SCORECARD (each category ranked on a 10-point scale):
Storyline – 7
Art – 8
Captivity and Length – 8
Identity – 10
Use of Medium – 7
Depth – 8
Fluidity – 8
Intrigue/Originality – 9
The Little Things – 10
Overall awesomeness – 9
Not all superheroes come in hulking bodies, a limitless supply of cash or come from a mysterious foreign planet. In the case of Hit Girl and Kick-Ass, they come in the form of regular people. This revolutionary series by two of the industries heaviest hitters redefines what fans think of superheroes, and it does it without ever being unaware of what it is. It is satirical of the comic book industry, while still paying homage to the near century of comic book lore that has preceded it.
Fans of the movie Kick-Ass 2 (our review here) will be familiar with the vague outline of the story in Hit-Girl, as the events of the story were kind of covered by the film’s plot. After the events of the first Kick-Ass, Mindy has thrown up the mantle of Hit-Girl (yeah, right!) and Dave is back in the streets cracking heads over loose change. When Mindy’s high aspirations of taking down the new Boss in Staten Island demand a sidekick, Dave becomes the most suitable candidate. Meanwhile, Mindy finds that she is having trouble fitting in with her classmates in junior high. I suppose a decade of one on one training with a crime-fighting dad will do that to you. It’s an enjoyable story that does the franchise justice, and I enjoyed reading it the whole way through, even if I was rolling my eyes at how over-the-top it has all become.
What makes this Kick-Ass interlude kick so much ass is Mindy McCready, herself. The young crime-fighter is barely old enough to like boys, yet she is one of the deadliest characters in comic books today. Although she cares for Dave as a friend and *snicker* sidekick, there is a business decision struck between the two. Being raised on nothing but hardcore vigilante justice has left Mindy’s soft skills lacking, and she has recruited Dave to help her blend in with the rest of the mean girls in her junior high. It becomes apparent that punches and a sweet collection of fatalities isn’t going to solve this problem. The book is full of hyberbolic situations that young women Mindy’s age go through, and while it’s a little unrealistic to think that handling your problems like Hit-Girl does is a plausible solution to any adolescent troubles, they are all problems that tweeners go through.
In addition, Millar gives us some superb origin telling with Hit-Girl and her Big Daddy, which makes you sad that she misses him, but not quite sad that he is gone. While it was adorable to see her lure rapists into a car and then shoot them in the eye through her teddy bear, it really started to cross the line from over-the-top to gratuitous. The story was also very basic. It got the job done, and it set up the events of Kick-Ass 2 nicely in a fashion that could only constitute a Mark Millar-John Romita Jr. collaboration. The social commentary and excessive violence is what you come to expect with this franchise. Whether it’s discussing the lack of new superheroes in the industry or how to correctly deliver a punch line to catch your enemies by surprise, Hit-Girl is a mirror reflecting society’s highly romanticized view on the superhero world.
At the end of the day, you will know whether or not you like Hit-Girl before you open the front cover. It’s hilarious that tweener like Mindy whoops everybody’s ass, but it’s not a joke. Her size is one of her biggest assets, and her reputation takes a hit when she tries to play the mean girl game on their level instead of just being herself. Female superheroes do not need to be boob windows or short skirts to be heralded. There is a message to be had, but it might be hard to make out from the copious amount of blood, gore and obscenities. Damian Wayne, eat your heart out.
The mythical A+: Classic comic book material. Belongs next to your copy of The Notebookand The Joy of Cooking.
A: Would definitely recommend to all comic book readers. Even more so to fans of the genre or characters
B: Enjoyable read. Fans of the genre or characters will especially like.
C: Non-essential read. Can be enjoyable for fans of the genre or characters, but likely for only one or two events in the books.
D: Unenjoyable book. Read at your own risk. Might find satisfaction if major flaws are overlooked.
F: Please don’t buy this book. Donate your money to a local comic book writer’s workshop instead to inspire future generations to write something better than this trash.
Pick of the Week:
Kick-Ass 3 #8 – A+
That’s right – the finale to Kick-Ass is the first A+ ever given at Hush. It was the best send-off I could have asked for. Dave Lizewski is calling it quits, but before he quits, Hit-Girl has talked him into one last night of beating some mobster and crooked cop ASS. As per usual, the story is flooded with murder and mayhem, but there are so many great moments with no action at all in them. It was a greatly crafted end that just screams Hollywood adaptation. The pages are also littered with Easter Eggs and even an after-credits scene that keeps the story alive. Kick-Ass has shown us that not only do comic books kick ass, but normal people can, too. This is one of the best endings to a beloved franchise I’ve read since Locke & Key wrapped up last December. Kick-Ass has carved out a niche in the comic book world and has enough shelf life to make it a classic. – Sherif
Other Reviews:
DC/Vertigo:
Grayson #2– B-
It would seem that although there is a lot of change in the Batverse since Dick Grayson’s “death,” not much has changed. The former Nightwing has been sent in to spy on … Spyral, who is working on systematically discovering the identity of the Justice League. The tricky thing about being a double agent is that, most of the time, nobody has any idea what is going on and where alliances lie. Unfortunately, we as readers are victim to some of that as well. I like the overall schtick the book has, and writer Tim Seeley does a good job of portraying the whimsical Dick Grayson, but there’s not enough here to really make me want to sell Grayson to you. – Sherif
Marvel:
Rocket Raccoon #2 – A
