It was announced a couple days ago that five DC Comics titles: Justice League United, Lobo, Doomed, The Omega Men, and Gotham by Midnight have all been cancelled. And just yesterday, three more books followed: Batman ’66, Sensation Comics Featuring Wonder Woman, and Green Lantern: The Lost Army. Cue sad violin music. Did anybody read those books? Is anybody sad that they are over? Only two of those books interested me enough to read issue #1, and then I was done.
With so much troubling DC Comics these days, it seems only natural that a handful of the metaphorical fecal matter they threw at the drawing board would continue to slide off and plop sadly on the floor. From the time of its half-assed “re-relaunch” following Convergence (see: “DC’s Convergence, What the Hell Was that About?“) – another failed direction, DC has unashamedly spewed out over a dozen titles that nobody really asked for. For an audience that doesn’t care anymore. From a pool of creators that have all but abandoned the company for either a fresher idea or more pay – sometimes a combination of both. It was recently revealed through Bleeding Cool just how much more Wytches creator Scott Snyder takes home on his own book versus Batman, even though the latter is a constant Top-10 seller. Sometimes, as in Rick Remender’s case, it’s for the freedom of schedule and peace of mind that the smaller, independent companies give them. Whatever the reason, we (well, DC really) need to face the fact that they are losing the comic book game. Badly.
As much fun as it is to kick DC while they’re down, it does sadden me. I’m a DC fan. Like, a FAN. Just in the New52, I remember how bugged out I was that the Joker cut his face off. I read on as Wonder Woman killed (and then became) a God. I remember being legitimately upset that Geoff Johns was ending his run on Green Lantern. I even remember how they almost made Aquaman cool after decades of ridicule. Almost. Point being, the New52 had some great moments, but DC in general seems to really be left behind when it comes to the metamorphosis happening in the industry right now.
Whether it’s intention, or even deserved, DC has become the New England Patriots of the industry when it comes to offending people. From Batgirl to Teen Titans, DC has become that womanizing friend from high school you don’t want to bring around your wife. Whatever cultural revolution the industry is experiencing, whether it be LGBT, ethnic diversity, more women characters and creators, more stories from more walks of life… DC is largely missing out on it. Of all the current books on its roster, only a few really stick out to me as amazing, special, or even enjoyable:
–Batman: Snyder/Capullo are one of the best creative teams in the biz. –Batgirl: Cameron Stewart/Babs Tarr know how to bring the cute, but still keep it engaging. –Deathstroke: Tony Daniel’s baby is a gore-fest. A splendiferous one. –Justice League: Geoff Johns knows how to write a comic book. –Prez: The only non-superhero book in DC’s lineup. Mark Russell’s commentary is spot-on. –Superman: John Romita Jr. has almost single-handedly made Superman cool again –We Are Robin: Brian Azzarello is reading the teenage tech revolution. –Wonder Woman: David and Meredith Finch write a good story; the art is reason enough to read.
Aside from Batgirl and Prez, my readership of every book on this list can be accredited to an established creative team behind it. It’s not like there aren’t plenty of skilled creators in DC’s stable, but a majority of the books that follow long-time characters fall flat with cliché villains, zero fallout from shock value-driven story arcs, and constant reboot syndrome.
It’s not like DC doesn’t want to keep up with the times; they’ve made several attempts to be “cool” again, most notably DCYOU. They rolled out the carpet for a line of new books recently that include more diverse characters, but even the promising ones (Dr. Fate, Justice League 3001, Bizarro, DC Bombshells, Cyborg) are being drowned out in the white noise of all the other uninspiring crap they release each week.
Marvel is constantly kicking DC’s ass in sales, and it’s embarrassing. Many long-time “old-school” fans have been vocal against a PC movement in the industry, but clearly they are not buying these books either, so the head cheeses at DC are going to have to rethink what is important to the brand. And that’s where I have the most faith. DC has Jim Lee, Geoff Johns, Dan DiDio, and the entire power of Warner Bros. at their disposal, so there’s no reason that the actual comic book aspect of the company should be doing so poorly.
The upcoming months have enough new and different content to get readers excited, and the collectible lines that DC keeps putting out prove that fans absolutely love the franchise. Even with Vertigo’s Fables closing the book at issue #150, it might not be time to hit the panic button. In the next few months, the market will be flooded with new, unique content that doesn’t have to do with superheroes at all, as well as some that are. In a time before any of us were born (apologies to the 80 year-old readers we have out there!), Detective Comics survived before the concept of a superhero existed. After all, Batman can’t carry the entire company by himself… can he?
