC” (Pharoahe was featured in our second ever “DTC” for “Agent Orange.”) Pharoahe Monch brings us back to his world with his fourth studio album P.T.S.D. Similar to his last solo album W.A.R. (We are Renegade), this album bring to light a lot of topics other artists aren’t even willing to touch. Topics that are not only relevant to modern society, but topics that are sensitive to the general population. These themes include mental health, the right to basic freedoms, gun violence, war, and other issues that can affect anybody no matter what age, gender, race, or tax bracket you associate yourself with. It is obvious when listening to this album he draws from the emotions he had to deal with in his own personal life such as depression. I can continue to talk about this album for hours on end, however “DTC” must focus in a different path (for a full review of P.T.S.D., check out our review here).

I think the best direction to start off with is this sick ass nerdy line coming off of Pharoahe’s song “Rapid Eye Movement.” What is the loudest thing you can think of? A car alarm? A jet flying overhead? Chewbacca screaming through a megaphone? Aww, close but no cigar; the correct correct answer is Pharoahe Monch when he is doing his thing on the microphone. Maybe loud isn’t the right word, but strong definitely is. What Pharoahe is bringing is the power and passion through his voice and his art and presenting it to you the best way he knows how. With such a powerful voice spreading such a passionate message, how could you possibly mistake it for something insignificant? Quite possibly one of the world’s greatest speakers, humanitarians, and civil rights activists, Dr. Martin Luther King Jr. had nothing but significance come out of his mouth. That is what Pharoahe is trying to exemplify with his music and his art. I can only imagine that he wants to a spread a message out to the public and bring out the darkest facts of life that seldom leave people comfortable, because progression never develops when there is no struggle. And if you don’t believe me, well then I find your lack of faith disturbing. Because ignorance is bliss but knowledge is power, and with a devotion like that, how could you not listen?

I’m just saying, you should pay as much attention to him as you would Chewbacca screaming the “I Have a Dream” speech into your ear with a megaphone. Sadly, Star Wars has been quite the opposite lately with their news. A few small things here and there, but nothing that makes that like nerd cortex in my brain throb. It has been released that filming for Episode VII will start next month in May. Even though many of the actors set to star in this film are relativity unknown, this could prove to be a good thing for the movie in the long run.  Besides that, other casting decisions are still just rumors. However, there are many other cool things that are happening surrounding Star Wars. Star Wars-themed march madness tournament “THIS IS MADNESS” ended not too long ago with Obi-Wan Kenobi snagging the championship with a fairly close victory over Darth Vader. In other delicious news M&Ms are re-releasing their Star Wars-themed candies which we all better take advantage of while we can get them. One last amazing thing Star Wars is doing is that they are helping fight illiteracy. On October 11th, Star Wars Reads Day III will be occurring. This is where Star Wars authors, artist, and costumed volunteers get involved in Star Wars Reads Day events happening all over the world. DOPE AND NERDY!! So if you have been feeling a hole in your heart due to lack of Star Wars news, I just tried to help out a little bit. And I know that isn’t nearly enough to fill the whole void, but that is where Pharoahe Monch comes in. Because like I’ve said time and time before, nerds and Hip-Hop heads are so close to being the same thing. So go out there and buy P.T.S.D. and help spread the word of the Monch.  “[Insert inspiration/awesome/favorite Star Wars quote here]” There is like a million of them, and I’m sure they will all fit.

Pharoahe Monch – P.T.S.D. Review

Pharoahe Monch – P.T.S.D. (Post Traumatic Stress Disorder) Review

Album Specs

Tracks/Length: 16 tracks, 47:35

Notable Guest Appearances: Talib Kweli (“D.R.E.A.M.S.”), Black Thought (“Rapid Eye Movement”), Mr. Porter (“Losing My Mind”)

Album Genre/Tone: Socio-political Hip-Hop with a dire and aggressive tone

Lead Single: “Damage”

 

Review Scale:

The mythical A+: Pretty much the best eargasm you’ve ever experienced. This is the album you will be listening to when you are sixty and your grandchildren will be judging you for.

A: All you need to appreciate this album is two ears connected to a heart. Whether it’s the deeper message, the prolific beats or memorable lyrics, everybody should be listening to this record.

