Another year is in the books, and we here at Hush Comics couldn’t pass at the chance to rank our favorites of this year’s releases in all types of mediums. Some of the winners will surprise you; heck, some of the results surprised us. The results are completely subjective, and therefore were chosen with infallible logic. We would love to hear your opinions on what we have chosen, or if you thought we missed anything. This should be a fun review before we gear up for 2015.
22 Jump Street
A Million Ways to Die in the West
Knights of Badassdom
WINNER – 22 Jump Street
Let’s be honest. No one goes to see a Jump Street movie because of the plot. But that doesn’t make the franchise any less hilarious. This time, cop duo Schmidt and Jenko are working undercover as college students. While the hijinks were the same, I found this movie funnier than its predecessor because the kids that were doing bad things were actually of age. Ice Cube was hilarious in this movie, particularly when it came to his daughter. There were many laugh-out-loud moments, making it our favorite comedy of the year. Plus Channing Tatum never hurts. – Adrian
Second Place – Neighbors
Although North Korea has made America look like pansies by canceling The Interview with Seth Rogan and James Franco. In 2014, we need to remember we had the next best thing, kinda. We had Neighbors with Seth Rogan, Zac Efron and Dave Franco. This movie was filled with all the classics the world expected out of a Rogan-Franco film; drugs, penises, and the most amazing dildo sword fight scene known to cinematic history. This film was hilarious, and allowed me to see how non-stressful and unserious the world can be sometimes. Without a doubt, 2014 became a little more comical with Neighbors. – Evan
Third Place – Knights of Badassdom
For 90 minutes (ish), Knights of Badassdom made LARPing the coolest thing in the world – and not in that dickish sarcastic way. What really drew me in were the guest appearances by Peter Dinklage (Tyrion Lannister in Game of Thrones) and Danny Pudi (Abed Nadir in Community), not to mention that Firefly’s Summer Glau is the main love interest. This movie does have a bit of horror mixed in, but it’s much more Tucker & Dave Vs. Evil than Cabin in the Woods. – Sherif
RUNNER UP – A Million Ways to Die in the West
Don’t get me wrong, A Million Ways was not a great movie. It was barely a good movie. However, it was a Seth McFarlane movie, and that much it lived up to. This cast of relatively big names leads a fun adventure with the typical Seth McFarlane-esque humor. There are guest appearances, mustache dances (pictured above) and a lot of innuendo – thank you Jesus for Sarah Silverman. I especially enjoyed the commentary on how primitive a time the Wild West days actually were. People died, a lot. Fun fact: Liam Neeson, who plays the bad guy in the movie, insisted that he keep his Irish accent, only to pay homage to McFarlane’s joke on Family Guy of playing a cowboy with an Irish accent. It’s no coincidence that Seth McFarlane gets to cast a bunch of great actors; these guys love him! – Sherif
RUNNER UP – Sex Tape
One thing is for certain: nobody understands the Cloud. It’s almost like those hackers got their idea from this movie, because damn, how could that timing be any more awkward, right? Aynway, this movie revolves around an aging, but still somehow kind of hot Cameron Diaz and the sex tape she made with Jason Segel. There are tons of penis jokes – I know those are all the rage now – but the funnier part to me are the ones that make fun of how little this generation understands about the technology we use every day; isn’t that right, JLaw? You’re not gonna see anything spectacular here, but Jason Segel fans will still love his comedy. – Sherif
Get your best People’s Eyebrow on, because finally, Hush Comics has come back… to Denver. It was just one year ago that we stepped in the Colorado Convention Center for the Second Annual Denver Comic Con and our eyes were open to what Hush could do. After the local convention blew us away, we started venturing to other conventions around the country – well, as much as our budget allows. This year, we were a well-oiled machine. We were handing out cards and stickers (hit us up if you want one because we have a few extras!), mingling with fellow con-goers and doing almost everything there was to be done. We took a bunch of pictures of cosplayers, attended a bunch of panels and even got to interview some of the hottest artists at the convention, all of which you can find at the links below.
In this article, you will find one of the most complete Denver Comic Con 2014 experiences on the web, all of which came from a diverse team (see Special Thanks To at the end of the article) of nerds that we have the pleasure of calling our own.
Click on the link to take you to all of our Denver Comic Con 2014 articles
The Mile High City is home to the fastest-growing city of nerds in the country. In only its third year, the estimated attendance of nearly 75,000 people has sky-rocketed it to the fourth-largest comic book convention in the WORLD, right behind San Diego, New York City and Toronto – cities with at least four times the population than that of Denver. Google “Nerdiest cities in America,” and there’s a good chance you’ll find Denver on any given list.
