Emerald City Comic Con 2014
This weekend marked our first trip not only to Emerald City Comic Con, but our first trek to the wonderful city of Seattle. While ECCC wasn’t our first con, it is the first one we really attended as Hush Comics. This article is our way of giving you OUR experience. We don’t want to give you a transcript version of each panel and event because that wouldn’t fully embody our experience Note: The links for transcript versions are provided at the bottom. Instead, we bring you the most complete experience that our tired bodies could muster in a three-day period.
The City
The Emerald City itself is one of the most gorgeous and interesting cities we’ve been in. Seattle is rainy, cloudy and sometimes really windy. We were told that it’s like that for about 9-10 months out of the year. The dreary weather was perfect for deep thinking and it makes the ground lush and green; Seattle’s weather creates a perfect storm of hipsters, coffee shops and grown men in My Little Pony costumes (even outside of the Con, from what I hear). If you think there is a Starbucks on every corner where you live, you haven’t been to Seattle. There was at least one within view of every street corner in downtown Seattle, and at one point, we found three in eyesight of each other in an indoor mini-mall. I don’t know how people there don’t absolutely hate Starbucks by now. The coffee place we really enjoyed was Seattle Coffee Works on 1st and Pike. They have magnificent mochas, chai tea, and chocolate (cayenne orange white chocolate, mmm). However, coffee wasn’t all there was to offer in Seattle.
Being right next to Puget Sound, we ate nothing but fish the entire time. The first stop we made when we got to town was the Pike Place Market. The market is full of unique shops, restaurants, street performers and a giant wall where people stick their used gum wads on (yes, it’s real, and yes, it’s disgusting). In a way, Pike Place Market, and downtown Seattle in general, reminder us a lot of 16th Street in Denver. We gorged ourselves on Clam Chowder and sushi. Our favorite spot was Blue C Sushi – which was actually right inside our hotel lobby. We had never had anything like this before: the sushi came out on a conveyor belt, an actual Sushi Train! One the blank wall above the Sushi Train, there was a projected video of cameras in Tokyo. Who knows when they were recorded, but during one of our dinners, we watched a flash mob version of Grease, Tokyo style. It was as confusing as it was enjoyable. There was also La Creperie Voila, which is a mom and pop Creperie directly outside the Washington State Convention Center; we ate there EVERY. DAY (Adrian loved the Lemon one and Sherif had the Dulce de Leche one).
We didn’t just stay at the convention, though. We took the monorail down to the Space Needle area. Aside from the breath-taking view, the surrounding area of the Space Needle was really intriguing. There was a glass museum, The Chihuly, complete with gigantic, singing flowers, and the Pop Culture Museum. The Space Needle looks intimidating from the ground, and the view from the top was amazing. The public transportation in Seattle is so navigable. The bus, monorail and light-rail system are so easy to use; Seattle is built for large conventions. We also stopped by the Museum of Flight on Thursday. We originally went for the Carol Corps Celebration, but we spent most of our time looking at all the badass planes.
By the end of our trip, we were in love with Seattle. The ease of public transportation, the friendly natives (most of the people from the Con were cool, too, but there were plenty of cranky people) and the unique melting pot that it has become, we enjoyed the city equally as much as the convention itself. And as much crap as we got for being from Denver (that whole Super Bowl thing), the two cities are more alike than their affinity for marijuana – which is not exaggerated (Canni-Bus? Really?). I guess it really is the greenest city in America.
How ECCC Works
If you’ve ever been to a comic book convention, then your logic will fail you here. Nothing is set up the way you would think it is. The autograph sessions are set up in entirely separate floors than the photo ops, the panels are immediately before or after the photos and signings – which means it’s practically impossible to do both. The photos are taken professionally, behind walls of security, and ECCC volunteers will tackle you if you take your phone out in the signature hall; yes, those areas are separate. Everywhere you go, you are herded and prodded like cattle. It was often hard to find where a line stopped or started unless you knew where to look and lines to see people were often capped and then un-capped moments later. It wasn’t all bad, though.
Everybody was generally helpful when we asked questions. The convention is mostly a local one more than an international one (like San Diego) from what we saw, so people are more likely to give you honest and positive advice when asking for directions or opinions, both in and out of the con. Like most things comic book related, ECCC has exploded within the past few years, so it’s only natural that there are some growing pains. I can understand the need for a tight system to keep things moving, but the whole ordeal feels disconnected and impersonal. Denver Comic Con (DCC) did a much better job of letting patrons interact with the very people that attracted them to the convention in the first place.
