“Respect My Craft” – Lou Ferrigno

In this consumer-based industry, it can be easy to forget the years of hard work that the people in the business put in. Behind every panel, it takes a skilled writer, artist, inker and colorist to make the product complete. Behind each scene goes hours of preparation. Hush Comics’ weekly article “Respect My Craft” will dive into the history of these comic book and pop culture greats that will hopefully give a new perspective on how the men and women behind the pen (or stylus) contribute to the collective awesome-ness of the nerd world, or at least give you a reason to invest in their work.

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Name: Louis “Lou” Ferrigno

Profession: Actor, Body-builder

Notable WorkThe Incredible Hulk TV series (1978-1982), Hercules (1983), Sinbad of the Seven Seas (1989), The King of Queens (2002-2007)

“The Hulk was a unique character because of his strength and power. He doesn’t have a costume like Spider-Man or like Superman – The Hulk is more visual. His passion and his strength, that is what separates him from anything else.” – Lou Ferrigno.

 

 

Want to hear something crazy and exciting?! Lou Ferrigno and all his muscles will be at Denver Comic-Con this year! Due to his accomplishments both in the entertainment industry and his personal life, we at Hush only feel it is appropriate to show our respect for the man who once picked up a bear and through it like a mile away into a river…no lie.

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Louis Jude Ferrigno, better known as Lou was born on November 9th, 1951 in Brooklyn, New York City, New York. Growing up Lou was a skinny, introverted child who struggled coming to terms with who he was. As a young boy he had an ear infection, which caused nerve damage, ultimately leading up to him loosing 80% of his hearing. Lou wasn’t perfect in his father’s eyes, yet he taught him to never feel sorry for himself.

Without a doubt,   Ferrigno was a huge comic book fan who looked up to heroes such as Spider-Man and most of all The Hulk. Because he was so introverted, he fell in love with comic books because they were very therapeutic for him. It gave him a vision of who he wanted to be and the power he could one day have. He would stare into comic books and find a sense of peace, relief, and solace with them like many comic book fans do. In fact, comic books were what influenced Lou to start body-building. Seeing the Hulk, with his muscles and power, made young Ferrigno take his first step toward becoming the person he grew up to be.

Lou simply became obsessed with working out, and how pumping iron made him feel. That power and that feeling never went away. He entered his first body building competition when he was 19, and took 23rd place. That loss motivated him to never lose again. He started putting in twice the effort and achieved quadruple the results. After that first competition, he never took less than 3rd place. Through his stupidly cut muscles and his put-others-to-shame strength he has earned a victory in IFBB Mr. America, IFBB Mr. Universe, and Mr. Olympia. I’m not jealous at all, nope.

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During the time when the production of The Incredible Hulk was starting to get under way the director casted 7‘2’’ Richard Kiel, who is famously known for playing the infamous Bond villain, Jaws, to play the green goliath. However, one day, the director’s infant son told his father that “that man” (Richard Kiel) couldn’t be the Hulk. Curious, the father asked his son why not. And the son told his dad that the Hulk has a lot of muscles and that “that man” does not. BURN, RICHARD KIEL!! Rethinking his approach, the director decided to call Lou Ferrigno and offer him the role. For Ferrigno this was a dream come true, being given the opportunity to play a hero he has always looked up to.

While filming the television show there were certainly ups and downs. For one, Lou absolutely hated spending the time in make-up. Between the four hours to apply the prosthetics, body paint, and hair and the hour it took to take all that off, Lou was eager to get through the day of shooting. Due to his unique body, Ferrigno had to perform his own stunts which often left him uneasy. I don’t know about you all, but I would be unsure too if I were doing stunts like running through walls, doors, and glass, and even jumping off of high surfaces. But in true Hulk fashion, he gathered the courage and plowed through those doors, walls and glass, and jumped off those tall building and landed right into our hearts.

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Even through those less favorable times, Ferrigno never lost motivation. With long days of filming ending at all different times of night and day, he always found the time to gather himself and make it to the gym for a work out. I’m still not jealous. And even though Bill Bixby and Lou Ferrigno went through several changes (HA! Get it?), Ferrigno’s thoughts and appreciation for the Hulk never changed. He has said time and time again that even though a lot of people thought the Hulk was a monster, he only saw him as a gentle soul that didn’t want to hurt anybody. Yet, no matter what he did, he was always running because people would still only view him as a monster. Ferrigno wanted to express that feeling when he played the character; because the Hulk was a silent role, he worked really hard to act through his emotions to convey his thoughts and feelings.

