Arrow Review – “Left Behind” S3E10

Arrow tries to pull the story forward after one of the most shocking mid-season cliff-hangers we’ve ever seen. Obviously, it’d be hard to discuss this episode without spoiling that particular cliff-hanger, so you’ve been warned! Will “Left Behind” answer any of our questions, or continue to pull us along with no answers?

Pros:

Immediate response to Oliver’s predicament: Unlike this other show we know, Arrow gives us instant gratification for whether or not Oliver Queen is dead. Whereas Flash played out the emergence of Reverse-Flash as the appearance of a boss battle in a video game, Arrow progresses the story naturally. I mean, you didn’t really think the Arrow was dead, did you? While this makes Felicity’s outbursts a bit more annoying, it would have made fans even more frustrated with the show for dragging us along.

A little father-daughter bonding: Thea has come back from her hiatus in Corto Maltese a solid character. And as much as you hate Merlyn for hiding behind Thea, the relationship these two have is pretty darn cool. Imagine how cool Speedy would be if she were actually Speedy. I digress – the sparring session the two have is a lot of fun to watch, especially when Merlyn gives her sage advice that he “wouldn’t recommend texting during a real fight.”

No stupid time-jumping: When a major event like the fight with the Demon’s Head closes out a break between seasons (or mid-seasons, in this case), it’s common for shows to convenient jump ahead in time to relieve themselves of the obligation of explaining what the hell happened. Twice now, once with Canary’s fall and now with Ollie’s, Arrow has taken up the challenge of actual story-telling. It’s nice that there’s still a standard for writing. Just 3-4 days after Oliver left town, and there’s a believable amount of time for angst, but not so much that there’s a giant hole in the timeline.

Flash-back: Mateo gives Oliver a huge IOU on this one when he thinks outside the box to help Mateo track down his wife. There’s still a big gap left to explain how Mateo ended up with the League of Assassins and how Ollie gets out of A.R.G.U.S., but it is closing progressively with each episode. We also get the creation of the trick arrow with this series of flashbacks. I didn’t think I would like this season’s flashbacks because of how much I loved the island, but they are providing so much more detail in story-telling.

Cons:

Maybe too much Felicity is not a good thing: We here at Hush rave about Felicity every episode (she made our list of Best TV Characters of 2014). She’s so smart and sexy and independent (except when bought off by Ray Palmer, but whatever), and mostly funny. However, there was nothing to laugh at this episode. She was nothing but selfish and weak throughout, and it got very grating, very quickly. If this was Arrow‘s way of giving one of the strongest characters in the show the spotlight, they did it terribly. Arrow has a knack for making us hate, then love female characters, so I’m hoping for a quick rebound for Felicity.

Oliver cheats death. We get it: Talk about beating a dead Queen, jeez. Oliver Queen has lived through so many life-threatening circumstances. He beat the island. He beat Slade. Wait, you mean you know that? That this isn’t your first time watching the show? Then why is it the focal point of every conversation in the Arrow Cave Quiver? This episode was so full of whiners that for the first time EVER, I was pining for more Laurel scenes. Where is Wildcat? Let’s get some more badass scenes with Laurel as she plays Canary. Sheesh, you cheat death a couple of times and all of a sudden people expect it of you.

How does Felicity have a job still?: Before I continue to kick Felicity while she is down, just think about what it would be like to be Ray Palmer. You meet this Smoaking hot girl at a tech store, and after seeing her genius potential, you hire her for pennies on the dollar (who cares how much? You’re rich!) as an assistant, and she is a wreck every time you try to talk to her about something work-related. That’s when she is there; because she’s always off with god-knows-who during crucial business times. Even after putting the moves on her, she bashes your dreams and tells you that your dead fiancé would think that they’re stupid. I’m sorry, but no amount of quid pro quo could ever be worth putting up with that.

 

Easter Eggs:

He’s a Brick… House: It’s not really an Easter Egg, since this one is staring us right in the face throughout the episode, but “Left Behind” was kind of short on them, so we will use what we have. Vinnie Jones (very recognizable character actor) plays Danny “Brick” Brickwell, a metahuman crime-lord with the power of… ya know… bricks? I like the inclusion of metahumans in Arrow, and hope this is the sign of more to come. I also wonder if he sinks as fast as a pile of bricks.

Pride Rock will never be the same: As Merlyn returns to tell Thea the bad news that his dickhead plan failed, he tells her that they must “leave [Star City] and never return.” What the hell? Is this guy Scar from The Lion King in disguise? With Mufasa Oliver out of the way, who will protect young Simba Thea from the hyenas League of Assassins?? Maybe Timon and Pumba Diggle and Arsenal will able to give Simba Thea the confidence (s)he needs to turn on Scar Merlyn. Hakuna Matata, bitches.

Project A.T.O.M.: Ray Palmer wants to… “start small” on Project A.T.O.M. It’s no secret that The Atom will be making his debut on Arrow soon enough, but with pillow talk like this, it might come sooner than later.