And that, my friends, is how you wrap up the greatest horror series in comic book history. This was a Locke for pick of the week before it was even announced. Kudos to Joe Hill and Gabriel Rodriguez for an amazing run of almost six years. I won’t judge you if you haven’t read this book, as it’s been critically acclaimed but still very rarely marketed. There are no cliffhangers, monsters or murderers – just closure. It’s a welcome finale when writers are far more concerned with the integrity of the story rather than a spin-off or a mini-series event. As the son of the great Stephen King, Joe Hill has plenty else to look forward to. The only disclaimer I have for this issue is that you must have read the story to understand the gravity or the events of what transpire in the series finale. I know it’s a bummer but you can get started by reading our review of the first volume here.
Harley Quinn #1 (DC Comics) – B+
Written by Amanda Conner and Jimmy Palmiotti, Harley Quinn issue #1 made quite the entrance into her own comic series. Picking up where we left off in issue #0, Harley has packed up all her belongings, at least the ones that were in decent condition after Mr. J blew her stuff up. On her very own Harley, our heroine (to be debated later) is on her way to Coney Island where she has suddenly come into her own property. On her way there, she talks to her beaver (woah, inappropriate) that only she can hear, and rescues an abused dachshund. A girl who likes animals more than people is my kind of girl. The artwork is really amazing. Illustrated by Chad Hardin and colored by Alex Sinclair (Jim Lee’s right-hand man), One of the best panels features Harley pulling up to her new pad. We see all the people of her new hood, including a beggar on the street corner wearing a Guy Fawkes mask and holding a sign that reads “Please help me pay off my student loans. Thanks-V” It’s a nice little nod to the Occupy Movement. The art allows Harley to have a bit of a sexy look to her, but in certain panels we still realize that she is a creepy, crazy clown. She even makes a jab at herself when trying to recreate her Harleen Quinzel look, “That’s what I get for getting an all over bleach job.” Her crazy wit is cute and funny throughout the comic, and we get to see how extreme she can be, especially during roller derby. It looks like this series will be following Harley in her adventures in the big city ala Sex and the City. But we all know Harley is a little less Carrie Bradshaw and a little more Lorena Bobbitt. The only gripe I have with this issue is seeing Harley as such a BA, yet at the end, a dude saves her life. When is Harley gonna be her own woman? Hopefully at some point in this series, Harley will realize how great she is without anyone to save her.
Red Hood and the Outlaws #26 (DC Comics) – C
This issue leads up to the conclusion of the current story arc and while it doesn’t offer anything crazy as far as advancing the plot forward, it does have some incredible artwork throughout. This series has been very hit or miss for me. While I love how awesome Red Hood can be, I personally can’t stand Arsenal as character, and Starfire seems like she should be too powerful for a group such as this. Nothing in 26 issues has changed my opinion of this. I continue to read because of the potential it has to intertwine with Batman; however, since the disassociation with Batman after death of the family, I have been left with a longing for Jason to return to Gotham to dispense his brand of vigilante justice. Only time will tell if this is a book I will continue to read in the future. It definitely has the potential to shine but it will depend entirely on the writers to be able to make it genuinely interesting to read. Perhaps changing the team around wouldn’t be such a bad idea.
Supergirl #26 (DC Comics) – B+
If there was a good point to drop into the middle of this series, issue 26 would be the perfect one to do it. Kara does a little souls searching and while in the middle of that, the issue gives a great summary of the events of the last 25 issues. Sure there are some small things that someone just getting into the series would have to catch up on, but none of it is anything major that can’t be read later. What really makes this issue shine how is the introduction of the most badass bounty hunter in the galaxy. Lobo! While he isn’t given a large amount of time, what time he is given is well utilized and promises to make this current arc one of the best so far. My only complaint with this series thus far is that it requires you to stay current with Superman and Superboy, otherwise you risk missing out on key plot points due to the way the stories intertwine
Teen Titans Go! #1 (DC Comics) – B+
Teen Titans Go! Issue #1 was a pleasant surprise for me. It was clearly intended for the younger audiences, but was packed with witty humor. I found myself laughing out loud at several panels throughout. This issue was broken up into two parts. Part one is the mystery of who is eating Cyborg’s sandwich. The mystery aspect of the story was very cute with Robin taking it upon himself to interrogate the group. Using black and white panels for this section and giving Robin old-timey detective lines worked perfectly. Part two focuses on a bet between Robin, Cyborg and Beast Boy on the mini-golf course. Meanwhile, Raven and Starfire go to the arcade. Raven cleverly uses her levitation powers to get a stuffed toy out of the claw machine. Starfire asks, “But where does the claw come in?” “Beats me.” Raven replies dryly. The wittiness of this issue is what carries it. The dialogue is quick and pokes fun at itself a little. The outcomes of each episode are a little silly, but what else is expected for the teens? Teen Titans Go! is a good read for new and seasoned comic readers.