Well, you know what they say, you can take the Lou Ferrigno out of the Hulk, but you can’t take the Hulk out of the Lou Ferrigno. Or is it the other way around? I’m not sure. Either way Lou and the Hulk didn’t split ways once the television series ended. He has made an appearance in both Hulk films (crappy and Incredible) and even voiced the Hulk in The Avengers and the animated series. Sadly, he didn’t get to say “Puny God” but all of the grunts, huffs, puffs, moans and roars all came from the original. And with the new Avengers movie set to drop, Lou has said he will be right there once again to make poetry come out of the Hulk’s mouth. There is even rumored to be another solo Hulk movie come out after Age of Ultron, and I am willing to bet my metaphorical Incredible Hulk #1that he will make an appearance in some sort of way once again. Once his stretch with the television show was over he focused a lot of his attention back to fitness and created Ferrigno Fitness. Selling his own equipment, having workout and diet plans for the masses Lou looks to turn the world incredible. He even has a 12-week program called, Incredibly Fit.

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Yet like I said before, comics will always be part of Lou’s life and this is evident with the work he has done with one of Denver’s most notable comic shops, Mile High Comics. That’s right, all you puny humans out there, the Incredible Hulk has a partnership with OUR local comic book store. For years now they have been teaming up with various different ventures. He often sits in on booths for Mile High Comics, where he signs autographs, takes photos, and just chats it up with fans; 2014 DCC this will be no different. He will even be at the Mile High Comics warehouse for the opening night party on June 12th at 5:00pm. Lou represents the Mile High City, from doing simple signings, to attending mega-store sales, and even sitting at Mile High Comic’s booth at the San Diego Comic-Con for six out of the last seven years. Maybe because our altitude is higher, it gives him an opportunity to train harder. Either way, Lou Ferrigno has shown major love when it comes to the Denver comic book scene.

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Lou with Mile High Comics’ owner Chuck Rozanski at their booth at San Diego Comic Con

So when it’s all said and done, why does it matter? It matters because Lou Ferrigno IS the Hulk. He made this character what he is today, and gave him relevance. From the anger he felt as a child, growing up to be this powerful being showed people that you are not bound by your circumstances. If Lou was never the Hulk, the character would simply be seen as “that big green guy that always acts like someone pissed in his Wheaties.” But because of Lou, the Hulk is more than that. He is more than the monster people see, he is the rage filled goliath in purple pants that stole our hearts. Lou has said, “The truth is, I’ve been the Hulk my whole life…The Hulk was the beginning of me, a platform as an actor to grow. I don’t think anybody else can play the Hulk like I could. I was able to show emotions even with all of the makeup. I don’t think it can be duplicated.” Honestly, I’m inclined to agree with him. Lou Ferrigno is the Hulk, and the Hulk is Lou Ferrigno, and it is impossible to love one but not the other. And due to what he has achieved in life, and the character he has brought to the screen I will forever be an Incredible Lou fan.

 

None of the media in this article belongs to Hush Comics; it all belongs to their respective properties. Join us tomorrow as we continue our countdown to Denver Comic Con as we spotlight Star Trek: TNG and Reading Rainbow star, Levar Burton.

Diggin’ Through the Crates: RZA “Fast Cars”

Artist: RZA (Ft. Erica Bryant & Ghostface Killah)

Song: Fast Cars

Album: Birth of a Prince (2003)

Lyric: “Used to break days smokin’ coke and digi/ Til I bulk up to the Incredible Hulk like Bill Bixby/ Face green, knuckles burst out like Wolverine.”

Character Reference/Meaning:

Don’t make RZA angry. You wouldn’t like him when he’s angry. Based on this line, it could possibly be due to drugs or fast cars or whatever. Coming out of RZA’s third studio album, Birth of a Prince, he brings us this hard-hitting song Fast Cars. Reading this lyric, I can guess two things about RZA. 1: Drugs – RZA use to like them and knows a lot about them. 2: He is a nerd because not only does he use a very famous superhero rivalry reference in this song, but he also use to watch the Incredible Hulk TV show back when he was just a wee lad. Now I’m not going to spend much more time speaking on coke or digi or the alcoholic drink named after my favorite hero, simply because I don’t know anything about that mess. However, what I do know is the Hulk and the Wolverine. Looks like it’s time to flex my nerdy-ness.