Laurel takes up a new hobby: While Kate Spencer was never mentioned by name, her spirit lives on in Laurel Lance. Known as Manhunter in the comic book lore, Spencer is a prosecutor who begins moonlighting as a superhero with the help of an arsenal she accrued from the evidence room. Fun Fact: Spencer’s grandfather, Al Pratt, was the original Atom in the comic books. Anyway, I’m sure this is not hinting at anything deeper, but the parallel is definitely there.

Predictions:

Canary will be instrumental in Brick’s defeat: I’m not sure how high Canary’s sonic frequency weapon gets, but it’s got to be a hell of a lot more effective than Diggle’s headshot was.

More Thea midriff: Don’t expect the hottest Queen in town to start covering that belly-button any time soon, folks. Sexy, but not slutty. Mysterious but still intriguing. Thea Queen’s mid-section has become the focal point of the show for us at home. Distraction? No way. This is The CW, baby. Gratuitous skin just isn’t their thing.

Oliver will eventually side with Merlyn… Ugh: Thea is going to be caught in the crosshairs unless Oliver steps in front of her, and faces the League again. Merlyn will keep himself attached to Thea to ensure their safety, and while he is kind of a coward, he does care for Thea. Beating Ra’s in hand-to-hand may not be an option for Oliver, but there’s gotta be some show of force to get the League off Merlyn’s back if he wants to keep Thea, and her midriff, on his side.

 

Hush Comics gives “Left Behind” a C for Felicity’s horribly written part in the episode, which really swallowed up way too much time when so much else was going on. We get that she loves Oliver, but knowing that he was not dead, and then hearing her blubber about it, and mucking up the mission just made her even less relatable. I actually had to pull a lot of punches on this review, but I’m nowhere near worried about the season rebounding.

All images belong to The CW and DC Entertainment.  They are credited to Ed Araquel and Cate Cameron.

Best of 2014: TV – Best Series

Another year is in the books, and we here at Hush Comics couldn’t pass at the chance to rank our favorites of this year’s releases in all types of mediums. Some of the winners will surprise you; heck, some of the results surprised  us. The results are completely subjective, and therefore were chosen with infallible logic. We would love to hear your opinions on what we have chosen, or if you thought we missed anything. This should be a fun review before we gear up for 2015.

Click on the link to take you to the “Best of 2014” homepage.

Best TV Series

• Arrow (The CW)
• Game of Thrones (HBO)
• Orange is the New Black (Netflix)
• Sons of Anarchy (FX)
• The Walking Dead (AMC)

WINNER – The Walking Dead (AMC)

The Walking Dead stepped it up a notch in season five.  But let’s not forget the second half of season four, either.  While much of it was slow because everyone was on the road, we also were given one of the best season finales of the series in “A”, and there was also the now infamous line, “Look at the flowers, Lizzie.”  However, season 5 have had so many non-stop episodes, it felt like descending down a roller coaster for the majority of it.  Comic fans were appeased with Bob’s “tainted meat!” line and the story veered enough away from the comic that there were some truly suspenseful episodes with no way to predict the future.  Sundays seem bleak without our survivor heroes, but I’m happy with how the show went this year. – Adrian

Second Place – Arrow (CW)

There isn’t a cast on television that has the type of chemistry that Ollie’s Scooby Gang does on Arrow. The CW show got off to a promising start, but after nipping at the excessive displays of inner-torment and tucking away the “that’s so C-Dub” moments of eye-rolling almost-romance… I promise that is not a jab at Laurel’s plastic surgery… this show has become the best on television. Stealing Batman’s villains and giving them a place among Green Arrow’s new rogues gallery was genius; throw in some hints at a gigantic world on the horizon (credit to The Flash for triggering that), and you have the best TV show tandem since Buffy the Vampire Slayer and Angel. And don’t even get us started on the Season 3 mid-finale. – Sherif

Third Place – Game of Thrones (HBO)

Hodor hodor hodor hodor. Hodor hodor hodor hodor hodor hodor hodor hodor. Hodor hodor hodor hodor hodor hodor, hodor hodor hodor hodor hodor? Hodor! Hodor hodor hodor hodor hodor hodor hodor hodor hodor hodor hodor hodor hodor hodor hodor hodor hodor hodor hodor hodor hodor hodor hodor hodor; hodor hodor hodor… hodor hodor hodor. Hodor, hodor hodor hodor hodor hodor hodor hodor hodor hodor hodor hodor. – Hodor

RUNNER UP – Orange is the New Black (Netflix)

Writing about Orange is the New Black is sort of strange because many other TV shows envelop our lives.  They come on once a week and we think about them often in between those new episodes.  But with OITNB, binge watching it (the most preferred method), makes you watch it intensely – so intensely that it almost feels like you might be at Litchfield, and then 13 hours later, it’s over and we move on.  Season Two was a good follow-up to the highly acclaimed first season.  While it felt good to be back at Litchfield, and the writing is still better than most shows on today, it did feel like we were missing a lot of the essence of the first season, particularly with the inclusion of villainess Vee.  However, Poussey, Red and the season opener made the entire season a must-watch. – Adrian