One of the greatest qualities of the nerds here in Denver is how diverse they are, making comic cons here a hotbed for the Mile High community. A hardcore Star Wars fan might know all there is to know about but know nothing of Doctor Who and comic books, or vice versa. This diversity usually leads to tons of pocketed groups, meaning that there is always somebody that you can strike up a conversation with pretty much anybody at any time about anything. Most convention goers I have spoken with are nice enough to tell you about their respective fandoms.
The city of Denver isn’t actually all that big, but several large suburbs make up a fair percentage of the land and population. Thanks to years of construction projects, navigating the city from any particular section is fairly early when taking the RTD Light Rail system. The best part was boarding the train with a ton of cosplayers, decked out in their extravagant costumes, sitting right next to people who had no idea Comic Con was even going on. Also, if you wanted to drive, you don’t have to roll the dice on a spot downtown or settle for an expensive lot; there were plenty of parking spots across the street from the Colorado Convention Center at Metro State University.
If you’re staying downtown, there is plenty to do on the weekends. One of the nerdiest attractions is the 1UP bar, a full-service bar that has a plethora of old-school arcade games like Mortal Kombat II, Tron and Paperboy – even a real-life giant game of Jenga with 2 x 4 blocks of wood. The Pavilion area on 16th street is also quite the fantastical place, full of street performers, eateries and shops to pass the time. Theater nerds can geek out at the Denver Center of Performing Arts, which hosts a variety of plays and events all year long.
There are multiple comic book stores in the metro area, and additional ones in surrounding suburbs. Each shop offers a different experience and has a specialty of sorts. All C’s Collectibles in Aurora is a great place to find sports cards, coin collections and back issues. The shop has been in business for over 25 years and is the go-to spot when I’m on that side of town. I Want More Comics is an up and coming store in Northglenn (about 10-15 minutes of highway North of downtown) that has a lot of trade paperbacks and unique collectibles. It’s hard to spend less than an hour per visit there. The store we go to for books is Mile High Comics, which has four locations in the metro area. Their Glendale store on Colorado Blvd is pretty much home to me, where Aaron and Jay always hook us up with our weekly books and specialty figures. Mile High’s Jason St. warehouse is just that – a warehouse, and the biggest comic book emporium in the world. Whether it’s a rare back-issue, an out-of-print trade or a toy you didn’t know you needed, you can find just about anything in the world of nerd at that warehouse.
Denver is a city that makes itself very accessible to nerds, and is very accepting of the culture, in general. It’s one of the contributing factors that makes it one of the best cities in the country for young professionals, hipsters, and relocation. The continued diversity of people Denver gets only adds to the attraction of events like Comic Con. The best part is that the event hasn’t even been saturated; there are still thousands of people who either couldn’t go or need to be converted. Denver is a nerd gold mine right now, and it’s great to see how many people are striking big in the Mile High City.
How Denver Comic Con Works:
Let’s be honest; last year’s Denver Comic Con was poorly organized. It wasn’t DCC’s fault, either. There was just no way to prepare for the explosion of attendance that happened between the inaugural year, which saw a modest 28,000 people attend, and 2013, where attendance ballooned to 63,000 people – making it the fifth largest convention in the world after only two years. The problems were more logistical than anything, and this year was a great reaction to the issues that plagued the previous convention. The entire exhibitor’s hall was organized in a much more logical fashion, volunteers were actually informed of what was happening, and people were actually let in the doors when the Con opened.
Our buddy Zak Kinsella and Midspace writer Nick Salmon at their panel
Some nifty Denver Street Art
Even the trees are crocheted in Denver
Fiona Staples hard at work
Jim Cummings put on a show for us… er, I mean the kids.
This year, DCC saw a reported 75,000 attendees flood the convention center. Some were looking for autographs and art sketches, some were looking to go to panels and look at cosplayers, and some were just so absolutely lost in the chaos that they walked the exhibitor’s hall like a group of Amish at Best Buy. I would venture to say that a majority of the attendees knew what they wanted to do and how to get there. Artists and creators were located at the back of the hall, while retail shops and displays took up most of the front. Off to the side was the celebrity signing booths, where various celebs took to signing for large blocks of time. Meanwhile, panel rooms were sprawled out on the first floor. Convention food could be found in multiple places, and aside from the $4 bottles of water, it was reasonably priced and tasted delicious.