B: If you like the genre, then you will love this album. You might keep it on repeat for a month, but it will eventually find itself in the bowels of your shuffle list. Hardcore fans of the artist will disagree with this rating, but it can be considered more niche than universally acceptable.

C: There are a solid tracks, but it’s really only worth a few rotations as a complete package. Those not into the genre probably shouldn’t even bother. It’s the musical equivalent of a sad handjob.

DThis album fails, in most aspects, to make a good or lasting impression. However, some out there might find joy in it, if even for only a few songs. 

F: The only thing this album is good for is to make your ears bleed. You should steal every copy of this album and throw them all into a fire for a sacrifice ceremony meant to disband the demons living in the CD. And I say steal because it is obviously not worth the money. Or it would make a great gift for your enemies.

 

History Behind the Album

Those of you don’t recognize Pharoahe Monch might identify him as the artist behind the Godzilla theme-sampled “Simon Says” (yes, the one that was in that Charlie’s Angels movie, as my lovely wife pointed out). He’s been in the game for over two decades, first as one-half of Organized Konfusion and then to release four solo projects (Internal AffairsDesireW.A.R. and P.T.S.D.). The selling point of Pharoahe is that he’s highly entertaining; he uses complex lines and popular references to cover deep topics with the guise of humor – “Lay in the cut like Neosporin.” Not to mention, he’s also a huge comic book nerd, as you can tell from our “Diggin’ Through the Crates” articles. His entertaining style is super-ceded only by his stark and provocative lyrics.

P.T.S.D. is another concept album from the master of ceremony, Pharoahe Monch. Released three years after his first concept album, W.A.R. (We Are Renegades), it seemed only naturally to follow an album about revolution and social dissection with one centered on the fallout of socio-political failure. Pharoahe has always been one to speak his mind – be it about gun control, drug abuse or mental health – giving no fucks to whom he pisses off so long as his voice is heard and his point is made. However, on a bonus track of his 2007 Desire album (one  of my favorite of all time) called “Book of Judges,” Pharoahe revealed a ferocity in his music that I hadn’t heard before. The track is laced with direct attacks on America and it’s institutions – “Piss on the Constitution, then burn the Magna Carta.”

W.A.R. and P.T.S.D. both channel that rage, turning it into a theme. While Desire was the more complete album, W.A.R. fit into a crevice of Hip-Hop that none of his other solo ventures could. We start out with Pharoahe at some clinic called Recollection, where the promise that traumatic memories can, in essence, be extracted from somebody’s brain, “restoring healthy life.” It’s an interesting concept, but you know that it’s doomed from the start. The transcripts are set one year after the dead drop from Idris Elba’s character in W.A.R., and the final skit on the album reveals that Pharoahe (who has been in Recollection for ten years now, on some crazy Dollhouse stuff) is now sentenced to life in prison for violating the World Free-Thinking Agreement. There’s got to be some crazy connection here we don’t know about – yet.

 

What You’re in For

At forty-one years old – and twenty plus years into his career – Pharoahe Monch has found his identity. For those unfamiliar with his music as of recent, he treads somewhere in the middle of a champion of the people (a la Mos Def) and enemy of the state (like Immortal Technique). He’s found his niche, and he’s found his flow, because he glides effortlessly through the record. None of his tracks feel rushed or superfluous and they all fit within the neat little package that is P.T.S.D. That being said, tackling the subject of PTSD is no light matter. When Pharoahe’s agent came to him with the idea of the theme, he was both elated and afraid. In an interview with Respect magazine, Pharoahe clarified, “Damn this shits not gonna be easy. This is a real fuckin’ thing. You’re not gonna be able to high school essay bullshit your way through this. You’re gonna have to dig a little bit.”