RUNNER UP – Sons of Anarchy (FX)

Sons of Anarchy has proven to be more than a television show about motorcycle boys and violence. After seven years, the final ride has hit me in the face like a semi-truck. It’s hard to express the level of emotions Jax and crew has taken the audience on from the first scene to the last. After years of violence, love, blood, bullets, family and alarming amounts of man butt, the audience is forever changed wondering what the hell to do on Tuesday nights now. Through all the pain the club has experienced, the deaths we all have mourned, and the war zone Charming has become, The Sons of Anarchy Motor Cycle Club Redwood Original chapter will be with me till the day I meet Mr. Mayhem. – Evan

Next Category: Best Animated TV Series

Arrow Review – “Draw Back Your Bow” S3E7

Last week’s episode of Arrow, Draw “Back Your Bow”, may not have looked too appealing, but was actually way more delightful than I expected. It had its faults, but overall it was a pretty fun watch. This week, Oliver finds himself up against yet another person in Starling City who uses a bow and arrow to kill people, but this time it’s a crazy lady who’s in love with him. Can I just say really quick, if every foe you face uses a bow and arrow, isn’t that kind of lame? It doesn’t really set him apart from anything if apparently Starling City is the capital of archery. Anyhow, while Oliver deals with his secret admirer, Felicity gets closer to Ray Palmer and a love triangle is born. Well actually it’s a love parallelogram if you count Barry Allen who is also pretty into Felicity. But then again, who isn’t?

“Draw Back Your Bow” begins in a flashback to six months ago on the night Starling City fell. The Arrow jumps out of his van to save a struggling adorable red head from one of the juiced up masked men. Her attacker falls, the Arrow takes off and the damsel in distress swoons while cuddling the arrow that saved her. Low and behold, in a very short six months time she transforms herself from a victim to a full-fledged martial artist, bomb expert and archer all to get attention and affection from the Arrow.

Carrie Cutter is crazy Cupid. Alliteration much?

 

Carrie Cutter is kind of a random villain to bring in from the comics, and a very new one but I personally thought she was a lot of fun. I also thoroughly enjoyed that during all of her scenes there was basically slow circus music playing in the background just to emphasize that this bitch is crazy. I will not waste time trying to figure out how she gained the knowledge she seems to have now, because if she was a martial artist or any kind of the badass she is as Cupid then she probably wouldn’t have been so easily bested by her in the streets the night Arrow saved her.

I appreciate that the show at least addressed that she used to be a police officer, which explains some of the knowledge she has of weapons and fighting techniques, but the pieces still don’t quite fit if you want to spend time thinking about it.

Oliver Queen defends his city against… a lot of other archers.

While Oliver grapples with crazy Cupid he also has to deal with the heartbreak of watching the girl he loves but refuses to be with move on with her life. With the man who now owns his family’s company no less. Burn. I’m not crazy about the Oliver-Felicity will they/won’t they love story in the first place, but I guess Oliver has to have a love interest and why not the only redeeming female character on the show? While it hurts him to do it, Oliver stays committed to not being able to be with anyone as long as he is the Arrow and he gives a moving little speech to Cupid that is really meant for Felicity about the pain of not being able to be with someone you love. It was sweet, but frustrating.

When Oliver returns to the Arrow cave after his battle with Cupid, Diggle, who has been playing the unlikely role of matchmaker for whatever reason, gives him yet another push to just throw caution to the wind and go be with Felicity. Ollie decides to take that chance and sadly witnesses the MOST AWKWARD KISS EVER between Felicity and Ray. Sad face, he walks away and the love triangle continues.

Cue awkward kiss in 3…2…1… disaster!

Honestly, that’s really about all that happened in last night’s episode. We got to see more of Oliver in Hong Kong, attempting to bond with the space alien that is Yamashiro’s wife. Obviously something is going to happen there, not romantically of course, but still the flashbacks this time around were less than compelling. Ray Palmer continued to be alluded to as up to no good as he looked over plans of the ATOM exo-suit, but he’s still pretty darn likable. Overall, “Draw Back Your Bow” may not have really pushed the overarching storyline forward, but it was a really good filler episode in the lead up to the Arrow/Flash crossover. So far I think this season has been off to a little bit of a slow start, but episode 7 was fun and enjoyable enough to help solidify Arrow as still one of the best shows out there.

Finally, here are some points I may have missed from the characters in episode 7 that contributed nothing:

• Hi, my name is Roy and I’m sad all the time now.
• Hi, my name is Thea and I just let random guys walk all over me and then kiss me because I’m worthless.
• Hi, my name is Laurel and thank god I wasn’t in this episode.