Due to the fact that we had a team of BAMFs (Nightcrawler or Pulp Fiction – either analogy works) networking, attending panels, and taking some great cosplay pics, we were free to do so much more than before at a convention. For others, it was a bit more difficult. Due to the small size of the Main Even and Mini Main Event panel rooms, it wasn’t uncommon to wait for an hour just to get a seat in a panel. We noticed the same thing when it came to getting a sketch from an artist or an autograph from a celebrity. At that point, it’s all a matter of prioritization. There were definitely things we didn’t get to do or see over the weekend, but I feel like had they been our top priorities, they would have gotten done.
There is so much cosplay going on at the Denver Comic Con that it punches you right in the face as you walk in the doors. The sheer volume was amazing. I’d guess that I saw more people dressed as Harley Quinn here than I did people dressed up altogether at Houston’s Comicpalooza. From Dragonball Z to Dark Crystal, the diverse crowd really made for a thoroughly entertaining game of Guess Who? People we talked to said they came to DCC specifically for the cosplay, and the hard work put into their costumes proved their validity – especially in the contest winning Mr. Freeze. The dedication didn’t just stop at costumes. Colorado Movie Cars had a fleet of nerd-inspired vehicles for attendees to look at, including the Ghostbusters‘ Ecto-1, Knight Rider‘s K.I.T.T., Bumblebee’s Camaro, Herbie and the TMNT Party Wagon, which it has become my new goal in life to build. There were also two Batmobiles in the house (Burton and West) and the Umbrella Corps Dodge Magnum.
This year also brought in some big name guests. Since the convention was created to promote Comic Book Classroom, a lot of the guests are people that we grew up idolizing as kids, like: Kevin Conroy (the voice of Batman in Batman: The Animated Series), Jim Cummings (the voice of Winnie the Pooh, Tigger, and Darkwing Duck), Adam West and LeVar Burton. We were all there to see somebody different, and our varying experiences were all equally cherished. The love didn’t stop there, though, as we were able to get some astonishing artwork and keepsakes from our favorite people in the nerd world.
Leila del Duca sketch
Patrick Gleason Damian sketch
Patrick Gleason Batman sketch
Georges Jeanty Faith and Vampire Buffy sketches
Fiona Staples Alana sketch
The Two Blue Beasts battle it out
Meet the Press!
Hush Comics was lucky enough to receive media passes to DCC, and we felt like we were treated with great respect. Not only were we able to get priority seating for the popular panels, but we were also granted access to the exhibitor’s hall before the doors opened. Both days we snuck in early, we were there to interview artists. We were able to sit down for an extended amount of time and speak with Georges Jeanty, who just ended his run on Serenity: Leaves on the Wind, and Yanick Paquette, who’s currently working on Wonder Woman: Earth One. Both were complete gentlemen, and the formal interview quickly turned into a completely casual back and forth. We were even able to request a commission from each of them of our favorite characters making a hushing gesture and they turned out amazing! Check them out below:
Like at Comicpalooza, we were lucky enough to give away a couple of 3-Day passes to a lucky Facebook fan by the name of Jumoke Emery, who is a great guy getting to enjoy his first Comic Con. Here’s his account of the weekend:
So I have a confession to make: This was my very first Comic Con experience. Mostly I spent it wandering around starry-eyed, high-fiving awesome cosplays while not the least bit tipsy off of Brews Wayne. I was most excited for the panels, yet managed to miss every single panel that I stood in line for (P.S. Comic-con lines for panels can be ridiculous, and I’ve decided that the fire marshal and I aren’t friends). However, I still had a blast! Being among my fellow geeks feels like home, now the only debate is whether I’m John Stewart or Power Man for next year’s Con. Shout outs to Hush Comics for helping me have an amazing Father’s Day weekend!
Aside from the great interactions we had with people, it was such a joy to be able to tell people what we’ve built over the past year. It’s not the shiniest website on the web, but the hard work and hours of writing feels validated when we get such great feedback from people we randomly meet and strike up conversations with. I can only expect that we will continue to grow, adding more quality writers and covering more ground than we do now. Thanks to everybody that made this a fun and fruitful experience. See you next year!
Special Thanks to:
Jacob Robinson: You may have seen him dressed as Ash Bender at DCC, or just noticed his stylish mustache and dreads. Jacob wrote multiple panel articles and
Jené Conrad: Although Jené had to leave for the weekend to attend a friend’s wedding, she was an integral part of getting set up for the convention, and was not shy at all about networking with others on Hush’s behalf.