The second issue in Rocket’s solo series starts out with a hilarious True Detective reference that, while slightly confusing, made me laugh out loud and the laughs kept coming from there. It’s rare that a comic book will have me laughing so much, but, Rocket manages to do just that. Rocket is just as foul-mouthed as he’s always been in the books but it’s great to see Rocket have to take care of himself, he can really kick some ass when he needs to, even without a gun. The art has taken some getting used to for me, but, I think I’m finally on board with it. It’s very reminiscent of old Earthworm Jim stuff, there’s even a Rat Fink style vehicle in it that I absolutely loved. I’m very excited with where this series is going and I suggest getting started on it, especially if you enjoyed the Guardians film. – Cody
Moon Knight #7– A
Wow. The first six issues of Moon Knight have been so awesome, and just like that – it’s over. Writer Warren Ellis and penciller Declan Shalvey are moving on after dropping one of the most impressive new books out. Their last issue, and the one that wraps up the first arc, focuses on NYPD detective Ryan Trent who has a real problem with a superhero doing their jobs for them. Trent decides to take the most logical action – falsify his identification as a S.H.I.E.L.D. agent and become a murderous anti-hero to take his place. Ellis and Shalvey have laid the groundwork for the new team of Brian Wood (writer) and Greg Smallwood (artist) to take over. If nothing else, this six-issue run has been an applaudable ode to the character of Moon Knight. – Sherif
Superior Spider-Man #32– A-
Okay, I have to admit it – I really missed the a-hole Spider-Man. Otto Octavius is still alive, kind of. There was a certain charm that Doc Ock carried as the Superior Spider-Man that Peter Parker just can’t. I will say that I highly prefer having our friendly neighborhood Spider-Man back in business, but if there’s anything this book proved, it’s that there is still a place in the world for a narcissistic, genius Spider-Man. It seems Otto will be jump-starting this Spider-verse event, gathering a team of Spider-Men from all universes, saving them from a universe-hopping Spider hunter (and not saving a few more, like: House of M Spider-Man, Fantastic Four Spider-Man and the Iron Spider). This is shaping up to be a thoroughly entertaining story. – Sherif
Legendary Star-Lord #2 – B-
Peter Quill’s solo adventure has been a lot of fun so far. Star-Lord has been captured by his half sister and is being taken to face his fate. This issue has a couple really great moments of Star-Lord just being Star-Lord which is always good for a laugh. I love seeing all the weird creatures out there in these Guardians solo books and there’s a great “that’s no moon” moment in this issue. This one had a rather odd end, but, I’m still excited to see where this is going. – Cody
Miles Morales: The Ultimate Spider-Man #4 – C+
Ultimate Spider-Man has always been a bit difficult for me to follow. However, what always drew me in, even if for just a few issues at a time, was the emergence of Miles Morales and the “Death of Spider-Man.” This new series has been more or less pedestrian, but this issue definitely kicks it up a few notches. Miles finds himself all alone after spilling the beans about his secret identity to his girlfriend Katie has effectively pushed her away. Miles has more pressing matters to attend to, as Norman Osborn is tearing apart the Parker’s neighborhood. Somehow, Peter freakin’ Parker shows up to save the day. Following Marvel’s newsfeed, we know that there is some massive Spider-verse event coming up – we just hope that Peter’s appearance isn’t a gimmick. – Sherif
Funniest Panel:
Panel with the Most Awesomeness:
That about wraps it up for our reviews this week! Look for next week’s previews coming soon. Any comic books you didn’t see reviewed that you want reviewed? Any grades you didn’t agree on? Let us know in the comments!
All images taken from ComiXology app and the credit for them goes to the respective publishers; thanks to IDW Comics, image Comics, Dark Horse, Boom! Studios, Dynamite Entertainment, DC and Marvel for putting out great books.
I went to the movie theater this past Saturday expecting to see giant monsters destroying cities and each other. I was not disappointed in with that aspect. What I didn’t expect was the family story that made Godzilla more than just another kaiju smashfest. It’s a monster movie with heart. It actually takes close to an hour to even properly see the giant lizard.
Admittedly, during some parts of the movie, I found myself saying “Enough with this! Bring me giant monsters!” By the end of the movie, I realized that I was wrong with this sentiment. Godzilla is brought to us very much from the point of view of someone on the ground. We’re not meant to just sit back and watch terrible beasts duke it out in a random cityscape. The director, Gareth Edwards, wants to put you in San Francisco and makes you understand the real consequence of what’s going on. If you’re looking for Pacific Rim, which is awesome in its own right, you’re not going to find it here. This is more of a movie with monsters, rather than a monster movie. Gareth Edwards has done this very well before with Monsters; go rent it if you haven’t seen it.
My biggest gripe with the king of monsters is the severe under-utilization of Brian Cranston. For what you do see of his performance it is intense and heart felt. Instead of Cranston, the story follows Aaron Taylor-Johnson, best known for playing Dave Lizewski from Kick-Ass. Johnson plays Cranston’s son, who is trying to get back home to his wife and son after bailing his father out of jail in Tokyo. I’m not typically a fan of Aaron Taylor-Johnson, but I have to say he did well. I pulled for him to get back to his family.
Ken Wantanabe was solid, as usual. He gives the characters a little bit of a terrible monster history lesson. Oh yeah Godzilla, and similar creatures, have been known about since the 1940’s. He plays a very stoic and soft-spoken scientist who has been studying these types of creatures for decades. Like Cranston, Wantanabe does not receive much screen type but still delivers a strong performance. His character is fairly forgettable though.
Now to the big guy. Yes, Godzilla appears to have been preparing for hibernation and has put on a few pounds. When you first see his elephant like foot come down it’s comical and exciting at the same time. It looks a little goofy but you realize quickly that you’re finally going to get the big reveal, and it’s not disappointing. I’m also very happy they stayed with tradition and kept Godzilla as the good guy in this movie. When he goes claw-to-claw with the other creatures, it’s a blast, and when you see the energy slowly build up starting in the tip of his tail the anticipation for giant laser/blue fire is palpable.