Hush Comics gives “Draw Back Your Bow” an A- for making something really enjoyable out of a filler episode.

All images belong to the CW and DC Entertainment. They are credited to Cate Cameron and Diyah Pera.

Arrow Review – “Guilty” S3E6

“Mine’s bigger,” spoken by Arrow himself, is the quote that perfectly sums up Ollie in this week’s episode “Guilty.” While it was laughable that Oliver Queen has to always prove he is better than everyone else, it was a nice change of pace to have a story where the Arrow was featured as more than just a side character, considering the show is named Arrow.

We finally got to go back to the format of Oliver and crew investigating crime in Starling City.  It was a nice reminder of how the show first started, without the distractions of who fathered who or who used to date who.  The team investigates a gang who is notorious for selling heroin.  They find all the gang members dead, with a message written in blood…”Guilty.”  Then we get to delve right into an investigation on Ted Grant, Laurel’s boxing coach.

Ted Grant: he can do more than just mop.

Although there were drug dealers killed, there was also a trail of bodies, all incriminating Laurel’s mysterious coach.  I really liked how everything concerning Ted was revealed through Oliver’s investigation.  The episode flowed well because of it, and the viewers, comic fans and television fans alike, experienced all the reveals without being overwhelmed.  And we finally have Wildcat!  Former vigilante, current boxing coach, and all around badass.  I’m excited to see if he will be incorporated into the “group” more than just being Laurel’s trainer.  There was a hint of the story arc concerning his son, Tom Bronson, earlier this season, so it could be cool for that to be part of his plot.

Roy Harper is more than just a sidekick — we will never abandon you!

The other main aspect of this episode was Roy admitting to the team that he thinks he killed Sara because of the dreams he has been having, in which, well he kills her.  While it was obvious that Roy did not kill Sara (at least to me), I really liked the way the storytelling was done here.  Roy’s story nicely tied in the flashbacks from Oliver’s past in Hong Kong and the use of meditation to evoke correct memories.  It also tied together the parallels between himself and Ted’s aka Wildcat’s former sidekick, Isaac Stanzler.

Stanzler stands for nothing else other than what could be when it comes to Roy.  Isaac was Wildcat’s guy who went a little too far when it came to beating the bad guys: literally beating one man to death.  Wildcat cut him loose, only for Isaac to be captured and tortured.  He attempted to get revenge on Wildcat only to have it backfire.  Isaac Stanzler is not a character in the comics, but it was nice to see the comparison of Isaac to Roy.  We have not seen nearly enough from Roy this season, which is a shame because he is one of the best characters on the show.  By using Isaac, we get to see the difference in morality that Roy and Ollie hold.  Plus, we got to see a stunning sidekick vs. sidekick battle!

Oliver Queen is super jelly of Ted Grant training his ex-girlfriend.

Laurel’s involvement in this episode was refreshing.  Not once did I roll my eyes at her, which is a rarity.  She is getting stronger, both physically and mentally.  In the wake of her sister’s death, she is taking stepping into the Black Canary’s shoes seriously.  She is not afraid to defy Oliver, who is totally jealous that Laurel is getting trained by someone else, and learn how to fight on her own.  She was also unafraid to stand up for what she knew was right: Ted Grand didn’t kill anyone.  I like this new Laurel, and I hope her character continues to develop into someone the audience wants to root for the way they did for Sara.

Injustice: Gods Among Us #5

And this:

• Freaking boxing glove arrow.  Comic fans had a nerdgasm.  See the above picture for one of many references to this in the Green Arrow’s career.
• The game Memory looks way cooler in China.
• Apparently the name Paco is pretty common in Starling City, as Felicity cleverly points out.  There are at least 86,000.
• There is more we don’t know about Mirakuru than what we do know.  Good to know.
• Laurel made the smart move of calling Felicity in order to get help.  She finally admitted she needed help!
• But, Laurel was not scurred of Isaac when she was forced to drive.  Not at all.  Not one bit.
• Was Diggle a little too quick to say, “Let’s get rid of Roy!”?  I think so.
• Roy asked Ollie not to abandon him, to which Ollie told him it would never happen.  All the feels!
• Roy certainly had his meditation breakthrough quickly.  Most people spend a lifetime getting that right.
• Roy also said that he was gonna turn himself in, but the police don’t know that Sara is dead.  kinda weird.
• Is it just me, or is Cupid’s bow too big?  She was struggling to hold it up!

Hush Comics gives “Guilty” a B+ for finally including Roy more, for delving into the history of one of the oldest comic characters in superhero history, and for using Oliver as the main character instead of a fleeting thought.

Easter Egg Hunt:

Wildcat, Vigilante: We finally go confirmation that Ted Grant, gym owner and boxing coach, is in fact Wildcat.  Six years ago, he was a vigilante. He did exactly what Arrow does, even wearing a mask. After a drug dealer was beat to death by Wildcat’s sidekick, he hung up his cape, so to speak.  Now he trains Laurel, future Black Canary.  In the comics, Wildcat also trained Batman.  Will we see a reference in the show?  We will have to see.