Picture, if you will, a young RZA at 8 years old sitting on the floor watching a scrawny man named Bruce Banner (played by Bill Bixby) become an enraged massive man monster deemed “The Hulk” (Played by Lou Ferrigno). Lou Ferrigno actually made an appearance in Hulk movie which coincidentally was released the same year as this album, 2003. Young RZA continued this tradition of his for 5 years, until the show ended. Now my guess is that this void of no Hulk is what sent him spiraling down the drug hole, but it’s just a hypothesis. Now this line by RZA could mean that when he drinks it makes him go a little crazy, he flexes out, balls his fists and is ready to go off. However, it could also mean that he dropped the drugs and decided to become a man-powerhouse such as the Incredible Hulk just as Bill Bixby did as Bruce Banner. And When RZA finally decided to do that, he got up and decided to puff out his chest and fight off the world like Wolverine. I prefer the latter theory. I appreciate this line because whether RZA realized it or not he put a classic rivalry together with the Hulk and Wolverine.

This fight has been immortalized in several comic series. Such as Ultimate Wolverine VS. Hulk, Incredible Hulk #181 (first appearance of the Wolverine), The Incredible Hulk #454, #340, Hulk #8. This feud is also shown in Marvel Fanfare, the Infinity Gauntlet, and various Wolverine and X-Men comics. Seriously people, this rivalry is even in cartoon shows such as Hulk VS and a Marvel Knights motion-comics adaptations. So when Bruce Banner is Hulked out with his face green and filled with rage, what else is Wolverine to do but tighten up his knuckles and burst out his adamantium claws, engaging in what is always an epic battle? Similar to how RZA battles on the mic. It’s only nature, bub.

Written by Evan Lowe

Comic Book Reviews 12-11-13

Batman #26 - written by Scott Synder, drawn by Greg Capullo
Batman #26 – written by Scott Synder, drawn by Greg Capullo

Pick of the Week:

Batman #26 (DC Comics) – A

I don’t know how they do it, but Scott Synder and Greg Capullo have made this feel like a true origin story. While most teams exploring an updated origin tend to focus on some untold section of a chararacter’s history, The New 52 Batman has been told however the creative team damn well pleases. After taking on the Red Hood Gang in the beginning of the Zero Year arc, Batman is now facing (Dr.) Death itself and The Riddler, as well as fighting his own personal demons. The artwork from Capullo is amazing, as it captures more of an early 1940’s Detective Comics vibe than most titles in 2013, a nod to his versatility – and let’s not forget about the comeback of the purple gloves. Storywise, it’s exciting and unpredictable. DC just let Synder have full reign on this book. Even the change to Jim Gordon’s canon, as heart-wrenching as it is, is spectacular story-telling. I can’t get enough of this flagship series.

Other Reviews:

Justice League #25 (DC Comics) – A

Have you ever wondered what it would be like if Batman was evil? Thanks to the re-introduction of The Crime Syndicate into the DC Universe and the magnificent writing of the legendary Geoff Johns, you don’t have to wonder. Justice League #25 focuses our attention on Owlman, the Earth-3 alternate universe version of Batman, and his origin story. Recreating the infamous Crime Alley Haley’s Circus scenes where Bruce and Dick Grayson’s parents are murdered, we get a disturbing look at Owlman’s persona. Oddly enough, he has a soft spot for our world’s Dick Grayson, as he tries to win him over. Even with the world controlled by the Syndicate, as long as it’s written by Geoff Johns, I wouldn’t have it any other way

Batman: Black & White #4 (DC Comics) – A

Batman: Black and White is a collection of stories from 6 different writers. Can I begin with stating that the art work is phenomenal?  The book starts off with “Ghosts of Gotham” by Nathan Edmondson and Kenneth Rocafort. This pairing is perfect. I wish their story went on for an entire book. Batman is hunting a killer in a graveyard. He is in full gumshoe mode until coming face to face with a menacing figure. Dustin Nguyen is a one man army. He tackles both art and story for “Long Day.” Although the story lacks any depth, the artwork more than makes up for it as Batman gets ready to begin his work in Gotham. Sean Galloway offers his bold animation style to end the book. It will remind you of the old WB animated series. You will love this collection. Black and White was easily my favorite of the week.  