The FX team behind Godzilla did an excellent job at giving real emotion to the creatures. At certain points I really felt bad for the creatures designed as the villains. Godzilla is probably not the movie most people were expecting, and that’s a good thing. It’s deeper than what moviegoers were looking for, at least more than I was looking for. The length that the story goes to pleasantly surprised me. There were times I felt like they were just teasing me with the taste of a couple 300 foot monsters about to tear each other limb from limb; but once I realized what was going on I was satisfied with everything I got. Godzilla fights with serious brutality.
All photos belong to Warner Bros. and Legendary Pictures
If you didn’t catch it, Season 4 of The Boondocks kicked off Monday night with a hilarious guest spot from Michael B. Jordan. It wasn’t up to par with the Season 1-2 hilarity, but it was good to have it back. It made me realize how many crazy things have happened since The Boondocks were last on the air in August of 2010. Here’s a great read if you want to be in the know.
Happy Birthday to Game Boy! The iconic hand-held console turned 25 on Monday. From Game Boy to Game MAN.
Amazon Prime has made a major move in the bout with Netflix by striking a contract with HBO (sorry Thronies, no luck for you). However, you can still catch classic shows like The Wire and The Sopranos on the streaming service; check the link here for more details. Does this change your view about switching streaming services?
Ubisoft is currently working on adding a co-op mode to Assassin’s Creed: Unity. This could be the thing that finally gets me into playing the online modes for AC. Unity drops Holiday season 2014.
Months after Quentin Tarantino lost his shit when somebody leaked the script to a film titled The Hateful Eight, he has dropped the suit (for the time being) and plans on continuing progress to create the film. Nobody wins here more than us.
If you thought the Cartoon Network show Beware the Batman was dead, you were almost correct. The poorly received show will be returning to CN, but airing at 3am on Saturday night – so pretty much still dead.
Looks like we should be gearing up for a video-game version of Kick-Ass 2 (check out our review here). I won’t lie – it looks terrible. As much as I love the franchise, it will take a whole lot of convincing to pay for something that looks this bad.
If you like picking apart each episode of Game of Thrones to predict the schemes and plot twists, but haven’t had time to catch up on the books like us, here is a little bit to get you through the weeks. Episode titles and descriptions give away more than I think they should, but it’s still fun to predict.
If I didn’t love Batman so much, I would say that DC Comics is overdoing it for their 75th Anniversary celebration. We can now look forward to Batman stealing the variant cover to almost every major DC book in July to commemorate the Dark Knight.
Oh boy, let the floodgates and scandal commence; whistle-blowers are blowing (poor choice of words) their whistles to uncover a “pedophile ring” among powerful Hollywood execs. If this really is the case, I hope justice gets served to the fullest.
On a lighter note (or maybe not) Chew, the Eisner Award winning comic book series about an FDA agent who uses psychic connection from the things (or people) he eats to solve crime mysteries, will be released in animated form, with The Walking Dead‘s Steve Yeun and Dr. Horrible‘s Felicia Day already down for voice acting.
It would seem the almighty Oprah Winfrey approves of comic books! The one in particular she advocated for on her show was March: Book One. Hush actually reviewed this book in honor of Black History Month; you can check it out here.
The mythical A+: Classic comic book material. Belongs next to your copy of The Notebookand The Joy of Cooking.
A: Would definitely recommend to all comic book readers. Even more so to fans of the genre or characters
B: Enjoyable read. Fans of the genre or characters will especially like.
C: Non-essential read. Can be enjoyable for fans of the genre or characters, but likely for only one or two events in the books.
D: Unenjoyable book. Read at your own risk. Might find satisfaction if major flaws are overlooked.
F: Please don’t buy this book. Donate your money to a local comic book writer’s workshop instead to inspire future generations to write something better than this trash.
Pick of the Week:
The Bunker #1 (Oni Press) – A
If you were one of the lucky few to order this book in print form, give yourself a pat on the back! The Bunker tells the story of a group of friends in the process of creating and burying time capsules in the woods. Instead, though, they stumble upon a military bunker, and self-addressed letter from their future selves. If that’s not trippy enough, the letters explain how each of them have a part in ending the world. No pressure. The Bunker did a really good job of pacing the story, and giving it enough detail that each character gets their own voice and personality. This could easily be made into a television show or movie. I highly recommend you pick this up digitally, or try to find a coveted physical copy. – S
Other Reviews:
DC/Vertigo:
Batman #28 – B+
After the crazy cliff-hanger from issue #27, Batman picks up in a completely different time, with a completely different cast. If you remember Harper, she’s the rambunctious orphan that has followed Batman around, and even saved his life when he was reeling from the unfortunate death of Damian. The break in action from Zero Year was a little bit annoying, especially when you realize that this issue was just a promotion for the weekly Batman: Eternal series out in April. All is forgiven immediately, as we finally see Harper, or Bluebird as she is called, knocking around the bad guys. There’s also a very awkward stand-off between Batman and Catwoman, who is very much a woman scorned. Bonus points for the underground club called The Egyptian. And a huuuge Spoiler at the end of the issue (get it?). Although issue #28 was a fun ride, and did make me want to read Eternal, it was an unneeded distraction from the superb Batman issues that preceded it. – S
Superman/ Wonder Woman #5 – B+
It is said that behind every strong man is an even stronger woman, but in what world is Wonder Woman significantly stronger than Superman? So strong, in fact, that she is able to handle two Kryptonians with little issue while Clark gets his ass kicked all over the forest. This time around, Wonder Womans resolve seems to be shaky as to the future of her and Clarks relationship. While it is way too early for them to break up, relationship issues have the potential to effect up to four different publications, depending on how writers portray things. Not to mention that after three issues of Zod, we still don’t really know why he is here or what he was locked in the Phantom Zone for. Despite all of that, this was still a great issue and I am convinced that this is just setup for something big. – R
Injustice: Year Two #2 – B