Princess Training: Ted agrees to train Laurel beyond boxing, but to give her the tools to avenge Sara’s death.  He says the last time he trained a princess, it didn’t go so well.  What could this be a reference to?  It could be to Yolanda Montes, WIldcat’s Goddaughter, and Wildcat replacement.  Unfortunately she died, but this could be another way to go into his past.

He’s in your Arsenal: Roy Harper finally has a nickname!  Isaac Stanzler tells Roy that he is just an Arsenal in Arrows toolbox, thus giving him his new name.  Just an Arsenal, huh?  Sometimes I think Roy is more badass than Ollie.

Street names always matter!: The investigation led Ollie to 9th and Hasen.  Hasen is the co-creater of the character Wildcat.

Cupid, Stupid: Who was that girl who showed up at the end?!  She had been hovering around in the background all episode and showed up at the end to make her presence known in Starling City.  Cupid is a woman who is obsessed with the Arrow, and let’s just say, she goes pretty far for him.  She wants him to love her, so she helps him by killing his enemies.  But she also does things like carving a heart in her chest from the tip of one of his arrows and cutting out the eyes of her hairdresser. Creepy!

 

Arrow Review – “The Secret Origin of Felicity Smoak” S3E5

Whenever I talk to people about Arrow, Felicity Smoak comes up almost instantaneously.  She is the most beloved character on the show. So I was pretty excited when we were going to get some background on the cute tech whiz.  Instead, I was left a little disappointed.  We didn’t get too much of her story that we didn’t already get from the previews, and they writing made her seem petulant and a little weak, with small doses of her typical charm.

The beginning of the episode started out with said charm.  After seeing epic sparring scenes between Oliver and Roy, Thea and Malcolm, and (only semi epic) Laurel and Ted, we see Felicity struggling through sit ups to a workout tape inside her cheery apartment.  Ray Palmer arrives with a new task for Felicity called Co-Generation.  They talk briefly about what this means — being Ray’s newest idea to get people to stay in Starling City, by giving them free energy (a hint of his future powers?).  Felicity’s mother arrives unexpectedly, much to Felicity’s chagrin.  This was one of many scenes that made me lose a little respect for the writing.  Why make Felicity a teenage girl who hates her mom? Isn’t she a little too old to be embarrassed by her “not as smart as me” mother?

Felicity and her mom. Holy cleavage.

This behavior goes on throughout the episode.  Felicity constantly dismisses her mother’s visit and presence in her life.  However, her mother seems like a perfectly nice woman, with a similar quirkiness, commenting on how many millionaires Felicity knows and doting on baby Sara.  Which brings up that Felicity was too dense to think that distracting her mom with a baby for four hours while she worked on the hacking of Starling City was a good use of her mom’s time.  It seemed incredibly unlikely that this would bode well for their relationship – which it didn’t. Towards the end, her mother tells her that no matter what, she was involved with Felicity’s life.  Finally Felicity has a change of heart, although it took both of them being kidnapped by Felicity’s ex-boyfriend for that to happen.  I don’t know, I just don’t buy the mother vs. daughter gimmick.

The other thing that bothered me is that while the episode implied we were getting the history of Felicity, the only thing we learned about her was that she is a natural brunette, former goth… and computer hacker (although we already knew that one).  Beyond that, we learned an awful lot about her rotten ex-boyfriend Cooper Seldon, which was not why I was tuning in.

Cooper was a fellow hacker, who declared himself a hacktivist.  He tried to erase all student loans from the Department of Education’s site, which Felicity inadvertently helped with, but also stopped.  She tells Oliver this at one point, but includes herself in the group of hacktivists and says it was her way of heroism.  That wasn’t true.  Her form of heroism was not allowing it to go through.  It felt like the writers were laying it on a little too thick at this point in the episode.

Felicity, the fake hacktivist.

Anyway, Cooper ends up in Federal prison, supposedly kills himself, but really is recruited by the NSA and comes to Starling City to steal money, but starts by shutting down the power and tries to pin it all on Felicity just because she went “corporate.”  Does that sound compelling to you?  Me either.The most compelling thing about it was when Cooper’s college roommate, Myron Forest, was suspected of being the hacker nicknamed Brother Eye.  Look ahead for at the Easter Eggs for more on this one. Plus, when Myron was being investigated, Arrow broke out the famous “You have failed this city” line, and I’m a sucker for that one.  Plus Myron couldn’t have done the hacking because he drives a blue hybrid.  It is now known that people who drive blue hybrids could not possibly commit a crime.

Once he kidnaps Felicity and her mother, he forces Felicity to bring armored trucks of money to his warehouse.  He crushes her phone with his foot because he is such a badass, and sets up traps with lasers and guns just in case, making it convenient for a hectic acrobatic scene for the Arrow.  Felicity is able to get out of the hacking because she’s smart and then she pistol whips her ex.  It was nice for her to not be fully incapacitated for this episode, but I would have cheered harder if she had shown her strength throughout.  Plus, she could have pistol whipped the guy way before Arrow was shot out with machine gun turrets.  Just sayin’.