Superman/Wonder Woman #3 (DC Comics) – A-

This is a perfect opportunity to jump into a series that is has just begun. Only three issues in, Superman/Wonder Woman has started off with a real bang. What seemed like a cheap way to capitalize on a love story from their individual series is shaping up quite nicely to be an awesome story by itself. These two superheroes are powerful enough together to go up against some of the more powerful enemies in their prospective rogue galleries. It will be interesting to see what challenges are thrown at them whilst they try to cultivate a meaningful relationship amidst the chaos. This will also be a welcome change of pace from the traditional Clark Kent/Lois Lane relationship as well, giving a woman who can fully understand him a chance in the spotlight. The real question is….. What would their baby be like?

The Amazing Spiderman #700.2 (Marvel Comics) – B

New York is in a deep freeze, and our Friendly Neighborhood Spiderman is swinging from rooftop to rooftop to protect his city. He is trying to get to Aunt May, but is sidetracked by the emergencies the weather has created. He does everything that he can, from saving people in a burning building to pulling an ambulance from falling off the Queensboro Bridge. Peter is obligated to doing all that he can to save lives. He would risk everything he loves to do the right thing, but will he get to Aunt May in time? The story is a little slow, but it’s appreciated. We haven’t seen a human and vulnerable side of Peter Parker in quite some time.

Batgirl #26 (DC Comics) – B-

This whole Wanted arc has had me in a glass case of emotion. This twisted love triangle between Batgirl, her dad and her new boyfriend has had readers on edge for issues, thanks to the great writing of Gail Simone. When Barbara finds out that her dad is now the target of a up and coming group of villains, she comes to his rescue. This isn’t the climax, however, as Batgirl is finally ready to show Commissioner Gordon just who is under the cowl. The epic cover illustrates the scene perfectly. However, Gordon refuses to look at her when she lays it all out in the open. You can almost feel the pain and disappoint of Batgirl, which is a gift and a curse, because you find yourself wanting it to happen, especially after a reveal about her psycho brother. How long have they done this dance? Batgirl gave me enough to want to keep reading the series, but I can’t help but feel disappointed that it didn’t turn out how I wanted it to.

Captain America: Living Legend #4 (Marvel Comics) – B-

Living Legend is a four-part series that follows what seems to be a pretty standard Cap formula – take something that happened to him in WW2 and have it come back to haunt him today. For a guy who was frozen for fifty years, he sure has a way of having his past continue to catch up with him. Don’t expect any real character development here, with just four issues to tell a story, expect only plot pieces essential to the direct story to be told. This is really a shame because there was a chance for some interesting development with the main villain and supporting cast. Still, the artwork is amazing and is a must read for any Cap fan.

Marvel Knight: Hulk #1 (Marvel Comics) – C+

Dr. Bruce Banner is once again on the run. He finds himself in Paris pursued by a clandestine agency. Before he can change into The Hulk he is chased down by two huge Gamma induced monsters. Piotr Kowalski’s art in this issue is just what I needed. It seems odd that an artist with such a soft touch for subtly would be involved with a story arc about a violent uncontrollable beast. His panels are bold, yet subdued. I know Sherif is a big fan of his Sex series, I have yet to pick up an issue, but may have to start reading the series now.

Justice League 3000 #1 (DC Comics) – C+

When news broke of Justice League 3000, not much of the actual storyline was revealed. We knew the story took place 1000 years in the future, and we knew that these would be familiar characters, but that’s about it. This debut can be summed up in one awesome word: CADMUS. Project Cadmus is originally a 1970’s Jack Kirby creation also called the DNA Project, has a history of splicing DNA with new clones – from Superboy to Bizarro. So you have futuristic clones with no context of how they came to be. Throw in the Wonder Twins, and you’ve got one confusing issue. 3000 is full of potential, but it’s story-telling will have to carry the series, as the panel-by-panel writing and art only show glimpses of greatness.

Wolverine #12 (Marvel Comics) – C+

Wolverine’s appeal in the Marvel universe has always been his willingness to leap into danger no matter the consequence. But what we’re finding out is the result of what happens when an alien virus takes Logan’s healing power from him; SPOILER, it’s not a good look. In a show-down that’s been building since the beginning of the series, Wolverine is coming face-to-face with the Hand (no relation to the Foot) and the Silver Samurai, led by Sabretooth. It’s a bit of a struggle of an issue, as Wolverine is slashed and battered throughout the issue. With his fate left in Sabretooth’s claws, I was left feeling excited for the conclusion to the Killable story arc.