Drawing from his own personal bout with depression, P.T.S.D. is not as upbeat as Desire, nor as angry as W.A.R. There’s a lot of introspection found in this album, and it might be a mouthful for those just looking to enjoy a casual Hip-Hop album. But that’s not why you buy a Pharoahe Monch album, is it? Pharoahe’s albums are the kind you blast unabashedly with your windows down. I wouldn’t be so foolish as to call it formulaic, but there is something about P.T.S.D. that feels familiar to W.A.R. (guess that’s the thing about PTSD, huh?). A bulk of the album follows the theme, but there is also the standard badassery (“Damage” and “Bad M.F.” to W.A.R.‘s “W.A.R.”), the guest feature throw-down (“Rapid Eye Movement” to W.A.R.‘s “Assassins”) and the soothing theme song of inspiration (“D.R.E.A.M.” to W.A.R.‘s “Haile Selassie Karate” and “Black-Hand Side”). Oh, and the final track on P.T.S.D. is just a remixed version of a track on W.A.R. I feel this is great because it truly gives the impression that this is a continuation of the journey we went on in W.A.R. They are essentially two sides of the same coin, and it translates to a cohesive package.

 

Songs On Repeat

“Damage”

Lyrics to Go: “F*** a stray bullet, I take aim when the gun draws/For ever lasting fame I will maim those who change the gun laws”

The premise of the leading single for P.T.S.D. is that Pharoahe Monch is the bullet. It completes a trifecta of abrasive tracks written on gun control (“Stray Bullets” from Organized Konfusion’s The Extinction Agenda and “When the Gun Draws” from Pharoahe’s Desire are the other two tracks) that began twenty years ago. The song was written before the Aurora Theater Shooting, but eerily reflects The Dark Knight Rises theater incident. Lee Stone’s production is as angry as the words in the track are. The track is capped off with a chorus borrowed from Hip-Hop classic “Mama Said Knock You Out” by LL Cool J. It’s a great twist of words to translate verbal slaying into gun violence.

 

“Rapid Eye Movement” featuring Black Thought

Lyrics to Go: “Monch is medicinal man made medical marijuana/With a phase plasma rifle like I’m searchin’ for Sarah Conner”

Straight out of a Black Dynamite action-scene, “Rapid Eye Movement” brings two of the best MCs in the game together in their first collaboration since “Guerilla Monsoon Rap” in 2002 (Talib Kweli’s Quality). Spittin’ venom over a track that is so reminiscent of a James Bond flick that it’ll have you thirsting for a martini by the time it’s over. There is a theme in this song, going along the lines that rapid eye movement (or REM) is the deepest level of sleep where dreams – and nightmares – most often occur, but really, this is just two rappers wrecking a track on some old espionage shit.

 

“D.R.E.A.M.” featuring Talib Kweli

Lyrics to Go: “Can’t take what I visualize from it, you pull the wool over my eyes, I swallowed the red pill/Even if I was broke as fuck I would lend you my last so you could holla at me still”

P.T.S.D. isn’t all melancholy and anger. What I would consider the last track on the album is one of the most uplifting songs I’ve heard from Pharoahe since Desire‘s “Shine,” this Talib Kweli-assisted track is about staying true to yourself and trying to fulfill your dreams. The title is a tribute to Wu-Tang Clan’s “C.R.E.A.M.,” but instead of Cash Rules Everything Around Me, the motto is “Determination Runs Every Aspect Mentally.” It’s a great way to close out the album, and although it kind of clashed with the tone of the rest of the album, it may be signifying that Pharoahe has found peace.

 

The Quick and Dirty

Grade: A-

Y’all know the name! This is, unwaveringly, a Pharoahe Monch album. That means tons of hard-hitting lyrics with as many great metaphors as socio-political commentary. It also means that anybody offended by real talk will find themselves quite turned off by his brutal honesty. The beats are just as sharp as the lyrics, and the guest features from two of Hip-Hop’s most socially conscious rappers (Black Thought and Talib Kweli) result in two of the album’s best tracks. The only drawback is that it feels just too damn short. Minus interludes, P.T.S.D. is only eleven songs that clock just over forty minutes long (actually pretty close to the same for W.A.R.), I was left a little disappointed that it was over so soon. That’s not to say that it lacked substance, but fans have been waiting on this record for years. P.T.S.D. is for true fans of lyricism, it weighs heavy and impacts listeners like a good Hip-Hop album should. If I didn’t know any better, this just screams “trilogy” to me – one where we get to see the end of P.T.S.D.‘s events unload into the establishment on whatever album is next. World Free-Thinking Agreement, my ass.