Wonder Woman #26 (DC Comics) – C
Wonder Womanhas pretty much carried the torch for women in DC Comics for the past few years. Protector, warrior, princess of Olympus – Wonder Woman is by all means a powerhouse. Thanks to some great writing by Brian Azzarello, Wonder Womanhas undergone quite the transition into the fight for Olympus. After a godly issue #23, though, things have quite slowed down. It feels like they’re trying to do too much. There are several different story-lines playing out, and over the span of months, I’m beginning to forget what the big picture actually is. While I’m sure this would read better in a graphic novel format, it’s just too complex of a story to be able to pick up every month. However, don’t let that discount the great character dynamics and fantastic use of Greek mythology; this is still a highly enjoyable book.
All New X-Men #20 (Marvel Comics) – B
Laura Kinney (X-23) is back! She’s popping blades and not taking any lip from anyone! She awakens in the old Weapon X factory, (it’s since been converted to the New Xavier School For the Gifted). Scott and Laura have a heart to Adamantium talk about why the X-Men have time traveled. She explains that she has been tortured for a year and is now being hunted by an anti-mutant group called, The Purifiers. This anti-mutant group is led by William Stryker’s son. Can we say daddy issues? The X-Men gear up and prepare to raid this new threats’ hideout when…
Amazing Spiderman #700.4 (Marvel Comics) – C
Bravo to Pasqual Ferry and Andres Mossa for the cover art. The issue is worth the pick up for that alone. Peter Parker is still in the Kaiser Permanente from hell. He has been admitted to a hospital for criminals. Joe Casey writes some harsh lines about our do-gooder, “Consider his reputation, an anti-hero at best…not exactly Captain America. He would not be missed.” Peter’s identity as Spider-Man has been compromised by the staff and now he is in a fight to get out of there.
Amazing Spiderman #700.5 (Marvel Comics) – D
No rest for the weary. Spider-Man tries to enjoy a nap after a day of crime fighting, and who should come flying through his window? Johnny Storm! Brian Reed writes this issue, Spider-Man and The Human Torch. This issue is a throw-away. The story is rushed, poorly planned and boring. Johnny steals some kind of machine from the Baxter Building that came from future Ben. It will destroy the universe and old flame-boy tries to enlist Spidey to help him get rid of it. The Fantastic Four track him down to retrieve the device. Skip this one and give Superior Spider-Man #24 a shot.
Daredevil #34 (Marvel Comics) – B-
After an odd stint in Stone Hills, Kentucky, Daredevil is back in New York City and back to the main storyline; the Sons of the Serpent, a white supremecy group, have corrupted the justice system and look to be taking the whole city from the inside. This story has been building for about ten issues now, and it finally would seem that Daredevil is gaining momentum against the Serpents. After an empowering speech over the airwaves, Daredevil has gone on the offensive against the Serpents. On display are very run-of-the-mill pages from Mark Waid and Javier Rodriguez. The series has lost a bit of the appeal it had in earlier issues, but it’s still fun to read. With the story, and the series’ run wrapping up in two issues, there’s a lot of ground to cover.
Deadpool #21 (Marvel Comics) – B
So I’ll admit, I got a bit carried away with Deadpool #20, the ridiculous story about battling inter-galactic monsters in Wakanda. I’m not perfect and neither is Deadpool. This issue has us follow our favorite hero as he continues his journey to separate himself from S.H.I.E.L.D. Agent Preston, who is sharing space aside the multiple personalities of Wade Wilson. It doesn’t make sense if you haven’t read the whole way through, but having read all the issues, it still doesn’t make sense. As he tries to satisfy Preston by watching Madea he is hunted by S.H.I.E.L.D. mercenaries, an irony that is not lost on me. The issue was thoroughly entertaining and full of hilarity. This is the start of the Deadpool vs. S.H.I.E.L.D arc, so it’s a great time to jump on to watch the Merc With A Mouth take down the system. … at least for a few episodes until they put out another stupid filler issue.
Scarlet Spider #25 (Marvel Comics) – C-
This final issue in the series really brings this particular story arc full circle. What I find the most dissatisfying is that you could have almost replaced this issue with the first one and ended the entire series right there. It basically felt like a carbon copy of the first issue, only Kaine has the chops to go through with actually leaving Houston the first time. The artwork wasn’t anything particularly special but it was not bad by any means. This ending felt a little sloppy but after reading the afterword, I am assured that this isn’t the end for Kaine. This character has great potential if explored properly. I really like the idea of a Peter Parker that is tainted and willing to go places and do things that Peter Parker would never do. It is the perfect opportunity to explore that dark side and while this ending may have been a little disappointing, I am looking forward to the future of Scarlet Spider when he returns in NEW WARRIORS #1.