Sheldon Cooper… oops, Cooper Seldon, total badass.

Meanwhile, Thea and Ollie argued about Malcolm Merlyn’s blood money paying for her oversized loft.  She admits it’s blood money, but she needs a nice place dammit.  They argue some more, but in the end, Oliver decides to move in with her… because it’s a nice place dammit!  Laurel acts as DA for the day, fails miserably, continues to lie to her dad about Sara, and then tells Ted the truth about why she is training.  This whole not telling her dad about his dead daughter is getting really old.  It needs to come out already.  Oh, and then Roy had a dream that he killed Sara.  Fact? Fiction? I don’t know, but it’s a damn good cliffhanger.

And this:

• Roy doesn’t really care about killing people if he shot someone in the neck.  Ouch!
• Is Ollie still trying to profess his love to Felicity?  The time has passed, imo.
• Does Thea own any full sized shirts?  Or is it only ones that show her belly?
• Malcolm Merlyn is so creepy.
• Diggle’s only purpose in this episode was for his baby to distract Felicity’s mom.  What a waste of character.
• Felicity changes her look from goth to preppy to remove herself from the hacking?  Seems like a cop out.
• Det. Lance accused Laurel of boozing again.  It’s kinda funny?

Hush Comics gives “The Secret Origin of Felicity Smoak” a C+, for lack of character development despite the promising title, too much focus on a seemingly insignificant character, and a lame reason to try to frame someone.

Easter Egg Hunt:

I miss you, Speedy: Ollie refers to Thea twice as Speedy this episode. It is becoming closer and closer that we could see his sidekick come to fruition.

Coast City, again: Laurel is the acting D.A. because the actual D.A. of Starling City is working in Coast City.  I’m still thinking this means we will be getting a Green Lantern show here pretty soon.

Myron Forest, creator of Brother Eye: In this episode, we meet Myron Forest, the roommate of Felicity’s college boyfriend.  In the comics, Myron is a scientist and the creator of Brother Eye.  He works for the Global Peace Agency who assigns him to work on OMAC.  It’s pretty roundabout, but there is a possibility that this is not the last we have seen of Myron, if he is at all connected to the project Ray Palmer keeps looking at.

Black: When Laurel talks to Ted about her training, he gives her the option of a black or red gee.  She chooses black.  While it is small, she is working on becoming Black Canary.

Blonde Ambition: Felicity reveals that she dyes her hair blonde.  This is a tribute to her comic book counterpart, who has dark brown/ black hair.

All pictures belong to The CW and DC Entertainment.  They are credited to Cate Cameron.

Arrow Review – “Corto Maltese” S3E3

Arrow has been spot on with its cliffhangers this season.  I have yet to leave an episode without having to pick my jaw up off the floor.  As for the rest of “Corto Maltese,” I felt like it was a great setup episode for varying story lines, but in general, but otherwise, not much happened – except for amazing action scenes.

The focus this week was for Oliver and crew to bring Thea Queen Merlyn back to Starling City.  As I was writing my notes for this episode though, I found that not much of it had to do with Thea.  But I was impressed with her scenes.  I really liked that we got her flashbacks this week, which were brutal.  Malcolm Merlyn is as vicious as ever, particularly in the way he has been training his daughter to become a “warrior.” I also really liked the final sword fighting scene between Thea and Malcolm; he let her win. It would be foolish to think that after only five months that Thea would be able to beat the Dark Archer at anything.  And we got our little teaser that Thea will become Speedy, Arrow’s teenaged sidekick, since Thea goes by Mia on the island.

In the mean time on the island, Diggle tries to find a missing A.R.G.U.S. operative, Mark Shaw. This story seemed to take up the majority of the plot of the island, and therefore the episode.  For the moment, it doesn’t seem like it has much to do with anything, and wasn’t all that intriguing.  I do have a feeling that Mark Shaw, aka Manhunter, will be our link back to the Suicide Squad, briefly featured last season.  The best part of this whole scene?  Oliver’s MacGuyvering of bows and arrows from things around the hotel room and the subsequent battle scene that ensued.  Arrows shot, bullets shot, a kick that took three men down at once, and a neck punch with a computer!  I was very impressed.  I think this season’s action scenes are some of the best I have seen – ever.

Do you like my hotel lamp bow?

Back in Starling City, there was plenty going on.  In fact, I felt that considering we were supposed to focus on Thea and Oliver, the meat of the episode was in Laurel’s storyline.  All of her little stories were fairly disjointed, but when tied together, were a bunch of really good Easter Eggs (which you can find my complete list below) and the beginning of the next Black Canary (maybe).  Laurel goes to a local boxing gym to interrogate a man named Ted Grant about Thomas Bronson. For what, I’m not quite sure, but he tells her to take classes.  Jump to Laurel’s AA meeting where a woman admits that she is being beat up by her drunk boyfriend.

