Comic Book Reviews 11-27-13

Pick of the Week:

Black Science #1 (image Comics) – A

It’s only been one issue, but I’m already invested in this sci-fi thriller. I have no idea what the hell is going on, but I don’t think our main character, Grant, does either. The Black Science, I correlate to be like Black Magic, but it pays more. The art is very fitting and the monologue is amazing. In an attempt to escape from the weird toad and fish people, Grant sends his team to some inter-species galactic war. I don’t know what’s going on and I love it. I’m super excited to see what happens next.

Other Reviews:

All New X-Men #19 (Marvel Comics) – D

In this issue, the original X-Men fight off a group of crazy religious zealots who are dedicated to killing mutants in the name of God. With brand new uniforms, a new art team (technically they did #18, but it still feels new) and a new villain, this issue carries almost zero momentum that has made this such an enjoyable book. Also, seemingly for no reason, Illyana AKA Magik is back together with the rest of the X Team after a huge falling out when she joined Cyclops’ team. There was a pretty crazy end scene where a feral (and bald) X-23 bears her teeth to Kitty Pryde, so we’ll see if this is somehow connected to the Murder World that takes place in Avengers Arena. All in all, though, a pretty bland book considering the caliber of the series thus far.

Aquaman #25 (DC Comics) – B-

If you’re not a fan of Aquaman, this issue probably will not sell it. Geoff Johns, in true Geoff Johns fashion, wraps up his tenure with Aquaman taking his place as King of Atlantis. The Dead King has been defeated for now. It might not seem like a big deal, but Johns took Aquaman from being the laughing stock of comic book fans to an almost-respected character in just two years. While I’m skeptical of anything that happens after this, the story immediately points to a new threat, carried into another Geoff Johns penned book, Justice League. I’d say this book is worth checking out if you’re at all curious about Aquaman or the end of Johns’ saga.

Avengers Arena #18 (Marvel Comics) – D

Murder World is finally closed. After seventeen issues full of mushy “let’s be friends” speeches, one of the characters sacrifices himself to save the rest of the characters. However, the biggest worry is what happens after they leave. Arcade, the madman behind the whole debacle, has uploaded the events of the superhero Hunger Games onto the web. What happens now? The issue, and series as a whole, wasn’t stellar in story or art, but the aftermath of the events that unfolded will be pretty interesting to see.

Damian: Son of Batman #2 (DC Comics) – C

When issue one ended, I was thoroughly confused as to how Bruce Wayne was waiting for Damian in the Bat Cave. Issue two clears that up, then expands on it a bit. It’s just done a bit too quickly. The oddest part of the series is that Damian, the grown man, sounds just like Damian, the ten year-old child. I was really hoping for some character development here. On the plus side, it seems that this story is fitting in nicely to explain the events of Batman #666 where Damian faces off with Professor Pyg. As an avid Batfan, I would recommend reading this book, as the art by Andy Kubert is amazing.

The Flash #25 (DC Comics) – C+

The Flash has been one of the best drawn books in DC’s catalog, and usually has held my interest through the storyline. So I figured that when they introduced a Batman: Zero Year crossover, it might be worth checking out. In some ways I was right, and in some I was wrong. While it was awesome to show what a good investigator he was, clashing with the hardened detectives of Gotham City, and meeting (and saving) Iris West to form a romantic relationship, I am just sick of DC changing origin stories for the sake of changing them. All of the changes feel bastardized and not the original stories they should be.

Hawkeye #14 (Marvel Comics) – B+

When Kate went her own separate way at the end of Hawkeye Annual #1, I was a bit confused on how the series would continue after that. This episode shows us that it would continue straight through to Kate’s personal life. As it has been the whole series, Hawkeye does a stupendous job of humanizing the characters, having fun the whole way there. It does get a little deeper at the end, when it is revealed that Madame Masque is the villain behind the whole ordeal. Hawkeye is a guaranteed good read, and this issue is no different – no matter your opinion on Hawkeye, the character.

Injustice: Gods Among Us #11 (DC Comics) – B+

Based on the awesome video game that released earlier in the year, Injustice has become more than a cash-grab “based off” series; it is one of the best alternate universe storylines in recent history. After Batman decides that Superman is too far off his rocker, he and a small group distract Superman and sneak into the Fortress of Solitude to steal a super-serum that Lex Luthor developed to even the playing field. Along the way, we lose two beloved characters. It’s a tragic, yet exciting take on the DC lore. NoteInjustice was actually released as a “Digital Only” series, with each printed issue consisting of three digital ones. So if you really liked this one, the finale issue is comprised of #34-36 and you can find them for $1 each on Comixology.