Superior Spiderman #24 (Marvel Comics) – C+
Oh great, as if Spiderman wasn’t arrogant enough. With the great narcissistic Otto Octavius at the helm of the Venom symbiote, things are not looking so great for those close to him. Really, enough is enough. You can make him an asshole, you can make him break up with MJ, you can even make him dance around like an idiot in Spiderman 3… but you do not get to disrespect sweet ol’ Aunt May; that is off-limits. As Spidey’s ego goes to his head, there are a lot of things set in motion by the police, the Golbin gang and The Avengers. I like where this is going, as it’s obviously time for Peter Parker to come back from oblivion and return to the spotlight. The weekly splurge of Amazing Spiderman hints that a Parker return isn’t far off.
Samurai Jack #3 (IDW Comics) – B
This month’s issue of Samurai Jack was a nice change from there the series could have gone. With the first two issues requiring Jack to defeat an unbeatable foe, I was worried every issue would follow the same script. So far, Issue #3 is my favorite. Jack, still following the magical Threads of Time to rewind history from his enemy Aku, lands in what seems to be Ancient Greece. He meets the warrior of the town, Gloer the Great of Grantus. The alliterative character shows Jack around town. But instead of having to fight Gloer, as was expected, he sees that Gloer’s town has already been demolished by Aku’s terribleness. The series is already a little Mr. Peabody-esque. This issue is Mr. Peabody meets Stepford Wives meets Disney’s Hercules. It’s very cute, but still a great use of medium to provoke some pretty deep thoughts for the intended elementary level reader. I highly recommend picking up this issue for your new little comic book reader.
We join our turtles after the fallout of City Fall as they drive to a Northampton countryside home where April O’Neil’s parents live. The family is in shambles and I can feel Splinter pain as he tries to repair the damage that Shredder and the Foot have wrought upon his family. The issue is divided between the turtles and their family issues and the O’Neils meeting Casey Jones for the first time. Ah, but the plot thickens! Our heroes had an unwelcome guest follow them to Northampton (Although not unwelcome to me, as this is secretly my favorite character in the book). Meanwhile, April finds out that there’s more than meets the eye when it comes to the mutagen, and her parents are the one to tell the secret. Ross Campbell has picked up art duties for the main story after doing a couple of the Micro-Series (Leonardo, Alopex) books. Although I was initially sad to see Mateus Santolouco’s grimy style end with City Fall, Campbell’s art is intrinsically beautiful and fitting of the subject matter. As we build towards another storyline, I was thoroughly pleased with TMNT #29, as it serves as a great jumping-on point for fans new to the series while still reflecting on the events of City Fall.
Black Science #2 (image Comics) – A
The second issue of this deep space thriller, Black Science, opened up the story and explained a lot of character dynamic without giving too much away for what’s to come. It’s a captivating sci-fi tale that mixes a little bit of Mass Effect with an 80’s space thriller twist. What Black Science succeeds at so well is its ability to draw in a reader with it’s amazing character dynamics and between-the-lines story-telling. Two issues in and you already know who you are supposed to like and who you are supposed to loathe. Throw in a well-placed flashback scene and now you’re part of the family. First, mutant frog people and now futuristic Native Americans killing Nazis; this is shaping up to be one special series, and it’s not limited to cliches and superheroes.
Saga #17 (image Comics) – A
“The only journalists that deserve killing are sports writers.” Saga is written too well for me to fully appreciate. It’s filled with literary quips. I feel like it’s written only for English majors or burnt-out authors. Needless to say, it’s brilliant. Issue 17 masks its social and political dogma behind vibrant panels and fashionable sarcasm. We find our two journalists greeted by yet another Freelancer named, The Brand. He enchants them with an Anti-snitching potion (Embargon) to impede them from continuing their story about inter-species love. When Upsher and Doff ask The Brand why their writing is so threatening the response is, “It’s the stories with no sides that worry them.” Saga engages everything is our current social spectrum. Nothing is taboo. Homosexuality, popular media, inter-racial relationships, and child-rearing are all on the table. As readers we are also unclear to Vaughn’s stance on these issues. This is what makes Saga so intriguing.