Nighwing #26 (DC Comics) – C

Dick Grayson has had the displeasure of living in Batman’s shadow for too long. Since moving to Chicago in Nightwing #19, he has flourished as his own character. The writer, Kyle Higgins, is actually a Chicago native himself, which has given the city more life. It may not be Blüdhaven, but it’s Nightwing’s home nonetheless. With bad guys of his own, such as The Prankster, Tony Zucco, and the Marionette, Nightwing has been far removed from the Bat-family, and this story is no different, chasing down a thief with quite the creepy alter-ego, leading to a reveal at the end that… well let’s just say that you can take Nightwing out of Gotham, but you can’t take the Gotham out of Nightwing. As is typical DC fashion, there is nothing pertaining to the events of Forever Evil in the episode, contrary to the cover; I felt misled, but I still enjoyed the issue.

Three #3 (image Comics) – C

If you are expecting Three to be anything like Frank Miller’s 300, I am afraid you will be very upset, I know I was. It is however, a decent story in its own right. While it has initially been slow to start, it shows promise with the way the author depicts everyday Spartan life. This book is about more than just the Spartan warrior, it is about the politics and class struggles of the everyday Spartan. The series’ writer, Kieron Gillen, has gone to great lengths, including contacting some of the foremost experts in the field, to make sure that his depiction is as accurate as possible. Despite this being less about war and death, and more about life, the book hasn’t completely forgotten about battle and the violent nature in which the Spartans lived their lives. This book shows promise for what it is, however, if all you are looking for is more of 300, I would give it a pass.

The Amazing Spiderman #700.3 (Marvel Comics) – C

Joe Casey picks up the Amazing Spiderman 700.3 where David Morrell left off. Peter Parker has just saved his dear Aunt May from a New York blizzard. Not shortly after, as Spiderman, he finds himself in a life or death fight with Firebrand. He suffers nearly fatal wounds and is rescued by a shadowy ambulance.  He awakens to find himself bandaged in a creepy hospital desperately trying to figure out how he arrived in a mysterious infirmary that seems to be for criminals only. I didn’t care for the art in this issue, there is a shot of The Thing fighting Rhino that looks too simple to be in an Amazing Spiderman book. I’m just not a fan of Timothy Green’s pencils in this issue at all. I was also excited about the simplicity in the story behind issues 700.1 and 700.2, and this issue took that right away in the first pages. Hopefully 700.4 takes us in a clear direction and our wall-crawler can get out of the web he now finds himself in!

The Walking Dead #118 (image Comics) – C-

There has been a lot of death in The Walking Dead, some impacting, others ostentatious. I mean, it’s a post-apocalyptic soap opera (George Romero’s words, but true), so we’re expected to see death around every corner. However, the death of a beloved character came so unnecessarily and with such gratuitousness that it just plain pissed me off. Sure, there was a pretty sweet battle cry from Maggie at the beginning to let readers know she’s still that chick “that rode in like Zorro on a horse,” but the momentum carried by #117 is completely lost in telling the story of a death I feel no connection to, but by all means should. To be honest, I’m beginning to feel that way about the series altogether.

Justice League of America #10 (DC Comics) – D

When JLA launched almost a year ago under the helm of Geoff Johns, I thought that this ragtag team of superheroes had found a home together as a B team to the original Justice League. However, after ten issues, it’s become apparent that this book is little more than a drawing board for the Forever Evil arc. There has been little to no exploration of obscure characters such as: The Martian Manhunter, Catwoman, Green Arrow and (our favorite) Simon Baz. In this issue, we get a jumbled together, after-thought of a backstory of Stargirl, one of the lamest heroes I’ve seen in The New 52. There is also a reveal at the end that has to do with the end of the world, but I could have found out from a Facebook status with the same amount of entertainment I had reading the comic.

 

Funniest Panel of the Week:

This goon had a flowery outlook in Justice League 25
This goon had a flowery outlook in Justice League #25

Epic Panel of the Week:

Piotr Kowalski's awesome transformation in Marvel Knights: Hulk #1
Piotr Kowalski’s awesome transformation in Marvel Knights: Hulk #1

Cover of the Week:

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Owlman gets the spotlight in Justice League #25

That about wraps it up for our reviews this week! Look for next week’s previews coming soon. Any comic books you didn’t see reviewed that you want reviewed? Any grades you didn’t agree on? Let us know in the comments!

All images taken from ComiXology app and the credit for them goes to the respective publishers; thanks to IDW Comics, image Comics, Dark Horse, DC and Marvel for putting out great books.

Written by Sherif ElkhatibJohn Soweto and Robert Michael