Injustice has easily become one of the most enjoyable books out. I love how original the story is, and the fact that I really don’t know what comes next is very appealing to me. With Batman out of commission, the people of Earth must look to others to try to stop Superman’s regime. There’s a lot going on in this issue, which hurts it a bit. The last few issue runs felt very focused and I think that helped guide the story much better than skipping around like a television series. I was in no way disappointed in the issue, it just felt like a big lull amidst the incredible action-packed issues preceding it. – S
The Royals: Masters of War #1 – B
In the mood for a spot of tea and a jolly good read? Why my good lad, you should take romp down to your local comic book shop. Cheeio!! Pip-Pip!! God Save the Queen!! Sorry… I’ll go back to American text now. The Royals: Masters of War #1 is now on comic shelves. The setting is London, 1940’s, WWII. The focus – A royal and lavish British family, the House of Windsor. Only this royal family is way more exciting than even Prince William, wife Kate and their little bundle of royal joy. They have superpowers. Superman with a charming accent? Swoon m’ladies. And what’s a better use of kingly superpowers than to stick it to Hitler and his evil regime? However, the head of House Windsor, Albert, has his children under strict order to never demonstrate the greatness of their unique gifts. Turns out super powered nobles don’t have the happiest of histories – you know that usual bit about not everyone being welcoming and accepting of those that are “different.” Thankfully for the citizen of London, not everyone in the House of Windsor agrees with father’s orders. As the fight is taken to the invading Germans we learn that the Windsor family is not the only “gifted” royal family on the block and it’s likely to spell trouble for both the Windsor family and London. I’ve got a good feeling about this six part series and it’s unique twist on pivotal events in recent history. – T
Nightwing #28 – B-
I’ve been really impressed with the way writer Kyle Higgins has managed to build a new world for Dick Grayson without using Gotham to lean on; Nightwing has a real home in Chicago, and it’s not just about Tony Zucco (the man who killed his parents). Unfortunately, some of the art seems a little awkward when showing Dick Grayson outside of being Nightwing. This issue pushes things along, as a little girl in his life is thrust into the same situation he was in when his parents died. It’s a really interesting angle, but it was entirely too rushed – for multiple reasons. I wish Higgins would have taken this over the span of an entire six-issue arc, but I can understand where this is going. All while reading this issue, I had a gut-wrenching feeling. After the events that opened up Forever Evil, you know we are building up to a major tragedy in Grayson’s life, but it just won’t come. – S
Justice League 3000 #3 – B-
Takron-Galtos! The prison planet that has three of the five cloned Justice League members trapped and searching for a way off. After a nasty encounter with Locus, the reality bending blue-alien tween, Superman, Batman and Wonder Woman experience “Hell” in the year 3000. The images and artwork showcasing the expanses of Takron-Galtos are awesome. Porter (artist) has consistently delivered gorgeous landscapes and cityscapes every issue. It’s one of the most alluring elements of the series. Whereas the last issue of JL 3000 was a little disjointed, I felt a strong refocusing back on the big picture plot even though the story is being told from various angles. Bit by bit the mysterious villains are being to reveal themselves. The ever developing and at time hilarious dynamic of the genetically engineered superheroes carries the story well. There are lots of pieces working in the background and it’s all going to come to a head very soon. Oh… and Superman is still an ass-hat. – T
Batgirl #28 – C
I finished this issue more confused than when I started reading it. After an enticing Gothtopia issue, it seems as though they’ve completely abandoned the Detective Comics-centric storyline. That wasn’t explained very well and then to snap into the current story with zero mention of the last issue was disappointing to say the least. Barb is back to fighting form and wearing her yellow bat after her self-imposed exile. This new story arc introduces a vampire hunter who is given no real introduction or back story. We also get to experience a nice tag team duo with Barb and Strix that has the potential for some cool moments. I continue to enjoy Batgirl, as usual, and this story arc seems to be like filler until the next major plot line or the next cross over event. I’m personally hoping for the latter. – R
Dark Horse:
Star Wars #14 – C-
As Ensign Nanda continues to tow Vader across the galaxy in what I call an “epiphany quest,” I continue to be underwhelmed by this story arch in the revitalized Star Wars comic series. Brian Wood’s attempt to highlight the brutal and ruthless nature that so perfectly describes Darth Vader falls far short in my opinion. On top of that, the last few issues of Star Wars have failed to move the plot along. No major revelations, twists or epic moments were to be had. The most redeeming aspect of this 14th installment was getting to see Vader and his super-elite, black-ops Storm Troopers in action. Even at that, those sequences left more to be desired. At the conclusion of this issue it appears as though the story is preparing to steer back on track to a likeness similar to the first five or six issues. There seems to be a ton of Vader focus in Dark Horse comics these recent months. I hope the oversaturation slows down so that new characters and stories can be shared with all the hungering fans out there! It is the Will of The Force! – T
Image:
The Walking Dead #121 – B-
Another issue goes by, and a whole lot of nothing happens. I’m not even sure that this will read better in the trade format. Negan has a few inappropriate lines that just make me laugh out loud. He’s the nastiest one in the bunch, and I find myself rooting for him more than I do The Survivors. Meanwhile, Rick has become a caricature of himself, the self-righteous leader. Honestly, it’s like a soap opera, because even though The Walking Dead has given me nothing notable since a main character’s gratuitous death in issue #100, I still keep reading it. Every issue, I just can’t wait to see if our heroes will be about to crawl out of whatever hole they dug themselves into. Well, sigh, this isn’t the one – better luck next time- S
The Fuse #1 – C-
Seriously, what the hell is a cabler?? In what has become tradition with new publications from Image, I left the end of the first issue not really knowing anything that was going on. Unfortunately, unlike Black Science and Deadly Class, I really am not invested in The Fuse. The debut issue takes us to a futuristic planet, not Earth, where we follow a new guy, recently transferred from Munich, and an witty older woman who has been doing this for a long time. Together, they search for the cause of death of these “cablers” around the city. It has kind of a cliche vibe – the buddy cop thing has been done before. To boot, the art looks raw, and not in a good way. It, in no way makes the cut when compared to other Image titles like Walking Dead, Saga, and the aforementioned two titles. I’m not turned off yet, but it’s gonna have to take a convincing second issue to get me on-board with The Fuse – S
