Diggin’ Through the Crates: Jean Grae and Pharoahe Monch “Killin’ Em”

Song: “Killin Em”

Artist: Jean Grae and Pharoahe Monch

Album: Cookies or Comas (2011 mixtape), free download here

Lyric: “Generally-accused mutant who kills sentinels eventually/For days of future past intentionally”

Character Reference/Meaning:

We just can’t stay away from this legendary MC; who knew Pharoahe was such a nerd? This week’s “Diggin’ Through the Crates” celebrates two occasions. First, Pharoahe is performing live in Denver tonight at Cervantes. If you’re in town, do yourself a favor and go see one of the illest MCs ever to rock the crowd, fresh off his P.T.S.D. album. He’s one of the best live performers I’ve ever seen, and VERY reasonably priced considering the level of talent and interaction you get at the show.

The other reason that Pharoahe graces “DTC” for the third time (“Agent Orange” and “Rapid Eye Movement” have come before it), is because of his acute knowledge of the X-Men. With Days of Future Past released today, we saw it fitting to pick a relevant lyric, but while there were some a couple Kitty Pryde lyrics and even more Wolverine ones, Pharoahe’s verbal portrait of the totalitarian rule in the X-Men’s future takes the cake. You know what? Scratch that, it takes the whole bakery; any MC that has rapped about destroying sentinels, let along read Days of Future Past (you can check out our spoiler-free review of the graphic novel here if you’re interested) deserves some recognition.

This track from the Jean Grae (who has made her “DTC” appearance with “Jeannie Rules“) mixtape Cookies or Comas features to artists just going in about how dangerous their flows are, likening their love to their apart MCs to various horror movie characters and other serial killers. It’s a track with of pop culture references aplenty, and isn’t just limited to X-Men shout outs. I could go on forever trying to dissect all the Easter Eggs in “Killin’ Em,” but we’ll stick to the mutant issue at hand (get it?).

Days of Future Past, for those that haven’t owned a television or browsed the web in the past four months or so, is a story about the desolate future, where the X-Men’s failure to stop a political murder has ended up causing the election of a radically anti-mutant senator who implements giant mutant eradicators that (surprise!) ends up killin’ everybody in site – much like the MC Lyte-sampled loop on the track suggests. Sentinels are a vital part to the X-Men lore, and represent the cold, heartless authority designed specifically to take you out. If this sounds like a social commentary, that’s because it’s supposed to be!

Let’s start with Pharoahe’s displeasure for the boys in blue. It’s no secret that Troy Jamerson isn’t impressed with the police and the American justice system. A point that Pharoahe tries to drive home is that young black men are a target in this society. The extended video for “Clap (One Day)” off his W.A.R. album illustrates the public shaming of police officers who shoot unarmed civilians, which is more common than anybody feels comfortable talking about. It might not look like it on the news, but the sentinels from Days of Future Past isn’t too far off of life in urban neighborhoods. The evidence is stacked high and people continue to ignore the dangers, and probably will until it endangers them, as well.

When Stan Lee and Jack Kirby first introduced sentinels in X-Men #14 almost fifty years ago, it was right in the heat of the Civil Rights Movement, when police were systematically trying to dismantle organized groups trying to fight for equality. Hell, the entire X-Men concept is based off the Civil Rights Movement and the right to equal treatment. Professor Charles Xavier and Magneto are often compared to the Martin Luther King Jr. and Malcolm X, respectively, of the mutant-filled world. There’s even the concept of “passing” as regular humans, something that some of the X-Men can choose to do, like light-skinned black people would do to avoid scrutiny.

Through the decades, X-Men became a sub-conscious platform for loving yourself and being comfortable with who you are, while still loving the people around you. Sure, there was Wolverine, who encapsulated all the rage and the desire to fight those who persecute, but there was the balance of Storm’s loving view towards all living things, and the logical thinking of Scott Summers (except when it came to Jean Grey; he was crazy about her). Without audiences even knowing it, the X-Men inspired the world to work as a diverse team to thwart injustice – in whatever form it may take.