The Will is still bleeding out after being attacked by a possessed Sophie (slave-girl). Gwendolyn is desperate to find help. She makes her way to D. Oswald Heist’s lighthouse. She arrives after Klara’s attempt to save his life from Prince Robot IV. This week’s issue submerges us deeper into this space-opera and will give you a good giggle and gasp (See Prince Robot’s erotic revelation).
Sex #9 (image Comics) – B
Now we’re talking! There’s been a lot of foreplay leading up to Sex, but it seems that the buttons are finally coming undone. What we are shown is a genuine origin story starring our hero Simon as The Armored Saint and his techie sidekick, Keenan. It really brings the story together and explains a lot in the first eight episodes that didn’t make a whole lot of sense the first time through. Guest artist Morgan Jeske’s art has a very distinct appearance from the rest of the series, and gives the issue a very raw, Dark Knight Returns vibe. And, of course, there is raunchy, gratuitous sex – as is expected when your crime-fighting secret hideout is a whore-house. Here’s to hoping that we get more exciting issues like this and less build-up.
Darth Vader and the Cry of Shadows #1 (Dark Horse Comics) – B
Enter Clone Trooper CT5539, after the Clone Wars and after Order 66. One of Jango’s copies has settled down working and living quite unremarkably on what appears to be a desert planet (perhaps Tatooine – some of the best Star Wars stories star there!). By way of true “events,” Cry of Shadows #1 really has none. The pages are filled with narration and storytelling. Flashbacks and imagination dominate. This isn’t a bad thing though! On the contrary, I was able to connect with CT5539 almost immediately because I was reading his inner thoughts. It’s critical to note that the flesh and blood Vader (or should I say, metal and lube-oil) makes no appearance besides what’s being imagined by CT derived from stories told by drunk cantina-goers. Vader remains a fantasy and a symbol in CT’s eyes. The ferocious tales are vividly and beautifully illustrated by Guzan and Atiyeh. It could be my bias, but Vader remains as imposing and awesome as ever. After meandering through post-war life, CT finds a spark and journeys out to see if the stories about Vader are true. What better way to obtain answers than ask the guy yourself?! The build-up is well done in Cry of Shadows #1 and I’m already anxious to see how the real life Vader measures up to the Vader of CT’s dreams and aspirations.
Ghost #1 (Dark Horse Comics) – B-
The series is a continuation of the original 1990’s Ghost series where Elisa, a journalist, uncovers a crazy secret; the Mayor of Chicago is actual a demon in disguise. The possessed mayor banishes Elisa to hell only to have her brought back to the living world in ghost form by two paranormal investigators, Vaughn and Tommy, after which she proceeds to pull the demon from the mayor. That same demon, however, is able to escape and possess a new host – Doctor October. This is essentially where we pick up in Ghost #1. Elisa is still hunting for Doctor October as well as other possessed persons of power in Chi-town. Issue #1 starts out pretty intensely with Elisa kicking serious demon behind on the monorail. There’s lots of plot development in the first issue (as expected) and it makes for a somewhat slow read. Authors Kelly Sue DeConnick and Chris Sebela appear to be working depth into the story and I enjoy the direction its heading. In Elisa’s return for the demon realm, she only partially recovered her memory; this aspect does much to move the story along and kept me engaged. Demon sketch lack originality, but are beautifully grotesque in detail (props to Ryan Sook). Ghost herself is also pretty B.A. She stunts some really cool tricks and maintains a fearless and confident attitude throughout. I’m looking forward to Elisa’s pursuits to purify her city, recover her memory and take on Doctor October!
Funniest Panels of the Week:
Adrian’s nomination for funniest panel of the week from Teen Titans Go! #1.
Panama’s nomination for funniest panel of the week from Amazing Spiderman #700.5.
Robert’s nomination for funniest panel of the week from Supergirl #26.
Sherif’s nomination for funniest panel of the week from Deadpool #21.
Taylors’s nomination for funniest panel of the week from Ghost #1.
Epic Panels of the Week:
Adrian’s nomination for Epic Panel of week from Harley Quinn #1.
Panama’s nomination for Epic Panel of week from Saga #17.
Robert’s nomination for Epic Panel of week from Supergirl #26.
Sherif’s nomination for Epic Panel of week from Teenage Mutant Ninja Turtles #29.
Taylor’s nomination for Epic Panel of week from Darth Vader and the Cry of Shadows #1.
Cover Art of the Week:
That about wraps it up for our reviews this week! Look for next week’s previews coming soon. Any comic books you didn’t see reviewed that you want reviewed? Any grades you didn’t agree on? Let us know in the comments!
All images taken from ComiXology app and the credit for them goes to the respective publishers; thanks to IDW Comics, image Comics, Dark Horse, DC and Marvel for putting out great books.