Marvel:
Superior Spider-Man #27 – B+
Now this is what I’ve been waiting for! Finally, a villain fit for a villain. After Green Goblin had taken control of the Goblin army, he makes his move to tighten his grip in the city. Meanwhile, Spider-Man is swallowing the pill of defeat when he learns of Goblin’s idea to cloak his army from the Spider-Bots that Spidey had created to survey the city. Peter’s consciousness also plays a part in trying to escape his own body’s sub-conscious (props for including the original Doc Ock quote from Amazing Spider-Man #3), but gets sucked even further down the rabbit hole. Everything is going to hell and all that’s left are Otto Octavius and Norman Osbourne, playing chess as the city burns to the ground around them. – S
Kick-Ass 3 #6 – B+
Kick-Ass 3 has been slowly moving along, as Hit-Girl has been imprisoned for the entire six issue run. You know what though? I love Kick-Ass. I love the brutal nature and the realistic portrayal of teens playing vigilante. Most of all, I love the story of Hit-Girl and how her dad trained her as a little girl to be a superhero – and not no “liberal asshole” like Spider-Man. The flashback takes up nearly 3/4 of the issue and I just wish it was longer. Issue #6 also ends on a Mother-F***** of a the cliff-hanger (get it?). Anybody who can handle the crude language and content of this book written and drawn by legends Mark Millar and John Romita Jr. should pick up this awesome third installment. – S
All-New X-Men #23 – B+
The Trial of Jean Grey has added some much-needed excitement to the series, which has been waning up til recently. Jean Grey is captured by the Shi’ar, an ally race whose planet was destroyed by The Phoenix. Of course, poor Jean Grey has no idea of any of this, as she is a pre-Phoenix version of herself. The Guardians of the Galaxy come to the rescue, conveniently, and are on a rescue mission to save not only Jean, but the series along with her. The writing of Brian Michae lBendis is on point, and there are plenty of hilarious moments in the book. This story is really heating up, and the inclusion of the Guardians of the Galaxy own makes it that much more enjoyable. Throw in the inclusion of a nearly-forgotten fan-favorite, and we’ve got a heck of a family reunion. – S
Deadpool #23 – B
I don’t know how or when it happened, but somewhere between that god-awful issue with the Wakandan alien monsters and here, Deadpool has found his identity in the Marvel NOW! universe. Deadpool vs. S.H.I.E.L.D. draws to a close in this issue, and it does so in epic proportions. It’s a non-stop thrill ride, and I laughed almost the whole way through – mostly at the goons who work for U.L.T.I.M.A.T.U.M. The way particular scenes mirrored Alien (which you could have guessed from the cover) brought it back to the good old days of Merc With A Mouth, which showed Deadpool for what he truly was, a bad-ass and a psycho, but above all, a comedian. – S
All New X-Factor #3 – B
Serval Industries, the company that employs mutants and mission statement is all for the betterment of people finally starts to show a bit of its true nature. Some questionable acts and curiously unexplained motives are revealed by CEO Harrison Snow through the panels of All New X-Factor #3. I for one am glad to see this development begin to take shape. Its final form is definitely going to make this series fly or flounder. For added juiciness – there appears to be ulterior motive for some of the Serval mutants as well. I’m anxious to see how it all plays out. I’m in love with Giandomenico’s pencil work. Even the small and uneventful panels are nicely detailed and do much to bring life to the page. The issue was exciting and I’m invested in the grand plot enough to keep money stashed away for the next issue. – T
The Winter Soldier #1 – B-
The debut of Winter Soldier was not really what I was expecting. This initial story goes back to the time when the Winter Soldier was still a myth. It’s hard to tell whether or not this book will be a collection of short stories that involve the Winter Soldier or if it will be a normal story arc. We did get to see some classic Nick Fury action which is nice after all the Sam Jackson portrayals. The art is great and the depiction of the Winter Soldier is much closer to what they have setup for the upcoming Captain America movie. I knew that this book was supposed to come out to give the new Captain America movie some exposure so I can’t help but wonder if the government replacement for the Captain will be present at some time. I am excited to see where this story goes and will definitely keep my eyes on this book. – R
She-Hulk #1 – C-
Damn, I’m pretty disappointed with this book. I don’t know if it’s because I expected something different from the world’s strongest woman or that I’m just not getting the point of this book. I thought a good 90% of it was just so boring. I haven’t seen a wordier comic than this one in such a long time. I don’t think there is anything wrong with comics have tons and tons of dialog, but when there is no action to back it up, it becomes stagnant and boring. Now, I understand that they are trying to transform and introduce a new side to this hero. Rather than follow her superhero career, we follow her lawyer career. That’s all fine and dandy, and I understand it’s nice to see the human aspect to things some times. Call me a poor judge of comics or whatever, but the bottom line is that I didn’t enjoy reading this comic. For others, this will downright be a great read. However, what I read comics for and what I seek to enjoy was nowhere in this comic. The artistic side of the comic made the people look aquatic or fish-like, which was weird. Nothing really popped or stood out. I’ll stop here because I realize I’m going on a rant. Some positives about this book, however: it has the makings to make a pretty good story in the court room and there is a lot of valuable information presented within this comic. Like Hawkeye and Daredevil before it, it is nice to see the human side to our heroes. I’m sorry to say that it simply isn’t enough for me. – E
GPA by Publisher:
DC Comics: 6 B’s and 1 C, averaging out to a 2.86
Marvel Comics: 6 B’s and 1 C, averaging out to a 2.86
Independents: 1 A, 1 B and 2 C’s, averaging out to a 2.75
Funniest Panel of the Week:
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Epic Panel of the Week:
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Cover Art of the Week:
Jerome Opena’s Kick-Ass 3 #6 variant
That about wraps it up for our reviews this week! Look for next week’s previews coming soon. Any comic books you didn’t see reviewed that you want reviewed? Any grades you didn’t agree on? Let us know in the comments!