Stephen Amell – Oliver Queen AKA Arrow
Lance Reddick – Daniels in The Wire
Chad L Coleman – Tyreese in The Walking Dead, Cutty in The Wire
The layout of the convention’s exhibition hall was pretty straight-forward – it consisted of two big rooms separated by a sky-bridge. Where previous cons we had gone to, like SDCC, have been geared towards retail and pushing big brand names, ECCC is largely focused on independent artists and writers. You’ll have a guy who does beautiful air-brush paintings that he did in his garage in a booth right next to Dustin Nguyen, renowned Batman artist. We saw a bunch of our favorite comic book people just hangin’ out at their booths, giving free autographs and telling stories. The fan interaction is what makes people go to these conventions in the first place, and unless you’re looking for somebody ridiculously big in comics right now, you don’t have to stand in line for more than 10-20 minutes to do it.
Overall, the convention is fairly well organized, but it takes a good day or so to understand how things work. These two newbies were able to attend all the big panels we wanted to, get all the signatures and photos we wanted, plus meet a whole bunch of cool people along the way – but we were exhausted, every day. The convention could serve itself well by having a preview night similar to San Diego Comic-Con; it’s just getting that big. There are so many celebrities, both in TV/movies and comic books that they may need it. It would also benefit them to send in the programs along with the badges next year before the show.
They’re Just Geeks, Too!
Forget the exclusives, the big-shot comic book companies and their fancy doo-dads; why do you go to a comic book convention? More than any convention we’ve been to, we were reminded that conventions are run by nerds, with nerds, for nerds. The insane amount of comic book artists, writers and inspired product-makers made for a great opportunity to interact with people who we admire and look up to. When they’re all just hanging out at a booth, signing comics, posing for pictures and telling stories, it’s easier to erase the celebrity we’ve given them. In many ways, they’re nerdier than we are.
One of the best times I had on the floor was meeting Matt Fraction (who writes Hawkeye and Sex Criminals) and Kelly Sue DeConnick (who writes Pretty Deadly and Captain Marvel). This married couple are like the Jay-Z and Beyoncé of comic books. Both were very receptive to comic books, and despite the line, were very willing to answer questions. Along with Chip Zdarsky, who does the art for Sex Criminals, they were quite possibly also the most entertaining group there. At one point, Matt had told people that one copy of their Sex Criminals hardcover had been blessed with Chip’s semen; which one? Who knows? Other notable creators we were fortunate enough to meet were Dustin Nguyen (Lil Gotham), Scott Synder (Batman, American Vampire, The Wake), Ed McGuinness (Superman/Batman, Nova, Amazing X-Men), Gail Simone (Batgirl, Tomb Raider, Red Sonja) and G Willow Wilson (Ms. Marvel, Cairo).
The Hollywood celebs who drew us to the con in the first place are pretty nerdy, too. Chad L. Coleman, of The Walking Dead and The Wire, geeked out when we met him at his photo-op when he saw Sherif’s “Omar Comin’, Yo!” t-shirt. During his TWD panel with co-star Emily Kinney, he talked extensively about what the show means to him and was very deep about his feelings regarding the story and his character, noting that Tyreese does not think of Carol as a monster and that Tyreese is not a one-dimensional character. He kidded Emily about how she reacted to Hershel’s death. Oh, and for all you Bethyl haters out there, Emily approves. Emily Kinney loves Bethyl. Ok, that is out of our system, now.
Stephen Amell aka Oliver Queen aka The Arrow aka the best abs on the CW was fresh off a shoot that started at 3 am in Canada. He almost wore his Arrow costume and fans of the main hall were let down to know this was even a possibility. Amell talked a lot about how he shoots his bow (he doesn’t and there is in fact no safe way to shoot one on set), how he is trained by a professional archer on how to hold his bow and how his hair is “grippy” enough to hold that hood on as he runs. He was also equally excited as the fans were that in the Suicide Squad episode that Harley was alluded to and was voiced by Tara Strong (pretty much any Batman animated series ever, My Little Pony, and my god, every cartoon ever). Stephen showed his soft side by talking about his experience in helping out the BatKid story, making women in the audience sigh. And he won a place in Sherif’s heart forever by rating The Dark Knight a “10”. We both agree that Stephen Amell is one of the most down-to-earth stars and clearly loves his job.
Eliza Dushku wooed the audience within about 1.5 seconds of her entrance, even though she was almost 10 minutes late. She is so cool and so sexy; she can just flip her hair (apparently her hair is her comfort zone) and everyone will swoon. But don’t take her looks or demeanor for granted. Eliza is very aware of herself and her projects. She pitched her new project Gable 5 several times during her panel. And yes, she takes Faith very seriously. She was quick to correct anyone who dared misspeak anything about the other Vampire Slayer. One fan asked her what “five by five” meant and another nervously said “Want. Need. Have.” Miss Dushku was quick to correct her with “Want. Take. Have.” Very Faith. She told us she didn’t know what Boyd’s fate would be in Dollhouse and that she broke her elbow while filming the last episode. She seems to be very used to male fans asking her semi-inappropriate questions, handling them all very well. She even indulged some by sensually feeding them her Turkish Apricots. Yeah, she fed people. Notably, she talked about how she loves all the characters she has played, but that Faith is eternal. Our favorite part of her panel was when she talked about how Buffy fans are intense; popping out of a bush and asking who she thinks she is. Hmmmm… Buffy fans would do that. At her signing, we picked a still of her from Buffy. She got very nerdy and crossed out Buffy’s name and wrote over it “FAITH” in all capitals. It was precious, and so is she.