Laurel decides to channel her sister, badly and goes after the guy with a baseball bat.  My biggest problem with it?  She didn’t even tuck her hair into her ski mask before she did it.  It’s a small gripe, but perhaps its from years of watching Joss Whedon shows, where in general, the girls have sensible hair styles when battling.  I did think it was good that Laurel was beat.  And no, its not because I think Laurel deserves it.  No one deserves it.  But again, it would be unrealistic that she would be able to just get away with plan that had no thought behind it.  I guess the best thing about it is that she learned from her mistake and will probably be a real badass once she learns how to fight – which she plans to do from the boxer Ted Grant.  It was also pretty cool that Captain Lance turned the guy who beat Laurel up in on an anonymous tip.  Healthy father-daughter relationships for the win!

Laurel has a dang good reason to learn to fight after this.

Meanwhile, Felicity was busy helping Ray Palmer… and attempting to help everyone else.  I love Felicity but how is she getting duped to work for this charismatic asshole?  It’s easy to be all drooly over her new office and her personal assistant, but can’t she see through his facade?  It will only be a matter of time, I hope.  I loved how she was still trying to help Diggle and Laurel, and trying to explain herself to Ray with “It’s a long story.”  It was very Felicity and very adorable.

Truth and lies were very important for all our heroes this week.  And while there were supposed to be more truths exposed, it seems like there are still more lies than anything.  Oliver planned on telling Thea “everything,” but only gave her what I call “truth bait” by telling her only the truth about how Robert Queen died.  He still has yet to reveal his true identity to his sister; something that Diggle predicts could drive her away before it brings the siblings closer.  At the same time, Thea does not come clean about her time on Corto Maltese.  All the lies are bound to cause a lot of anguish for all the characters this season before any of them can come to terms with the truth of the world around them.  It’s going to be a long year, folks.

All the while, we still don’t know who killed Sara.  I suspect this will go on for at least half the season.  But the shocking cliffhanger may give us a clue.  Nyssa al Ghul, Sara’s former lover and partner in the League of Assassins, comes in to Arrow’s headquarters demanding to know where Sara is.  What could this mean for the future?  What could this mean for who killed Sara.  I could speculate, but that would take a whole other post.  For now I will just say I am teeming with excitement for what this could mean for the coming episodes. Gah!

And this:

• Diggle’s line, “What is it with your family and islands?,” was the best line of the episode.
• Roy has never flown in a plane.
• Roy was about to take a frickin’ bow on a plane.
• Laurel is getting really dark.  She told her dad that the world is a place where people deserve to get punished.  Not saying I disagree, but she is not the same girl she used to be.  Good.
• Thea will never sue McDonald’s for a hot coffee spill.

Hush Comics give “Corto Maltese” a B, for great use of action, realistically portraying the females strength, and setting us up for what is sure to be an epic season.

Easter Egg Hunt (spoilers ahead):

Home of the Wildcats!: Laurel’s new teacher, Ted Grant, also happens to be Wildcat.  In his boxing ring, there was even a sign in the background that read “Home of the Wildcats!”  Wildcat is a champion boxer who has trained Batman, Superman, and yes, even Black Canary.  It looks like we will be seeing a lot more of him.

Greetings from Coast City: The man who Laurel tries to beat up has charges on him in Coast City, home of Hal Jordan and Ferris Air.  It was a cool way to tie different DC Universes together.

Felicity Smoak, meet your maker: Felicity’s new assistant, Gerry Conway, also happens to be the name of the writer who created her namesake in the comics.  She first appeared in the Firestorm comics of the 80s.  This is yet another link to The Flash.

M & M & M: The first “M” is for Thea “Mia” Dearden Queen Merlyn is sure to become Speedy, Arrow’s sidekick.  She was created by Kevin Smith in 2001.  The second and third “M”s are for Mark Shaw aka Manhunter.  I am certain this was not his last appearance this season.  I predict there will be some sort of allusion to the Suicide Squad and possible a showdown with the League of Assassins.

Blueprints: The blueprints that Ray Palmer were looking at had OMAC written on the bottom righthand corner.  The OMAC’s are machines that fight against humans with superpowers.  None of this is looking good for the heroes of Starling City.

The might be a stretch but..: At one point Ray asks Felicity about the data she is trying to retrieve for him and refers to it as a “Lazarus.” The Lazarus Pits are a major tool used by R’as al Ghul for restorative powers.  At one point, Black Canary was brought back to life by the Lazarus Pits.  It could be me reading too much into nothing, but it could be something… dunh, dunh, dunh!

All pictures belong to The CW and DC Entertainment.  The cover image and photo of Stephen Amell as Oliver Queen are credited to Diyah Pera. The photo of Katie Cassidy as Laurel Lance is credited to Cate Cameron.