Kick Ass 3 #5 (Marvel Comics) – B

If you’ve ever seen Kick Ass, the movie, then you know what you’re getting yourself into. Believe me, the comics are way better. There’s less censorship as far as what the characters say and do, the costumes don’t look as ridiculous and there are tons of namedrops; it takes us less than four pages to get somebody to compare the 21st Century Robin Hoods to Omar from The Wire. With Dave finally getting a normal girlfriend, he seems to have abandoned his superhero team. They have bigger troubles, however, as Rocco puts a hit out on every single masked character, ending the issue in sad, disturbing fashion with the death of one of my favorite characters.

Saga #16 (image Comics) – B+

It seems like we’re finally picking back up steam here! Equipped with murder, lies and naked unicorn women, issue sixteen is a thoroughly fun ride the whole way through. We’re finally brought back to the events in #13, where Prince Robot IV is closing in on our favorite pair of space fugitives. There’s quite a bit of story going on here, especially the new development of the war correspondents that seem to have trouble coming their way soon. It’s hard not to recommend a book that kicks this much ass, month after month.

Superior Spiderman #22 (Marvel Comics) – C+

Since (SPOILER!) Otto Octavius has taken over Peter Parker’s body and carried the mantle of Spiderman… Wait! Don’t leave! It’s not as bad as it seems, I promise. Anyway, since Superior Spiderman has begun, all the quips and sarcasm that made Peter Parker our Spiderman have been replaced with techo-babble infused cold-hearted insults. More than twenty issues in, Otto finally begins to develop a personality, even falling in love, a storyline which is starting to make me like him again. But just when things get cozy again, his arrogance frustrates me even further, making a Flash Thompson-Spiderman confrontation way more annoying than epic.

Teenage Mutant Ninja Turtles #28 (IDW Comics) – A-

Last we left our turtles, the Foot had just unleashed Bebop & Rocksteady. While the rocker duo don’t really get the homecoming I had hoped for, there are plenty of other characters to help bring this issue to a close. The turtles manage to save Leonardo and break him from the brain-washing that the Foot had put him through, but by all means, he is still broken in every other way. One of my favorite conflicted villains also switches her attitude and saves their lives during the fight. And you can’t forget about Old Hob, Splash, April and Casey Jones. It was an entertaining and meaningful issue, albeit with no real conclusion to the threat at hand, that reminds me why I’m still in love with the heroes in a half-shell.

The Walking Dead #117 (IDW Comics) – A

When Negan and Lucille burst onto the scenes in The Walking Dead #100, he immediately become our enemy, killing off a beloved character in the most disturbing fashion of the entire series (which is sayin’ something). However, as time goes on, we realize that maybe Negan isn’t quite the Governor that we initially painted him to be. Through this episode, we find that Negan does indeed have a very strong moral compass, as does he want to be the leader of a strong community. It’s really shocking to learn this about one of Rick’s enemies, and it will serve to make Negan more complex of an adversary than we’ve ever seen in The Walking Dead. Bravo, Kirkman.

Funniest Panel of the Week:

D. Oswald Heist shares his deepest fears with us in Saga: Chapter 16
D. Oswald Heist shares his deepest fears with us in Saga: Chapter 16. I’m sure Fiona Staples had fun drawing this.

Epic Panel of the Week:

Our girl Alopex finally snaps on Shredder in TMNT #28
Our girl Alopex finally snaps on Shredder in TMNT #28

Cover of the Week:

TMNT #28 cover by the master, Kevin Eastman
TMNT #28 cover by the master, Kevin Eastman

That about wraps it up for our reviews this week. We hope you had fun stuffing yourself on Thanksgiving! Look for next week’s previews coming soon. Any comic books you didn’t see reviewed that you want reviewed? Any grades you didn’t agree on? Let us know in the comments!

All images taken from ComiXology app and the credit for them goes to the respective publishers; thanks to IDW Comics, image Comics, DC and Marvel for putting out great books.

Written by Sherif Elkhatib

Justice League Flashpoint Paradox Review

DC has no shortage of stories set in an alternate universe, with most of the play going to Infinite CrisisCrisis on Infinite Earths, and other Elseworld stories. So when Geoff Johns came out with the Flashpoint arc in 2011, fans were initially skeptical. Not only was Johns trying to reconstruct the DC comic lore, but he was doing it with Flash at the helm. While Barry Allen has been a staple character in the Justice League since his mid-1950’s induction into DC Comics, he remains out of the spotlight. The premise of the Flashpoint storyline is that, in a desperate move to change events in time to save his mother from being murdered, he taps into the Speed Force (it’s a long story; basically, the best way I can describe the Speed Force is an energy that the Flash can pull from to manipulate time… or some crazy shit like that), unknowingly creating a Butterfly Effect, saving his mother but putting himself right in the middle of a world war between Aquaman and Wonder Woman. Flash has found himself in a world without allies and without his powers. It’s a bit far-fetched of a story, but it really works out. So many questions about the DC Universe that begin with “What if” are addressed in the Flashpoint Paradox. What if Hal Jordan never was given a Green Lantern ring? What if Superman’s Kryptonian shuttle passed Smallville and landed in the hands of the government? What if Aquaman and Wonder Woman never got to interact with humanity before their rise to power? Maybe it’s just the fanboy in me, but there’s just something thrilling about not knowing what will happen next – an entire realm of new possible outcomes.