All images taken from ComiXology app and the credit for them goes to the respective publishers; thanks to IDW Comics, image Comics, Dark Horse, Boom! Studios, Dynamite Entertainment, DC and Marvel for putting out great books.
It’s only been one issue, but I’m already invested in this sci-fi thriller. I have no idea what the hell is going on, but I don’t think our main character, Grant, does either. The Black Science, I correlate to be like Black Magic, but it pays more. The art is very fitting and the monologue is amazing. In an attempt to escape from the weird toad and fish people, Grant sends his team to some inter-species galactic war. I don’t know what’s going on and I love it. I’m super excited to see what happens next.
Other Reviews:
All New X-Men #19 (Marvel Comics) – D
In this issue, the original X-Men fight off a group of crazy religious zealots who are dedicated to killing mutants in the name of God. With brand new uniforms, a new art team (technically they did #18, but it still feels new) and a new villain, this issue carries almost zero momentum that has made this such an enjoyable book. Also, seemingly for no reason, Illyana AKA Magik is back together with the rest of the X Team after a huge falling out when she joined Cyclops’ team. There was a pretty crazy end scene where a feral (and bald) X-23 bears her teeth to Kitty Pryde, so we’ll see if this is somehow connected to the Murder World that takes place in Avengers Arena. All in all, though, a pretty bland book considering the caliber of the series thus far.
Aquaman #25 (DC Comics) – B-
If you’re not a fan of Aquaman, this issue probably will not sell it. Geoff Johns, in true Geoff Johns fashion, wraps up his tenure with Aquaman taking his place as King of Atlantis. The Dead King has been defeated for now. It might not seem like a big deal, but Johns took Aquaman from being the laughing stock of comic book fans to an almost-respected character in just two years. While I’m skeptical of anything that happens after this, the story immediately points to a new threat, carried into another Geoff Johns penned book, Justice League. I’d say this book is worth checking out if you’re at all curious about Aquaman or the end of Johns’ saga.
Avengers Arena #18 (Marvel Comics) – D
Murder World is finally closed. After seventeen issues full of mushy “let’s be friends” speeches, one of the characters sacrifices himself to save the rest of the characters. However, the biggest worry is what happens after they leave. Arcade, the madman behind the whole debacle, has uploaded the events of the superhero Hunger Games onto the web. What happens now? The issue, and series as a whole, wasn’t stellar in story or art, but the aftermath of the events that unfolded will be pretty interesting to see.
Damian: Son of Batman #2 (DC Comics) – C
When issue one ended, I was thoroughly confused as to how Bruce Wayne was waiting for Damian in the Bat Cave. Issue two clears that up, then expands on it a bit. It’s just done a bit too quickly. The oddest part of the series is that Damian, the grown man, sounds just like Damian, the ten year-old child. I was really hoping for some character development here. On the plus side, it seems that this story is fitting in nicely to explain the events of Batman #666 where Damian faces off with Professor Pyg. As an avid Batfan, I would recommend reading this book, as the art by Andy Kubert is amazing.
The Flash #25 (DC Comics) – C+
The Flash has been one of the best drawn books in DC’s catalog, and usually has held my interest through the storyline. So I figured that when they introduced a Batman: Zero Year crossover, it might be worth checking out. In some ways I was right, and in some I was wrong. While it was awesome to show what a good investigator he was, clashing with the hardened detectives of Gotham City, and meeting (and saving) Iris West to form a romantic relationship, I am just sick of DC changing origin stories for the sake of changing them. All of the changes feel bastardized and not the original stories they should be.
Hawkeye #14 (Marvel Comics) – B+
When Kate went her own separate way at the end of Hawkeye Annual #1, I was a bit confused on how the series would continue after that. This episode shows us that it would continue straight through to Kate’s personal life. As it has been the whole series, Hawkeye does a stupendous job of humanizing the characters, having fun the whole way there. It does get a little deeper at the end, when it is revealed that Madame Masque is the villain behind the whole ordeal. Hawkeye is a guaranteed good read, and this issue is no different – no matter your opinion on Hawkeye, the character.
Injustice: Gods Among Us #11 (DC Comics) – B+
Based on the awesome video game that released earlier in the year, Injustice has become more than a cash-grab “based off” series; it is one of the best alternate universe storylines in recent history. After Batman decides that Superman is too far off his rocker, he and a small group distract Superman and sneak into the Fortress of Solitude to steal a super-serum that Lex Luthor developed to even the playing field. Along the way, we lose two beloved characters. It’s a tragic, yet exciting take on the DC lore. Note: Injustice was actually released as a “Digital Only” series, with each printed issue consisting of three digital ones. So if you really liked this one, the finale issue is comprised of #34-36 and you can find them for $1 each on Comixology.