Arrow Review – “Sara” S3E2

No matter how crazy families can be, the Arrow family has proved that they are strong no matter what. Even if there has been a “death in the family”, which was a nice homage to DC. It’s just unfortunate that they had to realize who their real family was when…

Spoilers Ahead!

La Familia of Starling City.

… they all found out Sara Lance was dead. The question on my mind more than who did it was, how exactly did Laurel get Sara’s body down to Arrow’s hideout?

Insensitivity aside, Sara’s death was devastating for Oliver and crew, and audience members alike. But we were quickly swept into the investigation of who killed the beloved Black Canary. Similar to The Flash, Oliver goes to the spot of her death to reenact the deed and determine who could have killed her. I thought the process and actions of his investigation was a nice touch to the norm “go get ’em” attitude.

As the episode went on, it became clear that the other archer in town was playing by different rules, and his stunts and tricks with his bow were amazing. To see the hooded man against our very own Arrow were some of the best action scenes I have seen in the show. Between flying through the Queen Consolidated building (during a cocktail hour by new CEO Ray Palmer), jousting in the streets with their bows and dirt bikes, and the shooting battle, I could have watched an entire hour of pure unadulterated warfare.

Our villain of the week turned out to be Komodo aka Simon Lecroix. For the majority of the episode, it seemed that Komodo was the killer of Sara, but after a lot of running around and battle, it was found out that the man they captured was not Sara’s killer, but just a guy from Blüdhaven (Oh gee golly! I hope that means a possible Nightwing reference in the future. Also, this confuses DCU georgraphy even further, since Blüdhaven is a suburb of Gotham, previously thought to be hundreds of miles from Star City). In recent issues of Green Arrow, Komodo has been a pretty big deal, having ties to both Ollie’s old lover Shado and his father, Robert Queen. While the path of comic books is far from unlikely, I doubt that we have seen the last of Lecoix.

One of the more intriguing segues of “Sara” were the flashbacks. Season 2’s flashbacks, which focused on Oliver’s interaction with Slade Wilson and the island, I feared that this season’s flashbacks would be lacking. After seeing the events of “Sara” unfold, I’m no longer concerned about that. The twist of Tommy going to investigate Oliver’s reemergence in Hong Kong was very intriguing. Although, it does make me wonder why Tommy never brought that up in Season 1; you’d like the conversation of “Hey! You’re alive?? That’s weird, because I definitely blew to Hong Kong and almost got kidnapped and murdered to try to find you” would come up in casual conversation. We’re getting deeper into A.R.G.U.S., the team that Waller has “recruited” Queen into, but I can’t wait to see what emerges from the flashbacks this year.

How dare someone come to my city and shoot it up!

Meanwhile, the only antagonist we know personally thus far in the season is really Ray Palmer. In addition to stealing the company and Felicity from Oliver, he is Rick Jamesing all over Oliver’s couch while he does it. Palmer’s serious lack of tact is almost made up for by his charisma. Consoling Felicity during her time of loss, we are reassured that he is not all bravado, and there is some kindness being those stupid, smug glasses. While he revered by everybody he seems to share a room with, we get the overwhelming sense that this is not Sebastian Blood all over again. Palmer genuinely cares, and the notion that he may soon turn into The Atom with some unforeseen “accident” makes him all the more tolerable.

Let’s get back to the main plot piece of the episode, Sara’s death – Black Canary’s death. This death in the family hit the Arrow homies hard. The death of one of the best characters, not to mention the hottest, affects the fans just as much as the characters, but to a new viewer for Season 3, it might have been a little too soon in the season, and even returning fans can feel the momentum of a new season slightly held up by immediately killing off one of the crew. Nevertheless, the grieving process felt very real here, from Felicity’s cry to Oliver to show emotion to Diggle’s steadfast approach to helping Arrow find the killer. Even Laurel’s desperate plea to avenge Sara is heart-wrenching. There was even a sad tinge in my heart when Ollie reached out for Diggle at the end there, only to get the unspoken hint to man up and do his duty as a hero. Guys in masks can never catch a break.

Hush Comics gives Arrow‘s “Sara” a B+ for its amazing stunts and solid job at portraying grief, while still being able to inch the story forward and avoid stagnancy that usually plagues episodes like it. Going forward, there is no doubt that Oliver needs to be Oliver Queen and the Arrow to keep the family together. There would be no Arrow without Oliver Queen, so why deny himself the love and support that has made him successful in the first place? Mouth-watering abs and revenge can only last so long, right? And speaking of family, what the heck is going on with Thea and “dad” in Corto Maltese? We have no idea, but a wild theory suggests that she is being trained by Merlin, a League of Assassin outcast, to help him infiltrate and take down the League from the inside. There is so much to look forward to in next week’s “Corto Maltese,” where Oliver takes a little vacation to visit his sister.

All pictures used belong to The CW and DC Entertainment.  They are credited to Cate Cameron and were found here.