Everything that makes the book work shows up in the film. Foremost, the Flash is an excellent leading character. He’s charismatic, witty and is the one voice of hope in a universe full of darkness. Plus, he can run really fast. But really, it’s Flashpoint Batman that steals the show. Batman (who is not Bruce Wayne in this world) is one of the most rugged and dangerous characters I’ve ever seen. He’s missing the high-tech gadgetry, but he more than makes up for it by being a total badass. Even the President respects his gangster. The rest of the Justice League is also in full effect. Flashpoint Aquaman and Wonder Woman could easily hold their own movie. As the two juggernauts clashed, I almost forgot I was watching a DC Animated movie. Professor Zoom AKA The Reverse Flash AKA… (this could take a while; he has a lot of nicknames) … AKA Thaddeus Thawne plays a crafty villain that is obsessed with bringing down the Flash, even at the expense of destroying the world (Sheesh dude, get a hobby). He presents the perfect match for Flash, as he can manipulate the Speed Force to make it appear that he is going faster or slower. He’s the yin to Flash’s yang and they play off each other well.

I bet the first time The Flash and The Reverse Flash met, it was just like this.
I bet the first time The Flash and The Reverse Flash met, it was just like this.

The biggest note of discussion with this film is the decidedly adult nature it takes on. Not only is it darker than the comics it adapts from, but it is the darkest DC Animated film released yet. There are tons of violent deaths, and nobody is off-limits. It’s like I was watching The Wire. While some might see this as unnecessary, I feel that the violence and tragedy add to the gravity of the film. It’s not for the faint of heart, and definitely not a family-friendly movie, but the anime-style brutality made me feel more in touch with the characters and the stakes they were fighting for. The animation is complemented by nuanced changes in the storyline to make things fit more cohesively. Die-hard fans can tell, but there are several events that allude to several of the spin-off stories that come from Flashpoint, chronicling the stories of the Justice League in this alternate timeline from hell. On the other hand, though, some of the subtleties may fall off the deaf ears of many of the casual fans that look to these movies to learn more about comic books.

Overall, this is one of my favorite graphic novel movie adaptations that DC Animated has done. It has a solid storyline and a great voice acting cast to carry it throughout the amazing action scenes and large-scale thrills. Its mature content and subtle hints may turn off some casual fans, but do pay homage to the grave nature of the source material. If you want to broaden your horizons in the comic book world and aren’t afraid of graphic violence, this is the DC Animated film you have been waiting for.

 
SCORECARD:
Category Explanation Score
Plot One of the best alternate universe stories I’ve ever read, there are a few points in the film you can’t really understand unless you’ve read the source material. 8/10
Voice-acting An All-Star cast creates believable characters that carry themselves. 10/10
Representation of Source Material Flashpoint does a solid job of taking the source material and bringing it to life, keeping some of the most memorable moments intact. 10/10
Animation The hardcore and anime-like feel of the film fit the dark storyline. They also do a great job of making the Flash’s animations clean. 8/10
Sound Effects and Music Hero-certified music and cool time-warping sound effects fit the ambiance 8/10
Captivity Flashpoint is broken up into enough segments that it never feels like it’s as far along as it really is. 10/10
Overall awesomeness There is nothing about this film that does not kick total ass. 10/10
Creativity Even though it’s a remake of a graphic novel, the genius that is Geoff Johns crafted an amazing story that explores an alternate universe with no reservations. 10/10
Replayability I’ve seen the Flashpoint Paradox three times already, and there are more details to catch everytime 9/10
Special Features A feature on the Rogues Gallery, a scientific breakdown of the Speedforce and some great DC Vault episodes make this an excellent showcase of The Flash 10/10
 
 
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IF YOU LIKED THIS, CHECK THESE OUT:
Justice League: Doom (film)
 
All the Flashpoint books!
 
NEXT FOR DC ANIMATED:
Justice League: War will be DC Animated’s first New 52 movie and will reprise the first storyline of Jim Lee and Geoff John’s Justice League. All that I have on my wish list is that it’s animated by Jim Lee (I’m kind of obsessed with his art) and that I get to see the animated version of this. It’s already been released that Whedon alum Alan Tudyk is voicing Superman and DC Animated veteran Jay Oliva will be directing. Check out the teaser trailer at the link below.

Written by Sherif Elkhatib