Kick Ass 3 #5 (Marvel Comics) – B
If you’ve ever seen Kick Ass, the movie, then you know what you’re getting yourself into. Believe me, the comics are way better. There’s less censorship as far as what the characters say and do, the costumes don’t look as ridiculous and there are tons of namedrops; it takes us less than four pages to get somebody to compare the 21st Century Robin Hoods to Omar from The Wire. With Dave finally getting a normal girlfriend, he seems to have abandoned his superhero team. They have bigger troubles, however, as Rocco puts a hit out on every single masked character, ending the issue in sad, disturbing fashion with the death of one of my favorite characters.
Saga #16 (image Comics) – B+
It seems like we’re finally picking back up steam here! Equipped with murder, lies and naked unicorn women, issue sixteen is a thoroughly fun ride the whole way through. We’re finally brought back to the events in #13, where Prince Robot IV is closing in on our favorite pair of space fugitives. There’s quite a bit of story going on here, especially the new development of the war correspondents that seem to have trouble coming their way soon. It’s hard not to recommend a book that kicks this much ass, month after month.
Superior Spiderman #22 (Marvel Comics) – C+
Since (SPOILER!) Otto Octavius has taken over Peter Parker’s body and carried the mantle of Spiderman… Wait! Don’t leave! It’s not as bad as it seems, I promise. Anyway, since Superior Spiderman has begun, all the quips and sarcasm that made Peter Parker our Spiderman have been replaced with techo-babble infused cold-hearted insults. More than twenty issues in, Otto finally begins to develop a personality, even falling in love, a storyline which is starting to make me like him again. But just when things get cozy again, his arrogance frustrates me even further, making a Flash Thompson-Spiderman confrontation way more annoying than epic.
Last we left our turtles, the Foot had just unleashed Bebop & Rocksteady. While the rocker duo don’t really get the homecoming I had hoped for, there are plenty of other characters to help bring this issue to a close. The turtles manage to save Leonardo and break him from the brain-washing that the Foot had put him through, but by all means, he is still broken in every other way. One of my favorite conflicted villains also switches her attitude and saves their lives during the fight. And you can’t forget about Old Hob, Splash, April and Casey Jones. It was an entertaining and meaningful issue, albeit with no real conclusion to the threat at hand, that reminds me why I’m still in love with the heroes in a half-shell.
The Walking Dead #117 (IDW Comics) – A
When Negan and Lucille burst onto the scenes in The Walking Dead #100, he immediately become our enemy, killing off a beloved character in the most disturbing fashion of the entire series (which is sayin’ something). However, as time goes on, we realize that maybe Negan isn’t quite the Governor that we initially painted him to be. Through this episode, we find that Negan does indeed have a very strong moral compass, as does he want to be the leader of a strong community. It’s really shocking to learn this about one of Rick’s enemies, and it will serve to make Negan more complex of an adversary than we’ve ever seen in The Walking Dead. Bravo, Kirkman.
Funniest Panel of the Week:
D. Oswald Heist shares his deepest fears with us in Saga: Chapter 16. I’m sure Fiona Staples had fun drawing this.
Epic Panel of the Week:
Our girl Alopex finally snaps on Shredder in TMNT #28
Cover of the Week:
TMNT #28 cover by the master, Kevin Eastman
That about wraps it up for our reviews this week. We hope you had fun stuffing yourself on Thanksgiving! Look for next week’s previews coming soon. Any comic books you didn’t see reviewed that you want reviewed? Any grades you didn’t agree on? Let us know in the comments!
All images taken from ComiXology app and the credit for them goes to the respective publishers; thanks to IDW Comics, image Comics, DC and Marvel for putting out great books.
Genre – Comic Book/Action
Director – Jeff Wadlow
Cast – Aaron Taylor-Johnson & Chloe Grace Moretz (Kick-Ass), Christopher Mints-Plasse (Superbad), Jim Carrey, Donald Faison (Scrubs, Clueless), John Leguizamo (Ice Age)
Alluring element – A sequel to the 2010 movie about home-grown superheroes based off the original Kick Ass comics
Check it out if you liked – Kick-Ass, Watchmen, violent action movies, comic book movies
In a world saturated in comic book movies already, the Kick-Ass franchise well-represents the minority of the lesser-known stories. Unlike the hoards of comic book inspired films before it, Kick-Ass didn’t have fifty plus years of lore to pull from. All it had was one eight-issue run to create a fully-enveloped universe. There was no Batsuit to fit into, no Lois Lane to save and no Avenger to come save the day. Instead, Kick-Ass uses frequent fanboy references to characters of all nerd mythos. Come to think of it, I don’t know any other instance that the words “Batman” and “Stan Lee” are used together in the same movie. In doing so, Kick-Ass really makes viewers feel they are getting an entirely new experience. I also felt that the struggles of our main characters were much more relatable than those of the blockbusters hits. Struggling with superpowers is cool I guess, but what about just getting the crap kicked out of you for trying to stand up for what’s just? My childhood was much closer to the latter. Another great trait of the film is it’s ability to play as a comic book, full of Comic Sans panel transitions and bulging out character introductions.
The transition from comic book to film might have been done so well that few people have any idea it was based off a comic book to begin with – which, to me, is a big nod to the creator, Mark Millar, and the film’s director, Jeff Wadlow. Millar’s story is so well-crafted, with just as many witty comebacks and touchy feelings as there are gruesome violence and adult (like, SUPER-adult) language. There is a vast cast of characters that complement each other and the dialogue alone has enough momentum to carry the film to the end, which should be noted is very different from the book’s plot. All star talent like Jim Carrey and Donald Faison are great additions to the crew as Colonel Stars & Stripes and Dr. Gravity, respectively. Carrey serves almost as a father-figure to new “superheroes”, mirroring the same relationship that Hit Girl had with Big Daddy. However, as hard at Nicolas Cage tried, and believe me he tried, he’s just too corny to pull off being a badass superhero, especially one that was a cheesy rip-off of Batman to begin with. The charisma of Colonel Stars & Stripes reverberates throughout the film and he’s genuinely likable as an actor for the first time since Fun With Dick and Jane.