And then there was Alan. Alan Tudyk, Joss’s gift to Firefly and Serenity. Not only was he hilarious during his photo-ops, but pretty much all the time. After picking up a baby during his pictures, he offered to pick Adrian up the same way. She missed her chance. During his panel, he talked a lot about how Wash had the biggest part of Joss in the character. Alan also broke it to fans and all that fan-fiction that Wash is really dead. “It sucks, but he’s dead.” Apparently Nathan Fillion thinks its funny that Wash died, and Summer is glad because she gets to fly the ship. His response to Summer? “Boppity Boppity Boo… You’re craaaazzzzzyyy!” He also discussed that the Firefly Christmas party became the cancellation party. Joss said he wasn’t done and Alan said every one else said, “That’s so sad. He thinks he can do it…” Alan really knows how to tell stories geared towards his audience. He also revealed that he is writing something to be hopefully released very soon… maybe. It was all very cryptic and ended with him just saying, “Yup.” Geeks will have to wait to see what that is. Every fan who asked a question during the panel got to hear, “Get some shit.” This was his endearing way of pulling out random crap from his bag, autographing it, and handing it to adorers. The best fan question was from a kid dressed as Wash complete with his toy dinosaurs. He was taken on stage and got to act the infamous inevitable betrayal scene, but rather that get some shit, the kid got his dinosaurs signed. How priceless is that? That kid and everyone in the main hall adored Alan Tudyk just a little more.
One of the most personal connections we made at ECCC was with an independent artist from Portland named Ibrahim Moustafa. He draws a book titled High Crimes, a ComiXology exclusive book (that we have since read and plan to review soon!). Just like Sherif, he is a half-Egyptian nerd who doesn’t take himself too seriously. Just like it’s great to identify with characters in the industry, meeting people who work in the industry you can relate to is just as important. We talked a lot, and it was really cool to meet someone that gifted who was willing to shoot the breeze with us. He was so cool, he even commissioned a drawing of our logo. We hope to keep in touch with Ibrahim, it not for his amazing art, then his hilarity.
Art by Ibrahim Moustafa
Art by Ibrahim Moustafa
Tips for Future ECCC-ers:
- Avoid a taxi at all costs. Public transportation is the way to go. It’s cheap, takes credit cards (except for the bus), and is actually pretty quick.
- Get yourself a hotel near the convention. When we went to SDCC, we “saved money” and stayed further away and took a shuttle. Long story short, it sucked. Staying near the convention center will get you much needed sleep and peace of mind. Also, if possible, avoid any of the Con-sponsored hotels. They might sell it as savings, but really, they’re paid a crap-ton of money to promote each other.
- If you’re not going to sit down and enjoy a meal, don’t spend a bunch of money on it. Food is one of the biggest small-time expenses that can be limited, so why spend $30 on sandwiches when you could spend $10 and put the extra towards an artist sketch?
- Cosplaying is amazing, but what’s even better is wearing comfortable shoes. You will spend hours walking, standing, rinsing, repeating. On a similar note, please do shower and wear deodorant. Yes, people will know it’s you, and they will judge you for it.
- Come prepared to buy stuff: artists prints, doo-hickies, collectibles, and of course, comic books. Also know that you will be having to bring or send this stuff back home with you. Some of the best things to prepare are:
- Comic book portfolio: holds approx ten issues for signing and collecting.
- Poster tube or picture hard-sleeve: don’t let those prints/signatures get bent. Trust me, hiding it in a book will not cut it.
- Know where a nearby FedEx is to ship back the really valuable stuff
- Make a few game plans of when EVERYTHING you want to do is. Always give yourself 30-45 minutes before each show or panel to make sure you’ll get in. Depending on the popularity and room size of the event, it will be more/less likely you’ll get to see what you want. The main hall always seems to have room since it’s like 10x the size of the rest of the rooms.
- Always ask questions. And just like with your parents: if you don’t like the answer you get, ask somebody else. When all is said and done, the volunteers have no real authority, so if you can get what you want without throwing a tantrum, go for it.
- The photo-ops are super quick and impersonal, but the signatures allow you to take more time and converse with the celebs a bit more. This really only applies to the TV/movie celebs and the comic book creators with huge lines. Most other creators, you can spend as long as you want talking to them.
Amell panel: http://www.comicbookresources.com/?page=article&id=51826
Dushku panel: http://www.comicbookresources.com/?page=article&id=51822
DC All Access: http://www.comicbookresources.com/?page=article&id=51792
Marvel – Breaking into the Business: http://www.comicbookresources.com/?page=article&id=51825
DC Batman Eternal: http://www.comicbookresources.com/?page=article&id=51790
Written by Adrian Puryear and Sherif Elkhatib
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