Robert Michael: Most of the photography of the convention you see was taken by either Adrian or Robert. He also wrote a few of the big panels, like The Oatmeal and Arrow. Robert was the utmost professional and we are lucky to have him on the team
Alyssa Mitchell: This girl is a machine! She came to the convention after pulling night shifts, and was an absolute pleasure to be around. She’s Robert’s girlfriend, so it makes sense she was always at work – whether it be pushing the Hush name, taking media duties or helping us plan out the day.
Charlotte Renken: Our newest writer is a straight-up prodigy. We sawn her passion for cosplay inspire others in real time, and we’re lucky her unique voice has found a home at Hush Comics.
Lewis Brown: This phenomenal artist is one of our favorites in Denver. Check out his Facebook page. He’s extremely humble and personable, and he spent a lot of his time at the con doing free work for the non-profit Aurora Rise. Definitely make yourself familiar with his work, so that one day, you can tell people you knew who Lewis Brown was before he made it.
Scott McCauliffe: Scott has had the most unique experience at DCC among us; he has been an artist at the con, a patron, and this year, a member of the press. He was able to make it for Father’s Day, and his article on his experience is one worth reading.
Evan Lowe: Evan couldn’t be here in person this year. He was busy completing a rigorous course to get his Master’s Degree in Social Work! The only thing he requested was a picture of Lou Ferrigno. I’d like to think we delivered. Now that his courseload has slowed down, expect more from him soon.
Sherif and Adrian: We had to throw a little love our way… mostly so I could post these pictures of us.
Adrian Interviewing Georges Jeanty
Adrian Interviewing Georges Jeanty
Sherif and Adrian with The Batman, Kevin Conroy
Sherifs signed BTAS collection
TMNT Party Wagon!
Sherif with the Adam West Batmobile
Robert and Sherif sitting down with Yanick Paquette
Sherif and Fiona Staples. No lie!
Tips for Future DCC-ers:
Buy your passes early. Even if you end up not going, you can definitely sell the passes on Craigslist or at the door. When we originally bought 3-Day passes a few months in advance, we paid $55/pass. Compare that to the daily rates of $40/day they were charging the week of the con, and you’ll be face-palming yourself for not capitalizing on the situation earlier.
Before the convention starts, make a list of things you want to do, and plan it out according to which days things are happening. If you plan things out, there’s a good chance you can get to it all.
Cosplaying is amazing, but what’s even better is wearing comfortable shoes. You will spend hours walking, standing, rinsing, repeating. On a similar note, please do shower and wear deodorant. Yes, people will know it’s you, and they will judge you for it. DCC even put on a satirical PSA about “Con Funk” to reiterate the dangers of not valuing personal hygiene.
If you get cold often, bring a sweatshirt in the convention center; it might be 90 outside, but it’s likely refrigerated inside.
Know where the Guiry’s booth is. Grab any sleeves for prints/pictures you need to avoid getting them all smashed up.
Come prepared to buy stuff: artists prints, doo-hickies, collectibles, and of course, comic books. Also know that you will be having to bring or send this stuff back home with you. Some of the best things to prepare are:
Comic book portfolio: holds approximately ten issues for signing and collecting.
Poster tube or picture hard-sleeve: don’t let those prints/signatures get bent. Trust me, hiding it in a book will not cut it.
Know where a nearby FedEx is to ship back the really valuable stuff
Take a fair amount of cash with you. A lot of the booths and special events only accept cash – not to mention cash only parking lots in the surrounding area – so avoid getting caught cashless when a good opportunity arises. There are ATMs available around the convention center.
If you have time to leave the convention center, there are a lot of great, relatively inexpensive places to chow down nearby. Some of our favorites are: Cheba Hut,Snarf’s and Bubba Gump Shrimp Co. (kinda pricey, but worth it if you’ve never been).
Over-estimate the time it takes to get anywhere. Denver is largely a commuter city, so plan accordingly.
Prior to going to the convention center, make a to-do list of what you want to accomplish and decide what is realistic.
Click on the link to take you to all of our Denver Comic Con 2014 articles
It’s a week since the third annual Denver Comic Con got underway. From everything that I saw and experience, it was a glorious weekend. This, like many of you, was my third time attending DCC. I have a unique perspective on the DCC experience, you see I’ve attended all three years in three separate capacities . I’ve been an exhibitor, an attendee, and now as press with Hush Comics. So far, every year has yielded different results, and completely different experience.