I can’t tell which is the more convincing psycho.
Colonel Stars & Stripes’ merry band of misfits, Justice Forever, is comprised of various inspired citizens with tragic “origin stories,” especially a suspiciously familiar Battle Guy whose parents were shot in an alley behind the opera house. Or maybe that was Batman’s origin, whatever. Another is a slender gay man that battles against bullies and discrimination while refusing to wear a mask because “it reminds him too much of being in the closet.” My favorite, though, has to be the middle-aged married couple in Knicks-colored jumpsuits, trying to avenge their son’s death. On the other side of the spectrum is the Motherfucker and his Toxic Mega-Cunts (Sidenote: in case you were wondering if this was going to be a family flick, I can tell you now that it is not. You’re probably better off taking the kids to see American Pie.) Formally the Red Mist, The MF’er is bent on the destruction of Kick-Ass and all that he holds dear after Kick-Ass blew his dad up with a bazooka. I mean, vowing revenge is one thing, but dressing up in your mother’s BDSM (oh God, I wonder how many searches for BDSM will bring views here. How disappointing!) outfit and calling yourself a supervillain might be taking it too far. It’s a archetypical approach that often feels heavy-handed through the film from Christopher Mints-Plasse. McLovin has managed to typecast himself after just one film (Superbad) and has really lost his charm by trying too hard to be a douchebag supervillain. I haven’t figured out if I dislike the acting or the character, but I just really can’t stand that Motherfucker.
Oh, how the times change.
The same dark and violent humor from the original returns in Kick-Ass 2, bringing back the same formula, but turning up the intensity – more death, more brutality and more foul language (most of which is handed out by Hit-Girl). Contrary to the popular belief that this is pointless and gratuitous, I feel that the tone of the movie and the book are both very dark and violent, in the same way that Sin City and Watchmen portray a bleak and dangerous outlook on their worlds. In fact, the movie actually pulled a few punches instead of unleashing its graphic content on us to prevent some bloodshed and sexual violence making it on screen and avoiding those scenes with awkward humor. That’s not to say Kick-Ass 2 is full of warm fuzzies. After the Sandy Hook massacre, supporting actor Jim Carrey came on the record of saying that after such a tragic act, there’s no way he could support that level of violence. I see when he is coming from, but I do not agree. After the Aurora theater shooting last year during The Dark Knight Rises, nobody rushed to condemn Batman and his use of violence. The truth is, Kick-Ass 2 is one of the most violent comic book movies you can watch, but it is also keen on showing the consequences of that violence and goes far to make clear that it is not something to be glorified. Dressing up and playing superhero isn’t a game. The most violent urge I had after watching the movie was to find a DARPA “sick stick” and use it in line at the DMV.
Another dynamic to the movie is that Hit-Girl is actually the main character. Although Kick-Ass is the title character, Chloe Grace Moretz has just as much screen time and character development as her male counter-part. She actually refers to herself as the Batman to Kick-Ass’ Robin throughout the film and is constantly saving Kick-Ass’… ass, training him and teaching him to be a better hero. It’s funny, because even though this is a Marvel book, there are deeper comparisons to DC Comics’ Batman and Robin – beyond the one that’s mentioned in the trailers. When Big Daddy dies at the end of the first Kick-Ass, hit girl is left grieving in a way that begs asking the question “what would happen if Damian Wayne survived Batman at 15 years old?” Both Damian Wayne and Mindy Macready are callous, trained killers that have a stubborn issue with authority. In this analogy, Kick-Ass plays Nightwing, an older more stable family-figure that brings Robin/Hit-Girl back from the darkness to find deeper meaning and guide them back on the right path. It’s an interesting angle that makes me appreciate the writing a little more.
Kick-Ass 2 has a lot to say, but the message can get muddled amongst the Tarantino-level violence and harsh language, but overall it is a great follow-up to an original idea. In a lot of ways, the sequel actually surpasses the original in terms of supporting cast and character development. The action scenes are on a larger scale and the comedy keeps you from crying from the tragedy. Its great writing leaves it open for a third installment to play out in a way that the comic book (ongoing) has a noticeably different direction than the movies.The Kick-Ass franchise is not just creating its own universe, but reflects a very real part of society in which people try to go out and make a difference doing the very thing that Justice Forever does in the movie. One thing that is transparent is that these real life superheroes aren’t gimmicks, well at least all of them. If you want to dress up and fight crime, you need to go out and do it. Or just watch this movie. All the reviews I’ve seen on it have been quite polar, but I recommend going out and seeing it for yourself to decide how much ass it really kicks.
Artist John Romita, Jr. and Writer Mark Millar getting super-photobombed by Dr. Gravity
Easter Eggs
Even past the above-mentioned connections, Kick-Ass 2 pays homage to comic book mythology in a number of ways. During the scene where Justice Forever christens their new hideout, all the heroes line up and take a picture very reminiscent of the photo that the Watchmen take when they form the team. Kick-Ass also wears an ironic “I Hate Reboots” Star Wars shirt to bed. Also, you can find references to other Marvel and Mark Millar work throughout the film, all found in Kick Ass’ room. Colonel Stars & Stripes is actually two different characters in the comics, Colonel Stars and Lieutenant Stripes, with Stripes being the other founding member of Justice Forever with Colonel Stars.
Hush Comics 