Graphic Novel Review – X-Men: Days of Future Past

Collecting: X-Men #141, The Uncanny X-Men #142 (Background story Uncanny X-Men #138-143) Original Release Date: 1981 Publisher: Marvel Comics Character: Kitty Pryde, Wolverine, Rachel Summers, Senator Robert Kelly Writer: Chris Claremont (A 16-year run on The Uncanny X-Men, X-Men with Jim Lee ) Art: John Byrne (X-Men, Fantastic Four, Superman) SCORECARD (each category ranked on a 10-point scale):

Storyline – 7

Art – 7

Captivity and Length – 7

Identity – 9

Use of Medium – 8

Depth – 9

Fluidity – 8

Intrigue/Originality – 10

The Little Things – 8

Overall awesomeness – 8

 

With the evolution of comic book art and the working formula of six-issue story arcs, as well as the familiarization that fans have had with staple characters, it’s rare to see books from the Bronze Age and beyond hold up to books today in general interest or revenue. “Arcs” were rare, and when they did exist, it was typically in a collection of two or three monstrously-sized issues. As is the case with X-Men: Days of Future Past, which oddly enough is a collection of two entirely different X-books.

Written over thirty years ago, and taking place in the apocalyptic future of… last year (2013), DOFP is a love letter as much as it is ground-breaking. This is not your ordinary X-Men book, either, as the two godfathers of X-Men, Claremont and Byrne, drop bombs on readers – introducing a few long-standing characters and revealing some Maury-worthy drama along the way. For those unfamiliar with Claremont’s (and Byrne, to an extent) style, he is an extremely descriptive writer, detailing each character’s internal thought process when making moves or strategizing. This is especially helpful to new fans of the series, but can be excruciatingly repetitive for seasoned readers.

You’re reading this review, which means you have definitely seen an advertisement for this weekend’s release of X-Men: Days of Future Past. As bastardized as the movie is from the source material, the premise remains the same. The Mutant Brotherhood’s attack on an anti-mutant senator leads to a string of events that culminate in the release of Sentinels, secret government bots programmed to eliminate the mutant threat. Things get out of control and, somewhere along the line, everybody dies.

This is where our new heroes come in. Rachel Summers, the daughter of Cyclops and Jean Grey (but not the regular storyline Jean Grey; she’s still dead), joins the dwindling group of mutants still left: Wolverine, Storm, Franklin Richards (son of Mr. Fantastic), Colossus and Kitty Pryde, the latter of whom is a grown woman – which she makes perfectly clear when she insists on going by “Kate.” The whole gameplan is to have Rachel switch Kate’s body with that of her counterpart in 1981 and warn everybody of the impending doom. Kitty Pryde is the most important character in the story, and the mantle of head X-Man has been passed to Storm, who is even able to order Logan around at a certain point.

The story feels quite long, despite taking up just around sixty pages. This can be attributed to the insane amount of panels in the book. The dialog drives a lot of the story, aside from some pretty powerful death scenes, which isn’t a bad thing outright; I love the diction and the way internal monologue turns into conversation and action, but there’s just too much reliance on witty puns and dialog to let the story flow naturally. Furthermore, the newly assembled Mutant Brotherhood is menacing in that way only Bronze Age books can be. Resembling more of the silly Scooby Doo-type villains than the bringers of death they are. That being said, the whimsical X-Men of today provide a sharp contrast to the desperate and fearful of 2013. When in the future, I found myself constantly anxious and paranoid.

To me, this is a story that has so much potential, and it’s been adapted in several animated shows like Ultimate Spider-Man and Wolverine and the X-Men, but most notably in the 1990’s X-Men cartoon, where the role of Kitty Pryde was played by Bishop – which admittedly makes a lot more sense. It’s been proven that alternate timelines where everybody dies are money makers and represent an easy way to liven things up without consequence. There have been several comic book call-backs to this book, from a sequel (Days of Future Present) to a prequel (Wolverine: Days of Future Past). I’m still pissed that they let Hugh Jackman’s Wolverine (I’m tired of seeing this guy’s face) take the place of the Kitty Pryde’s character in the book for the movie, but the upcoming film should be a much-deserved modern adaptation of a great concept.

  All media credited to Marvel Comics Written by Sherif Elkhatib