For the inaugural year, I had a table in Artist Alley and never had I been more excited to be part of a major event. I sold posters and a preview issue for a comic book that I wrote. By Sunday, I actually had attendees – and even fellow artists – coming to my table specifically to see my work. I’d never experienced anything like that before. I got to be on the ground floor of what is the largest growing comic book convention in the country, and that’s pretty damn cool. Now, because I was an exhibitor and wanted to be the face of my work, I spent almost the entire convention at my table. For the short amount of time I wasn’t at my table, I was nabbing some signatures from great creators and artists, and picking up a few souvenirs for myself. In the end, I didn’t get to experience much of what the convention had to offer. On the upside, I scared the crap out of Billy West and got to high-five Colin Ferguson.
I almost did not attend DCC year two. My first son was due just a couple of weeks after the scheduled date and, believe it or not, there are things I hold more dear than Denver Comic Con. My son decided that he was going to show up a month early though and my wife and I made the decision to bring the little guy to his first ever convention being only a few weeks old. After the excellent experience I had the year prior I was very excited to be back for the second year. Sadly, it appeared that the DCC crew were not very well prepared for the growth between the first and second year. The convention floor was over-packed with extremely narrow aisles. Attendees were funneled through lines and stopping to look at anything made me feel like an inconvenience to those around me. My family and I did make it out of the exhibitor’s hall to check out some of the other goings on at DCC, most notably the William Shatner Q&A. The second year wasn’t nearly as enjoyable as the first time around but still not bad enough to keep me away for the third year.
This year, thanks to the fine people here at Hush Comics, I was able to attend as a part of the media. People might not think that attending in the this fashion would be very different than being a regular attendee, but knowing that I was there to properly document the event this time made me look much closer than before at the guests, events, and the thousand of fans all there for a great time. Really paying attention to these details made me appreciate what was going on around me more than ever before.
Now, I only made it for Sunday this year, and traditionally that would mean there would be a little less to see than usual. I was pleasantly surprised to find Sunday was just as good of a day to be there as any. I was in attendance with family and friends and did spend the majority of my time in the Exhibitor’s Hall. This is, of course, where the majority of the con goers can be found, and it was packed. It was great to see that the show runners learned from last years and really expanded the floor space because walking down the aisles in a small group, and pushing strollers was easy and didn’t cause half the headache that it did last year.
One thing that DCC has always done right is how easily accessible the comic book creators and artists are. It’s a magical feeling being able to walk up really meet the people that make us who we are. The growth of DCC has helped pull some really big names, like Fiona Staples and Tim Sale, a couple of my personal favorites. I had the pleasure this year of getting some photos with Tim Sale and John Layman. It’s the people in comics are the reason these conventions even exist, sometimes I’m worried that con goers forget that. The tv and movie celebrities are great, but for me it’s always been about the extraordinarily talented artists and writers that bring us or favorite characters in their best forms.
One of my favorite parts of any convention is the excellent cosplay done by extremely talented fans. My personal favorite was Pyramid Head, whom, it turns out is also the man inside the Humping Robot costume. Among the other excellent costumes I saw were Jareth from Labyrinth, Kanto from Fooly Cooly, The 10th Doctor and Scorpion from Mortal Kombat. One real show stopper was the Skeksis from Dark Crystal. I hope you had a chance to take your photo with this one, I know I did.
A fun attraction that they expanded on from last year was the all LEGO city scape. Like last year, there was an impressively elaborate entire LEGO city with a running LEGO train doing laps. And if that wasn’t enough European-based building toys for you, next to famed artists Fiona Staples was a giant recreation of the Saga #8 cover done in the tiny colorful bricks. I really enjoy these setups because they aren’t what you always expect to see at conventions like these.
I did watch a future generation of LARPers learn how to handle a themselves in a fight with an assortment of mid-evil weaponry. The Knights Academy was a great weekend long panel for children. It was entertaining to watch these fantasy fights play out before your eyes, and watching a large group of kids being legitimately interested and excited to be a part of something so different even in the realm of nerd. The kids events did really seem to take a major forefront this year, when compared to the two previous years. I mean, Adam West, among other celebrities, held reading sessions in the Kid Corral. I’m sure if you were to have asked him LaVar Burton would have been proud of the focus on literacy this time.
From year to year Denver Comic Con has gone through some serious changes. A large part of that is the unexpected speed at which the convention grew. It’s hard to keep up when one year you more than double your capacity. There were definitely growing pains. Luckily, it seems that DCC handled themselves much better and learned from past mistakes. If the convention continues to grow and those running it take the time to actually look back at the previous years and find what they need to do to improve, even just a little, this will be a great convention for years to come.